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"Ken Field’s triumphal music enables listeners to see with their mind’s eye what the dancers are performing on stage, helping us to contain loss, survive sorrow, live through grief, and ultimately transform us via this journey." - Mark Corroto, AllAboutJazz.com
With Elisabet Curbelo as your travel guide, you may hear the world in a whole new light. Her debut album, Resonance Unbound, invites you to expand your aural imagination and follow in her musical footsteps through places she has lived including the Canary Islands; Madrid, Spain; Istanbul, Turkey; and San Diego. This album is a sonic exploration of her nomadic life, where diverse influences manifest through words, sonorities, instrumental resonances, organic shapes, and the resonant chorus of urb…
Recorded at Dreamland, a historic church converted into a studio just a few miles from Woodstock, NY, August Light captures the organic and spiritual essence of its unique setting. Owned by acclaimed drummer Jerry Marrota, Dreamland’s sensational acoustics and vibrant wood surfaces provided the perfect backdrop for Richard Carr’s collaborative explorations. Joining him on this musical outing are cellist Clarice Jensen and violist Caleb Burhans, both shining lights of the new music scene. Togethe…
Pianist Eunmi Ko’s latest double album, 12 Views on Life, offers a profound musical reflection on the tumultuous years of 2020 and 2021. Through two major projects, SPAM! for solo piano (and other objects she could find around her house) and Project GŪT for ensemble, Ko, alongside the Contemporary Art Music Project [CAMP], delve deep into the existential questions posed by the global pandemic and personal struggles with identity and creativity. Conceived for livestreaming from home, SPAM!, embra…
Douglas Ewart is no stranger to present moments. He has been a creative force – and AACM pillar – for decades and brings his life-affirming energy and formidable artistic prowess to bear wherever he goes. Emphatic Now finds him in Provo with fellow improvising gurus, Christian Asplund and Steven Ricks. The E A R Trio (get it?) found time to record their musical encounter at Brigham Young University during Ewart’s 2022 residency there (12 years in the making). They planned for a long session in M…
Dystophilia: A fascination with the rate of societal decline. An unravelling of order as it careens into a dystopian AI future where melodies pile helter-skelter over phrases, genres melt seamlessly into one another, metal textures crash into chamber-like enclaves, forms teeter on the edge of collapse, violent rhythms transform into ghostly voices, and spiralling polyphonies end in jazz riffs or pop songs.
The music of this album from MC Maguire’s apocalyptic aural imagination, is poured into tw…
In 2021, the Galan Trio – an epic classical piano trio hailing from Athens – built a bridge from Greece to the USA in the form of ten new works for piano, violin, and cello from composers based in the Southeast and Northeast. The project, aptly named Kinesis, met with such acclaim that their odyssey now continues with another phase: twelve commissioned works covering the Midwest and South Central states. Praised by Fanfare magazine for the “open ears and flexibility they display in so many idiom…
Violinist, Hanna Hurwitz, is a musician who champions the very latest contemporary classical works – she is a member of Chicago’s cutting-edge Grossman Ensemble and Ensemble Dal Niente after all – but she is equally at home among solo and chamber works from past eras. For this album, she goes back one hundred years into neglected jewels of the repertoire from that time, bringing her fresh perspective to current ears. She writes, “I wanted to highlight my orientation toward collaboration through …
Crescent is the first solo album from acclaimed composer and performer Kamala Sankaram. Summoning a wide array of timbres and styles, the album traces the impact of human technologies on the natural world, fusing the sounds of steam engines, helicopters, and electromagnetic static with field recordings from across New York State in both composed and improvised settings for voice, percussion, and electronics. The song cycle Crescent is a showcase for Sankaram’s expressive singing and use of exten…
Robert Carl is no stranger to space. Standing on the shoulders of such visionaries as Charles Ives, Carl’s early compositions ranged far and wide through musical history, the “ultramoderns,” and beyond. Recently, however, his works have forged a new direction: a personal take on the ever-expanding spiral structures of the overtone series. Infinity Avenue offers six of these monumental sound experiences, taut in their simplicity yet expansive in consciousness. A state of being “close to nature” i…
