New Arrivals

The title “Mijin” comes from a Japanese word meaning very fine particles. The album gathers particle-like sounds and lets them resonate in space. As I watch the movements that arise between them a balance gradually takes shape. Within those relations…

Big Tip! Born in the mid-1950s, the NHK Electronic Music Studio was a world-leading lab where Japan’s electronic music took shape. This album gathers works created there between 1968 and 1974—a vivid snapshot of chance operations, ring modulation, wa…

Fusing the freedom of jazz with the drive of progressive rock, this record delivers dynamic rhythms, soaring solos, and rich, textured soundscapes. From intricate instrumental passages to bold, high-voltage performances, this album captures the spiri…

"These are not musicians trading licks or showing off individual virtuosity - they are six voices engaged in genuine conversation, responding to each other with the kind of intuitive understanding that only comes from years of shared musical history.…

If the blues represents "the expression of a dissatisfied mind" then this EP can be considered a blues EP.  If not sonically then in attitude and intention.  A mind dissatisfied enough to travel three hours west to the middle of nowhere Pennsylvania …

After months of careful excavation and meticulous restoration, dj echotree finds his way to ZitStill with a singular artefact. Delving into lost remnants of the spirit world, a gapless collage of found footage, spoken word and otherworldly jazz slowl…

With their self-titled release on Titrate Records, Post Coma presents two twenty-minute passages shaped by a winter improvisation. What surfaces is a sense of detachment — at times even dissociation — treating the improvisation as a shared descent in…

Aspen Edities is pleased to present Aerial, the third album of the experimental quartet Oker.

Wizardmaster is the experimental electronic music project of Oakland-based musician Mark Stramaglia with long-time collaborator Oliver Kollar. Both were members of Operation Re-Information (ORI), which released albums on Vinyl Communications. This re…

*50 copies limited edition* This CD is inscribed with physical defects (scratches with a needle) covering track 8 which consist of a 22049 Hz inaudible sinewave. This will produce audible artefacts, different in nature depending on the CD player used…

*50 copies limited edition* Strictly intended for playback on a hardware cd-player. Listener discretion is advised. Limited edition, fixed media, no official digital file edition ever ~ support the compact disc.

*2026 stock, 50 copies limited edition* CD-Single. Total size: 62 MB (06:12.08) = 27906 sectors. Strictly intended for playback on a hardware CD-player. Listener discretion is advised. Mixed and edited in Adobe Photoshop by JºnΛs °lΣs∈n. Fixed media,…

*2026 stock, 50 copies limited edition* Composed of source material extracted from a recording of tuning forks in rainy weather. Vibrations of the metal, rain on contact microphone, small movements and noise from an electrical system. Comes in transp…

On The Watchers, eight Todmorden‑based artists summon a new, collectively woven score for Richard Foster’s 1969 cult short, amplifying its semi‑rural folk horror, UFO lore and moorland unease into a creaking, psychic soundscape.

On Reverse Acceleration of Dragons, Radx (X.Y.R. & Vlad Dobrovolski) drift through retro‑synth mirages and sci‑fi haze, blending Cascone‑esque electronica and “living machine” dragons into a soft‑focus, humid strand of 12th Isle ambient.

On Declension, Sissy Spacek’s core duo John Wiese and Ch. Mumma condense their most feral impulses into two mid‑2024 blowouts, erecting sheer walls of cascading electronics and scorched‑throat vocals that feel like being dropped into a collapsing sta…

On Live Non-Plus Ultra, Strain of Laws—the duo of Aaron Hemphill and John Wiese—drag voice and electronics through a pressure system of sub‑bass, hiss and mumbled fragments, documenting their 2025 LA set as a single, slowly suffocating industrial hal…

On Third Night Sparks, Akio Jeimus, Risa Takeda and T. Mikawa bottle a one‑off Bar Isshee trio into a crackling nocturne of electronics and synths, where noise iconoclasm and poised, in‑the‑moment listening fuse into a single live current.

On Morte Lilás, Força Maior (Pedro Alves Sousa & Pedro Tavares) turn a decaying 400‑year‑old farm into an instrument, spinning sax‑sourced, electronics‑blurred meditations that move like slow weather between trance and lucid, lilac‑tinted reverie.

The charming, thoughtfoul Oracle conveys the familiarity and empathy of partners who have worked together for years – light touch, intricacy and sensitivity pervade the session. Oracle wins you over with its warmth and melodicism.