We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Edition of 300 copies, one-time pressing. Deluxe Japanese edition. Robert Haigh made his trilogy of piano solo albums (‘Notes and Crossings’, ‘Anonymous Lights’, and ‘Strange and Secret Things’) during 2009-2011 and ‘The Silence of Ghosts’ in 2015 for Siren Records. The tracks for each of these releases were carefully selected with consideration for the flow and development of the project. Inevitably, for various reasons, some tracks did not fit a particular album and they have remained unreleas…
An abandoned silence. Dreams of drifting, living a fatefull solitude. Wrapped around a grey and foaming voice, reaping impulse and mass like forgotten beats. Lost to countless days and nights, rocks and soil, sand and stars, in the sadness of being standing apart.
Remember the rising flame from time long ago, a sound thqat shook deeply from the bottim of a boiling ocean. On e voice of Mother Magma, formless lava fashioned a primeval landscape. Ash, smoke and seething seas, a red-hot avalanche ca…
*300 copies limited edition* ‘Drifting’ is the very first collaboration between Andrew Chalk and Daisuke Suzuki, which has remained unsurfaced since then-their private recording in 1996. In early 1996 Daisuke sent Andrew a DAT tape which included some unedited pieces that he recorded with found objects in his garden. Those fragments of recordings inspired Andrew to make a spontaneous recording and he made a live mix directly to cassette recorder with his instinct and archaic vision. ‘Drifting’ i…
"'DDD' is a field recording album recorded by Daisuke Suzuki and was originally released by Texas based IDEA in 2001 in an edition of 300 copies on LP. Sometimes field recordings can be appreciated in relation to the conceptual art form, or as an on-site sound study and documentation of a very specific phenomena. Daisuke had no concept of the idea of building sonic panoramas and was specifically only Concerned with gathering lots of intriguing sound matter for his personal listening. 'DDD' was…
Lighting flashes through the ether and rain whips the earth violently. From the innermost depths, the pale of candles, a constancy. A midnight torrent overflows and marks time in solitude. The cold air searches, sewing through the ground, slowly changing and irresolute, nothing is lost. Paths are drawn contorted by fierce winds that traverse the ground in uncertain times and places. Oreder flows through chaos, every step of the spiral is forever surging and altered, yet everlasting. In a space, …
*2022 stock* Ferial Confine is an early Andrew Chalk experimental, somewhat noise-based project. Meiosis was originally released as a cassette on Broken Flag in 1985. You can certainly hear the influence of The New Blockaders and, to some extent, Whitehouse (no shouting, though), but Meiosis is a fine example of what was 'in the air' for a small amount of people scattered around the world at the time. I think the thing that keeps a lot of this music so relevant is the purity and uncompromising n…
An abandoned silence. Dreams of drifting, living a fatefull solitude. Wrapped around a grey and foaming voice, reaping impulse and mass like forgotten beats. Lost to countless days and nights, rocks and soil, sand and stars, in the sadness of being standing apart.
Remember the rising flame from time long ago, a sound thqat shook deeply from the bottim of a boiling ocean. On e voice of Mother Magma, formless lava fashioned a primeval landscape. Ash, smoke and seething seas, a red-hot avalanche ca…
"David Jackman’s music, both as Organum and under his given name, is typically characterized by repetition, brevity and a deadpan aloofness. He’s made plenty of extremely short (sometimes one-sided) 7” singles, albums containing multiple slight variations on a single piece, and albums of compositional (if not sonic) minimalism. It’s Jackman’s typical move to provide very little information beyond a word, or sometimes an image. Lately, he’s been predisposed to not even providing an image; just as…
Latest missive from the recent wave of D.Jackman releases. This one is sure to please fans of early Organum releases with it’s rolling churning drone industrial electronics. Again, music made by Jackman, in a world conceived by Jackman, sounding exactly like a part of this immense Jackman language. A new staggering piece to this immense ongoing project. A constant flow of wavesCold, light and flourescentCrystallise empty feelingsThe howling echoes of a foxSomewhere in a vast open plainAn asteroi…