It is often said that the cello seems like an extension of the human body; the intimate, resonant pairing melds the two into a larger instrument. It is said too that the cello ‘sings’ when played well. In this album, however, it becomes an even larger whole and enters the realm of speech and language, melody and narrative. In the hands (and vocal cords) of Bryan Hayslett, the cello-human bond takes on new dimensions. Cello Unlocked is a foray into the synthesis of language and melody, blurring t…
If music grows out of a sense of place, then it follows that related places might have related musics. That idea is the springboard for this album that nods at 400 years of links between two vibrant cities. When the Dutch founded Nieuw Amsterdam in the 17th century, they provided the impetus for the growth of a city that shared many values of its model. The multitude of languages, ethnicities and nationalities, as well as an atmosphere of religious tolerance, made for an astounding uniqueness of…
During the Covid doldrums of 2020, the wind faculty at the University of Massachusetts Amherst, like so many of us, experienced acute loneliness and isolation. As musicians accustomed to the musical and social connections that come from the intimate art of chamber music, they longed to channel their creative loss into something meaningful. Bandwidth – a mission as much as a group – emerged to champion chamber repertoire for wind instruments, foster connections between faculty, and provide a mode…
To the bemusement of the rest of us, mathematicians often describe certain equations, processes, and proofs as “elegant,” “beautiful,” or even “sensuous.” Artworks based on algorithms, conversely, might seem less predisposed to such descriptions. But what if those complex calculations actually produced perceptibly emotional qualities? Take, for example, the work of Spanish composer-mathematician Juan J.G. Escudero. His cult classic, Shapes of Inner Timespaces (Neuma 134, 2021), evoked such respo…
The journey of River of January began in early 1969, when as a freshly arrived 14-year-old from Los Angeles, standing by the ocean in Rio de Janeiro [transl., River of January], Rick Baitz heard a crescendo of rhythmic chanting, followed by a parade of women sashaying down the sidewalk, joyfully singing and swaying to the beat of their own samba. He didn’t know at the time that one day he would write a piece honoring the name of that city, but In 1991 he was commissioned by The Juilliard School …
Plucked & Struck is a collection of works for Celtic (lever) harp and small percussion. Many feature the Orff xylophone, a miniature didactic instrument developed by the German composer Carl Orff in the 1920s as part of his early childhood music education system. This album might be the first to explore the classical compositional potential of this particular combo. The music is deeply rooted in New York City. All three performers—and most of the composers—are from “the world’s borough” of Queen…
After over five decades of making music at, in, and around the piano, Denman Maroney may have left New York for the more rustic climes of a quaint French town, but he has not abandoned his musical ambitions. Choosing March 2020 to travel, and kept in place by the pandemic shutdown, Maroney put down roots that are now flourishing in this double album with fresh local conspirators. Taking John Cage’s prepared piano and Conlon Nancarrow’s rhythmic innovations to new musical territories, Maroney’s p…
“Music and nature have a long and illustrious history together,” writes violinist, composer, improvisor, hiker, Richard Carr. “It’s been done a zillion times, but I can’t fight it anymore. True, I spend more time than most knocking around the woods and winding up and down the trails. Over the course of six decades, I have explored the major mountain ranges of six continents. This has been long enough to witness first-hand the changes that have been so apparent not only to the naked eye but also …
There is no shortage of songs about flowers, but few actually let the flowers themselves do the singing. Now, thanks to advances in genome sequencing and data mapping, we can, as it were, hand them the mic and hear their side of the story. With a little help from experimental composer and orchid whisperer, Juraj Kojš, brings their inner world to life, revealing its musical potential. You have heard the sonified data of black holes, gravitational waves, weather, and the stock market. Now make way…
There are many cultures that use repetitive, percussive music to induce meditative states. In cultures as diverse as those in Asia, the Middle East, and West Africa, the drum has been used to weave entrancing patterns that move the body and mind. Drummer/composer Dan Kurfirst has been studying the drums, rhythms, and their combined effects on the body and mind. His new recording, Arkinetics, provides a fascinating encapsulation of his study of global rhythms, free improvisation, and engaging pro…