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Cold Blue Two is an eclectic anthology of 14 new, previously unrecorded works—many of them written specifically for this CD—by a diverse collection of composers whose personal musical visions usually blend intuition with process. The composers includ…
Four Thousand Holes is a sometimes lush, sometimes fragile, rhythmically complex and technically demanding work for piano and mallet percussion (performed by the extraordinary pianist Stephen Drury and percussionist Scott Deal) and ghostly electronic…
New Re-mastered & Expanded Release with four previously unreleased bonus tracks. Esoteric Recordings are pleased to announce the release of a new
re-mastered and expanded edition of the classic 1972 soundtrack album to
Roman Polanski’s gritty film …
Four serene, unique, and entrancing pieces for solo qin (a zither-like Chinese instrument). Quiet, sparse, almost Feldmanesque, almost delta-blues-like, too. Performed by the composer, Christopher Roberts, who mastered the qin while living and teachi…
Sudoku 82, a spare, beautiful, spacious piece for eight pianos, was composed utilizing systems derived from Sudoku puzzles and the GarageBand computer program.Christopher Hobbs writes about the piece: “Sudoku 82 is one of a series of pieces I have be…
The late Deben Bhattacharya was a noted Bengali record producer, ethnomusicologist, poet, documentarian, radio producer, and all around renaissance man. Having moved from Northern India to London as a young man, Bhattacharya began working for the BBC…
In the world of American folk music, Jean Ritchie was a truly unique presence. Most of the younger artists of the folk revival of the '50s and '60s were middle class urbanites and liberal arts college students who helped "rediscover" the older tradit…
John Luther Adams's The Place We Began contains four mysteriously evocative electro-acoustic works that the composer built from short recorded moments—audio fragments—of his early music (circa the early 1970s). This is not a trip down Memory Lane: in…
This CD presents the premiere recordings of two spirited and enticing quartets that draw on Peter Garland’s well-traveled ear and great sense of personal vision. Both works move with a unique sense of grace and a sincerity of expression that is purel…
Alessandro Moreschi (1858-1922) was the last known castrato, and the only one to have ever made recordings. He was born into a Catholic family in one of the so-called Roman Castles, where he was castrated either for health reasons, or because of his …
Christopher Roberts's Trios for Deep Voices, a five-movement work scored for the unusual ensemble of three double basses, is a sort of musical evocation—sometimes directly, sometimes indirectly—of the sounds and life that composer Roberts experienced…
The four pieces that make up this CD—Dark Waves, Among Red Mountains, Qilyuan, and Red Arc/Blue Veil—are for various combinations of one or two pianos, percussion, and electronics. Each piece is built from a complex, polyrhythmic layering of voices t…
Magazine, 64 pages A4 format (Italian Language), with overviews, artciles and interviews on Bbz Bz Ueu, Luminance Ratio, Saba Saba, Martello, Ludmilla Spleen, Giorgio Salomon / Acrobati Liquidi, Giovanni Lami, The Star Pillow, Patrizia Oliva, The Bar…
Charlemagne Palestine's A Sweet Quasimodo Between Black Vampire Butterflies For Maybeck is a piece for two pianos played simultaneously in a tremolo style that Palestine calls “strumming,” a technique that has defined his piano music since the late ’…
This CD is made up of three compositions: Sevan, The Tubes, and Coimbra 4, Mundi Theatre.Sevan is built from a recording of Armenian musician Parik Nazarian’s vocalizations in massive pipes near the shore of Lake Sevan, Armenia. It explores resonance…
Chas Smith is one of the most unique musicians working today. He has created his own musical world—complete with its own instruments and “language.” It is a world of expansive musical tapestries and carefully sculpted textures that never sit absolute…
Daniel Lentz writes about the album, On The Leopard Altar:“The form and flow of Is It Love? is determined by that of the text/lyric. Unlike much of my music-with-text work, it does not use an additive process. Rather, it uses a subtractive one. The v…
JimFox's Descansos, Past, written in April 2004 in memory of composer-performer John Kuhlman, who died a few years earlier, was premiered in Los Angeles (by the same musicians who are heard on the present CD), June 2004, as part of a series of concer…
In three connected sections, Rick Cox's Fade offers a series of harmonic “moments” of various densities and complexities and timbres and lengths. Throughout the work, these moments, like elements in a mobile, are in a constant state of changing persp…
Edition of 200. 550 pages, LP size. Top Ten: 2008-2018 is the second volume in James Hoff’s Top Ten series. In almost every issue since April 1998, Artforum has asked an individual from the art world to compile a top ten list of their favorite recent…