★Nimbus West Records
Desert Fairy Princess
There's a particular light in the music of Los Angeles's spiritual jazz community of the late 1970s - something warm, searching, unpretentious. Adele Sebastian's sole album as a leader catches that light perfectly. Recorded in 1981 and released on the legendary Nimbus West imprint, Desert Fairy Princess stands among the finest documents of West Coast creative music from the period.
Sebastian was born in Riverside, California in 1956 into a musical family - her mother played piano with the Albert…
Live at I.U.C.C. 5/27/79
** 333 copies, one-time pressing ** Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ. This May 1979 concert brings the goods, several tracks were selected for inclusion on the original 1979 “LIVE at IUCC” 2LP.. “Future Sally’s Time”, “LTT”, and “Village Dance” are presented as fresh transfers alongside extended takes of “Sea Wife” and “Many Nights Ago”… Lester Robertson killing it this afternoon…
Live at I.U.C.C. 3/30/80 (2CD)
** 333 copies, one-time pressing ** Pan Afrikan Peoples Arkestra n concert at the Immanuel United Church of Christ. Completely unheard concert from March 30, 1980
Live at I.U.C.C. 2/24/80
** 333 copies, one-time pressing ** Pan Afrikan Peoples Arkestra live in concert at the Immanuel United Church of Christ. Completely unheard concert from February 1980
Live at I.U.C.C. 9/30/79
** 333 copies, one-time pressing ** Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - September 30, 1979. This is the seventh concert that Tom Albach recorded at Immanuel United Church of Christ. A wild and beautiful performance from beginning to end. Opening with an angelic take of Coltrane’s ‘Equinox’ which turns into a Coltrane medley, this recording is obviously a special one from the start… the existence of an unheard Sabir Mateen composition from 1979 (‘A C…
Live at I.U.C.C. 3/25/79
** 333 copies, one-time pressing ** Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - March 25, 1979. This is the third concert that Tom Albach recorded at Immanuel United Church of Christ. This recording finds the Arkestra on new feet following the departure of bandleader Jesse Sharps. Featuring two of Jesse’s classics, including a totally different take on ‘Mykowski’s’, and the now iconic live version of ‘Desert Fairy Princess’, this concert also marks the debu…
Live at I.U.C.C. 4/29/79
** 333 copies, one-time pressing ** Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - April 29, 1979. This is the fourth concert that Tom Albach recorded at Immanuel United Church of Christ. Featuring fiery takes of ‘Village Dance’ and ‘Mykowski’s First Fifth’, this concert also marks the only known recording of Tapscott’s ‘Song of Emanon’. Rounded out with the Jesse Sharps tune ‘Sea Wife’ and Tapscott’s homage to David Bryant ‘Dee Bee’s Dance’, this recording ma…
Live at I.U.C.C. 4/27/80 (2CD)
**333 copies, one-time pressing** Volume 11. 2 disc set documenting the Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - April 27, 1980. This is the eleventh and final concert that Tom Albach recorded at Immanuel United Church of Christ. Easily ranking as one of our favorite performances of the series, its also destined to be considered one of the greatest Arkestra live recordings, brimming with intense energy and culminating in the 1-2 punch of a blazing “Lelan…
Live at IUCC 11/25/79 (2CD)
** 333 copies, one-time pressing ** 2CD SET in gatefold slipcase 2 disc set documenting the Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - November 25, 1979. This is the eighth in a series of eleven concerts recorded at the church. This month sees the Arkestra stretching out and reaching blissful heights… the 30+ minute long version of “Carnival” is worth the price of admission alone, but the same could be said for the monumental “Nation Rising” or the deep ta…
Live at IUCC 2/25/79
Volume 2 out of 11. Edition of 333 copies, one-time pressing. This is the last recording with Jesse Sharps as the Bandleader before he left for the Army. An incredible afternoon of music and a fitting “Departure” for a Jesse, a true pillar of the 70’s Arkestra. Macrame was originally released in 1979 on the IUCC 2LP, it is presented here, in a raw transfer of the master reel. Mykowski’s 1st Fifth is nothing but pure fire with those blistering solos by Sharps, Session, and a very special reading …
