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New Arrivals / Today

Agni Hotra (2nd Mix)
Agni Hotra" references the ancient Vedic fire ritual - one of Hinduism's oldest ceremonies, performed at sunrise and sunset to purify the environment and establish cosmic harmony. By invoking this concept, Akita suggests that Merzbow's harsh frequencies might serve purifying rather than merely destructive functions. The fire ritual burns away impurities, leaving clarity and renewal in its wake. This alternate mix reveals how studio decisions shape ostensibly "raw" noise - the fire ritual metapho…
Age Of 369
By the mid-1980s, Merzbow had established itself as a defining voice in the emerging global noise underground. International cassette-trading networks carried Akita's recordings across borders, connecting Tokyo's experimental scene with kindred spirits worldwide. Age Of 369 documents this confident period - the numerological title invites esoteric interpretation, as 369 appears in various mystical traditions, most notably Nikola Tesla's theories about universal patterns. The number 369 held part…
Le Sang Et La Rose
The French subtitle - "Blood and Rose" - evokes the surrealist and decadent literary traditions that have long influenced Masami Akita's aesthetic sensibility. From its inception, Merzbow has drawn on European avant-garde movements: Dadaism, Surrealism, Fluxus, and the transgressive literature of Georges Bataille and the Marquis de Sade. The lotus flower itself carries rich symbolic weight across Asian traditions - representing purity emerging from muddy waters, spiritual enlightenment rising fr…
Musick For Screen
The evocative title hints at Merzbow's engagement with visual media- Masami Akita has consistently maintained interests in film, photography, and visual art alongside his sonic practice. Musick For Screen suggests soundtracks for films that may never have existed - or perhaps for films of the mind. The archaic spelling "Musick" connects this work to pre-modern musical traditions, when sound, magic, and spiritual practice remained intertwined.
Expanded Musik 2
Expanded Musik (2) reflects the duo's growing ambition to push beyond conventional noise parameters into territories where sound becomes sculptural, architectural, almost tactile. The title references Gene Youngblood's concept of "Expanded Cinema"—the idea that film could transcend traditional constraints to become a total sensory experience. By extension, Akita's "Expanded Musik" suggests sound freed from musical conventions, operating on purely phenomenological terms.
Yantra Material Action
Yantra Material Action stands among the most significant documents of early Merzbow. Recorded during 1981—a watershed year that also produced Collection 010—this album captures the project at a moment of intense creative ferment. The "Yantra" concept, drawn from Hindu and Buddhist traditions, refers to geometric diagrams used as meditation aids. By invoking this concept, Akita signals his early interest in spiritual and philosophical frameworks as organizing principles for sonic chaos. This reco…
Collection: 010
The "Collection" series holds legendary status in Merzbow historiography—a cornerstone of the project's early catalog that established methodologies Akita would refine for decades. Between 1981 and 1982, he released ten volumes on his own Lowest Music & Arts label, each created by mixing multiple tapes into dense sonic collages. Collection 010 represents the culmination of this early methodology. Originally recorded on October 26, 1981—the same fertile year that produced Yantra Material Action—t…
Telecom Live
Another excavation from Merzbow's formative period, Telecom Live preserves the raw energy and experimental spirit that characterized the duo's earliest explorations. The "Telecom" title suggests communication systems—appropriate for recordings that document Akita and Mizutani developing their own sonic language, transmitting signals across the boundaries of conventional music. The recordings crackle with the excitement of artists discovering a new sonic language in real-time. Unlike later Merzbo…
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