★Relative Pitch Records
Still Life with Lemons
Still Life with Lemons began as a ‘Reflex’ commission from the Amsterdam venue Bimhuis. This album is a live recording of that special first performance. Powerful musical characters meet on stage in a spirit of exploration, friendship, and openness, through the energetic and interplay-driven world of Marta Warelis’ compositions, where each musician’s distinct approach shines collectively. They explore the multilayered and the multiphonic, with a special interest in beat frequencies. This collect…
Six or Seven Ways Towards Becoming Undone
The duo of Camila Nebbia and Chris Corsano brings together two fiercely creative voices from the international improvised music scene. Nebbia’s searching tenor saxophone lines meet Corsano’s explosive, highly textural percussion in a set of spontaneous exchanges of raw expression. Their music moves fluidly between delicate detail and surging intensity, driven by deep listening and fearless experimentation. The result is a striking dialogue where every gesture reshapes the sonic landscape in real…
Studio Recording
The new release by Ochibonoame captures the trio’s raw and searching approach. With Makoto Kawashima on alto saxophone, Louis Inage on bass, and Naoto Yamagishi on drums and percussion, the group navigates the volatile terrain of silence and eruptive energy. Their music unfolds as an intuitive dialogue, where fragility and abrasive sonic bursts collide in real time. The result is a deeply visceral document of spontaneous creation, rooted in the underground spirit of Japan’s improvised music scen…
Vi la pampa arder
The trio of Luciana Bass, Ezequiel Jaime, and Federico Isasti brings together three distinctive voices from Argentina's adventurous improvised music scene. Centered on Bass’s expressive sonic palette, their music is both volatile yet deeply attentive, fueled by Jaime’s exploratory playing and Isasti’s highly responsive drumming. They move freely between sparse textures and intricate collective energy. This release documents a trio deeply attuned to one another, forging form and intensity in the …
Distractions for Trumpet & Ajaeng
On Distractions for Trumpet & Ajaeng two radically distinct instrumental traditions converge in a study of texture, fragility, and focus. Kelley’s whisper-quiet trumpet tones and microscopic bursts of air intertwine with Kim’s bowed ajaeng, its coarse, resonant grain stretching and splintering in real time. The result is a taut, immersive dialogue that transforms subtle gestures into seismic events and invites listeners into a heightened space of deep listening and unpredictable detail.
Setpieces
Setpieces captures Cath Roberts & Olie Brice at a new peak of focus and invention, distilling their long-running musical rapport into a set of raw, finely tuned improvisations. Roberts’ baritone lines carve out bold shapes and sudden whispers while Brice’s bass grounds and disrupts in equal measure, creating a vivid, unpredictable dialogue. A striking next chapter for two of the UK’s most distinctive improvisers.
Selections from the Gutter
“Selections from the Gutter” brings NYC saxophonist Michael Foster with the longstanding rhythm section of Swiss bassist Christian Weber (of Sudden Infant), and German drummer Michael Griener, a longtime fixture of the Berlin scene. The trio brings shocking, visceral energy to a distinct structural awareness; drawing suspense from form in each of the David Goodis-inspired titles. This is improvised music digging deep into a shared sense of history, form, and drama.
Penumbra
Recorded in a neighbourhood church in the city of Ghent, Belgium. Penumbra is a fully improvised album. It was born from a personal urgency of searching for ways to keep creating sound in moments of uncertainty. It grew from a desire to move beyond the limit of a single instrument, to experiment with different materials, objects, and instruments. Merging, melting, creating, sounds, poems, and acoustics that inspire me. Penumbra is a state of uncertainty and urgency, moving with freedom and doubt…
For Hind Rajab
For Hind Rajab is a deeply personal and meditative exploration of sound, memory, and sonic embodiment. Across the album’s intimate unfolding, Khoury draws on extended techniques, silence, and subtle timbral shifts to create a landscape where each gesture resonates with emotional and cultural depth. Inspired by and dedicated to Hind Rajab, the work weaves contemplative lyricism with bold experimentation, revealing the violin as an instrument of both introspective nuance and radical presence. The …
For Baritone Sax, Double Bass & Drumset
This 2013 meeting of baritone saxophonist Daunik Lazro, bassist Joëlle Léandre, and drummer Paul Lovens is a deep dive into spontaneous creation at the highest level of free improvisation, uniting three of Europe’s most adventurous and seasoned improvisers. Drawing on decades of individual and collaborative experience within the global improvised music scene, the album explores extended dialogues across timbre, texture, and breath, where Lazro’s rich, expressive saxophone language meets Léandre’…
Imprimiendo
This album is a mix of sounds from paper printers, recorded at two printing houses in Santiago, Chile, in March 2025, and improvisations played with these sounds at the Disonaureo studio in Santiago, Chile, in July 2025.