Live at IUCC 6/24/79
**333 copies, one-time pressing** Volume 6 out of 11. This is the last recording with Jesse Sharps as the Bandleader before he left for the Army.. An incredible afternoon of music and a fitting “Departure” for a Jesse, a true pillar of the 70’s Arkestra. Macrame was originally released in 1979 on the IUCC 2LP, it is presented here, in a raw transfer of the master reel. Mykowski’s 1st Fifth is nothing but pure fire with those blistering solos by Sharps, Session, and a very special reading by Kam…
Live at I.U.C.C. 11/26/78 (2CD)
A never before issued recording of Horace Tapscott leading his legendary Pan-Afrikan Peoples Arkestra, 'Live at I.U.C.C. 11/26/78' documents the entirety of a nearly two-hour performance that rises as one of the most beautiful, striking, and historically important releases of the year. The first in a series of eleven volumes planned by the label for 2023, this 2CD set is limited to 250 copies only and is already sold-out at source. A joyous explosion of sound, seeded by social, political, and co…
Tapscott and Winds (LP)
Super Tip! * Originally recorded in 1983. A never before released Studio album featuring Horace Tapscott with flautist Aubrey Hart and saxophonist Kafi Roberts. Direct From the 1/4” Master Tapes (All Analog Cut), Tip-On Sleeve Insert with Liner Notes by Mark Weber *
At The Crossroads
**Original, still sealed copies of this rare album! Few available** Likely one of the most underrated Nimbus albums. Horace Tapscott & Everett Brown Jr.'s piano and drums avant-guard jazz outing 'At The Crossroads'. Piano and Drums : raw, uncut, brilliant
The Creator's Musician
Solo bass albums constitute a rare and demanding genre. The instrument's resonance, its sustain limitations, the absence of harmonic support - all conspire against extended solo statements. Yet Horace Tapscott's longtime bassist approaches the challenge with a structural intelligence that transforms apparent constraints into compositional architecture. Roberto Miranda's arco work on "Evolution On The Life Of Moses" demonstrates a command of overtones and microtonal shadings that recalls the medi…
Thomas Tedesco And Ocean
The Tommy Tedesco case is singular in California jazz history. A session guitarist among the most sought-after in Hollywood - thousands of recordings, film scores, pop records - chooses for his most personal statement the company of Bobby Bradford on trumpet and Roberto Miguel Miranda on bass, with Onaje Sherman Ferguson on drums and Sartuse on percussion. Not exactly the context of those Sinatra dates.
The result is a structurally sophisticated free jazz document. "The Doubleness of Three" supe…
Phantasmagoria
Curtis Clark's Nimbus debut - and he brings the whole Los Angeles underground with him. Miranda and Theus: the rhythm section that powered Horace Tapscott's Arkestra, that held the floor at UGMAA meetings, that knew how to make a piano trio sound like a congregation. This is the connection - Chicago kid studies with Tapscott, absorbs the lesson, makes his first record with the master's own people. Side A: "Phantasmagoria" - one long piece, the title track eating up the whole side. Side B: "Bouqu…
Deep Sea Diver
Just two people. Piano. Voice. Nothing else. No bass, no drums, no safety net. This is where Clark strips everything away - no Amsterdam quintet, no Dutch improvisers, just 88 keys and one voice diving deep. "Rainbow Over Harlem" opens and closes the record. "Cosmic Minstrels." "Deep Sea Diver." "Farewell Gentle Spirit (For Rev. Frank J. Harper)" - a dedication that tells you where this music comes from. "Broken Mirror Reflections." "Amy Yvonne." Titles like chapter headings in a book of hours.
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Amsterdam Sunshine
Bomb! Drop the needle. Thirteen minutes and twenty seconds. "Daniel/Amsterdam Sunshine" - dedicated to Daniel Halifee - opens this record like a prayer. Not a quick prayer, not a polite prayer. The kind that takes its time, builds in waves, lets the spirit enter the room. Clark's piano states the theme, Moore's alto answers, Reijseger's cello pulls you deeper. This is spiritual jazz in the truest sense - music as ceremony, music as offering.
A man from Chicago who studied with Horace Tapscott in…