In the birth of the universeTime stands still amidst a wild and untamable energyRadiant light bathes and purifies solid stone pillarsBoth ancient and modernWild vibrations touch our most innermost core and perceptionOrganum Electronics exists in the clear moment of the presentBut its mysterious compositions lay hidden in a timeless pastModulating oscillations mirror our most fundamental sense of beingAs though a living and breathing entity would Communicating with a life-force and language we ha…
Raven is the first new Organum album release since that of Sorrow in 2010 (Siren Records) and was recorded in 2017.For the realisation of Raven, Organum was comprised of David Jackman, Alan Jones, and Daisuke Suzuki.The first Organum 12-inch release 'Tower of Silence' (LAYLAH-1985) was a work of multi-layered bowed sound and scraping metallic objects, but there was an innate silence within this wall of noise - as Basho’s Haiku poem echos :“Deep silence, the shrill of cicadas, seeps into rocks.” …
Andrew Chalk and Daisuke Suzuki have known each other for many years now, as Suzuki runs the Siren label out of Japan and had released Sumac, Chalk's masterful collaboration with Jonathan Coleclough. Suzuki is also responsible for one of the very few published interviews with the somewhat reclusive Chalk. Their friendship certainly runs deep, and out of this friendship came the impetus to collaborate once again (both Suzuki and Chalk had contributed to the now defunct Ora project well ove…
Fully remastered and repackaged second release of the final Ferial Confine album 'First, Second and Third Drop' by Siren Records (Japan). Here presented in Japanese mini-LP style sleeve with obi, mastered at Skye Masteringby Denis Blackham in 2012. 'First, Second and Third Drop', although never actually released when it was completed in late 1985, became the final cycle of music by Ferial Confine and marked a departure from the closing moments of the preceding album 'Meiosis' (Siren 022). Its im…
Until now, Sir Ashleigh Grove has been shrouded in mystery, having only appeared on a handful of legendary compilations on labels such as Broken Flag in the early-mid 80's and having briefly collaborated with The New Blockaders before inexplicably disappearing without trace around 1984. Sir Ashleigh's work has been compared to other Power Electronics artists of that era, in particular Whitehouse, Sutcliffe Jugend and Ramleh (Sir Ashleigh, in a live collaboration with TNB, supported Whiteh…
Robert Haigh continues on in his post-Omni Trio musical world, releasing a type of contemporary classical/ambient music that is piano-based and bridges the worlds of Aphex Twin (in the Richard James’ quieter moments), Max Richter, Eno and Chilly Gonzales. These, as with the instrumental pieces on recent-enough Robert Haigh album, the gorgeous Darkling Streams, feel all at once like demo-versions and finished pieces; the writer sitting down at the keys and shaking loose a few ideas. Stopping to f…
Awesome reissue! Here sensitively remastered by Denis Blackham from the original master tapes at Skye Mastering and with a beautiful facsimile mini LP style sleeve, made in Japan.The Full Use Of Nothing was the first serious publication of music by Andrew Chalk/Ferial Confine on cassette in 1985. Early experimentation in acoustic percussion and primitive multi-tracking techniques shaped the sound and spirit of these formative recordings, somehow very tentative but leading to an on-going …
Robert Haigh should be a name familiar to more intrepid record buyers of the 1980's. I discovered his EPs on L.A.Y.L.A.H. Anti-Records in the bins of Tower Records, where the label name associated his music with purveyors of sonic perversity such as Nurse With Wound, Organum, Current 93, Coil, and The Hafler Trio. In fact it was in their company that I first heard his music tucked between those very artists on "The Fight Is On" compilation, oddly enough with a solo piano piece. It seemed out …
Here's the cd reissue of a 2009 cassette from the emissary of British dronemusik, Andrew Chalk. That cassette, like this cd version, had been released by the Japanese imprint Siren Records, although it seems that Chalk himself did all of the printing as with all of his Faraway Press productions. So, it certainly looks as lovely as it sounds. The album opens with a 22 minute abstraction of piano tones, smeared, stretched, and warbled by a process that seems more attuned to tape decay techniques t…
new work by David Jackman aka Organum after completing the recent "Holy" trilogy ('Sanctus', 'Amen' and 'Omega'). SOROW is not an album that expands the trilogy still farther, but opens a new chapter in Organum's career. On the basis of the European organ drones and the Indian Tanpura foundation, the gentle Japanese temple bell compliments the piece. ....