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Able Noise are a cross-continent duo based between The Hague (NL) and Athens (GR), built around the experimental baritone guitar and drum playing of George Knegtel and Alex Andropoulos. After a few formative attempts at collaboration, they officially came together as the Able Noise we see now in 2017, uniting over shared thoughts on art and performance encountered while studying at The Royal Academy of Arts in The Hague. Their first recorded work, a seamless 30 minutes of glistening post-rock an…
Drummer-composer and multi-instrumentalist Valentina Magaletti’s explorative percussions join Afro-Portuguese artist Nídia’s singular beat-making for an exciting new collaboration in dance music. From the first beat, listeners are drawn into a world where rhythm reigns supreme and movement is inevitable. The album explores a diverse yet universal musical language through syncopated drum patterns, pulsating marimba lines, and melodic interludes.
When the quartet of Luke Martin, Gabriel Salomon, Klaus Janek and Andy Graydon gathered to record an afternoon of sessions in Andy's studio, it was both the result of years of cultivation and an afterthought. Klaus and Andy had been long-time, and now long-distance, collaborators since their shared years in Berlin. That city was also where Andy was introduced to Gabriel at one of his solo performances by their mutual friend, the painter Paul McDevitt. Years passed, and cities. After meeting and …
In 1967 Morricone was at the peak of his career, and his score for Diabolik can be ranked among his most spectacular achievements. It is quite amazing that no official album was ever released. Only a couple of bootlegs saw the light, based on the soundtrack of the movie, providing a fairly faithful account of the movie's atmosphere and of the music content. Their approach was paradoxical however: carefully taking out the parts of the music which were covered over by dialogue, but also adding dia…
There are not enough superlatives to describe Ennio Morricone’s score to "Once Upon a Time in the West". It is considered the best movie soundtrack ever by many. Finally we have the complete score in 31 tracks. 4 of these have never been previously released, 3 have never been released by the Solisti and 3 have been upgraded. It includes a 24 page booklet with critical notes & listener’s guide.
The original soundtrack was presented in two different versions, the initial one being restricted to 15 tracks and 50 minutes because of the limitations of the vinyl format. A so-called special edition saw the light on CD in 1998, adding 25 minutes to the program. It included a long suite which was actually a collage partly repeating previously released music. Combining the album tracks with additional music heard in the movie and removing the duplications, a program of more than 78 minutes was …