Rörane
Rörane showcases an adventurous blend of free improvisation and jazz-rooted exploration from Swedish experimental ensemble stalwarts. Recorded with bassist Nina de Heney, pianist Karin Johansson, and drummer Henrik Wartel, the project melds deep spontaneous interplay with Bothén’s decades-spanning creative voice in avant-improvised music. A boundary-pushing sonic journey that reflects both the collective’s empathic interplay and their shared drive toward expansive musical expression.
Live Bahdu
Legendary saxophonist Don Dietrich and his powerhouse cellist daughter Camille Dietrich collide in Live Bahdu, a fierce musical union that music critic Byron Coley hails as “sheer wailing sonic pleasure.” Don, an untamed force who has spent over forty years shaping the explosive core of Borbetomagus, unleashes a volatile, lung-shaking roar, an unyielding take no prisoners wall of sound. Camille answers with her own ferocity, channeling raw, electric intensity through the disciplined edge of her …
Keep Telling Yourself That
“Keep Telling Yourself That” is the debut album of the New York City-based experimental bass-violin duo of Jennifer Gersten and Maggie Cox. It is a collection of improvised songs testifying to a frisky, impish, no-holds-barred imagination for acoustic string playing. Bassist Maggie Cox exploits her titanic expressive and dynamic range on an instrument outfitted with gut strings, and violinist Jennifer Gersten transforms a beater violin through object preparations into an engine of ghastly twangs…
Open Space
The (improvised) music is inspired (and structured) by the iconic book of Georges Perec from 1974 titled Espèces d’espaces. We designed a musical story following the chronology and the emotional evolution of the book. Music, too, generally needs a ‘void’ to move. It demands openness and, as such, is an invitation.
The eerie glow of jellyfish
LDL brings together soprano saxophone, amplified spinet and analog synthesizer in a finely balanced exchange of precision and volatility. Drawing from deep roots in European free improvisation and contemporary music, their music unfolds as a dense, hyper-attentive dialogue where structure and spontaneity are in constant negotiation
We Are. Profoundly. Predisposed. To Drowning.
The music of this trio is an ongoing conversation between three women about life as it unfolds between artistic practice and daily routines. Compassioned conversations about being someone’s mother, someone’s daughter, someone’s partner, someone’s friend seamlessly float into the musical sphere, where words and emotions are transformed into pitches, harmonies, rhythms and artistic gestures.
Three strong artists from the creative music scene of northern Europe has formed a trio that feeds from the…
Veins Of Rain
Masayo Koketsu and Nava Dunkelman met for the first time in this studio session. Koketsu’s inventive use of extended techniques and breath-infused wails filled the space with an experimental intensity. Dunkelman responded with a finely woven tapestry of percussive textures, her delicate rhythms binding their sounds together. Her sensitivity to nuance allowed Koketsu’s raw cries to blend effortlessly, as if the two had long shared a musical language. Their exchange was both electric and restraine…
Murmur
I am fascinated by the coordination and elegance of a flock of birds flying, forming beautiful murmurations, constantly changing, seemingly without effort. This communal act provides protection through the sheer number of birds and their changing position; it is an exchange of information amongst them and it has a clear collective ending when the flock decides to fly back to the ground. In Murmur, I want to explore how a large ensemble can make use of these instincts of communal movement, coordi…
Grazing (Two Live Cello Solos)
This solo release captures Hannah Marshall at her most immediate and expressive, presenting improvisations that pulse with presence and physicality. Her playing radiates warmth and curiosity, offering thoughtfully shaped improvisations that feel both spontaneous and deeply grounded.