New Arrivals
Deceiving Illusion
Great album by this Detroit group. The songs range from sticky amoeba-like free ooze to stuff of some international album Folkways suppressed because it was too fucked up for public consumption. Pretty fantastic sleeve. 500 made.
Live At Slug\'s Saloon 1972
6CD set. Sun Ra & the Arkestra played every Monday night at Slug's Saloon in the Lower East Side of NYC for over 5 years, from 1966-1972. This is the 1st released documentation of this long residency, comprising 2 complete shows (6 hours total) recorded over the summer of 1972. High quality recordings that capture the Arkestra emerging from their psychedelic phase & moving back towards their jazz roots.
Nectars Of Emergence
Nectars of emergence is the exciting debut release of Mural, consisting of Australia's foremost improviser Jim Denley (alto saxophone, flutes) with Norwegians Kim Myhr (acoustic guitars, preparations) and Ingar Zach gran cassa, percussion). The trio has performed numerous concerts together since their first concert in Madrid in 2007, and now you can finally hear the music on CD. Aftenposten, Norway said of Kim Myhr and Jim Denley's duo CD: 'Systems realignment helps to save improvised musi…
SpaceShipp
That is one slick title, is it not? Though I must say, I for one would have preferred it had they gone with ShippMan. Oh, perhaps not... Both repeat offenders on the Treader label, Jason Pierce (of Spiritualized and Spacemen 3 notoriety) teams up with modern jazz icon Matthew Shipp, who plays celeste and harmonium over these two extended drone pieces. This collaboration first came about for Patti Smith's Meltdown festival, and this recording represents a studio incarnation of that performance. T…
The complete short stories 1998-2010
Howard Riley : piano. CD 1 was recorded on 23rd July 1998. CD 2 was recorded on 11th April, 1999. CD 3 was recorded on 29th June 2004. CD 4 was recorded on 2nd August 2006. CD 5 was recorded on 27th June 2008. CD 6 was recorded on 22nd April 2010. All compositions by Howard Riley (PRS MCPS). Mastered by Ar nas Zujus at MAMAstudios. Design by Oskaras Anosovas. Producer Ð Danas Mikailionis. Co-producer : Valerij Anosov.' label info. 'The beauty of a short story, of course, is that it can be taken …
John Tchicai With Strings
Afro-Danish saxophonist John Tchicai spent his youth playing alongside the greats, recording and performing with Albert Ayler, John Coltrane, Archie Shepp and Don Cherry. For this recording, Tchicai is joined by John Coxon, Mark Sanders and Ashley Wales, who between them supply an arsenal of instruments including piano, harpsichord, sampler, steel bowls and bowed percussion. This setup makes for a bewitching backdrop of esoteric sound textures and atmospheric accompaniment, giving an otherworldy…
Ananke
Never mind the piano, the pianist is Fine! Milo Fine describes the particular piano as 'more remains than intact', yet he still manages to get the right music out of 'that wonderful beast'. The earlier date is unaccompanied piano improvised mainly at the keyboard. On the other longer concert, recorded towards the likely demise of the 'beast', Fine spends most of his time working on the innards resulting in a very wide range of sound. He also uses some electronics, and is joined by alto saxophoni…
Ep
This recording is my attempt to play Evan Parker. Seven tracks were recorded in STEIM's Studio 3, trying to reflect the liveness of Parker's solo recordings. All of these are single takes with minor edits at the beginnings or ends. Two interlude tracks are short experiments looking at timbral characteristics when the rotation of the turntable is extremely slowed down. The last three tracks are compositions made from both Parker's and other improvisors' records.
Tout for tea
Guitar, Voice - Derek Bailey, Eugene Chadbourne. Recorded 2-1-1995. Released by Rectangle, a Jazz and improvisation music label from Paris.
Musica Improvvisa
Musica Improvvisa is a cutting-edge project of multi-sensorial improvisation, an open dialogue among different musical experiences, narratives and aesthetics that charters the unexplored soundscape of the telluric territory of the new Italian improvised Music. Ten groups that spans from the South to the North of Italy, from the well-known to the totally obscure, whose music goes from an harsh assault to the ear to a visionary post-electronic/post everything free-form structure. The brilliant out…
Trio With Interludes
Another fine disc from the Treader label, this time featuring the marvellous Evan Parker alongside John Coxon (Roland MKS 80, piano and harpsichord), Mark Sanders (Drums and percussion) and Ashley Wales (bass drum, riveted tambour and piano). As the title suggests this collection of improvisations is interspersed with brief interlude tracks, whereby Parker takes a backseat in order for his fellow musicians to plot out some experimental, palate cleansing sonics. During the main body of these piec…
Sounds and Sights
Gatefold 2LP/DVD version. Ambitious, epic and grand in scale, In The Country's previous album Whiteout was an artistic triumph. Always a very powerful and exciting live act, it was only natural that a concert album should come at this stage of their career, after three studio albums and a number of Norwegian, European and U.S. tours. Originally planned as a concert DVD, In The Country invited video director Claus Arthur Breda-Gulbrandsen to bring a crew to film a couple of Norwegian shows i…
Cremaster/Komora A
A split single with Cremaster (Ferran Fages and Alfredo Costa Monteiro) on one side and Komora A (Karol Koszniec, Dominik Kowalczyk, Jakub Mikolajczyk) on the other side.
The Lie & The Orphanage
'It could be a walrus. Some very large, ungainly, semi-aquatic creature expelling air through a hole layered with tissue and fat and hairs. But then multiple apertures open at once and the creature just spouts information, chaotic from one angle, streamlined from another. Effluvia momentarily expelled, the beast lies down and breathes in short, percolating gasps, quiet but insistent. The pressure builds, however, surging in near-regular waves, causing the organ-walls to quiver, liquid to shudde…
Monte Alto Estate
This is the collaborative masterpiece of the 3-piece unit, sim (Oshima Teruyuki on guitar and composition, Ootani Yoshio on computer, electronics, etc, and Uemura Masahiro on drums) and Otomo Yoshihide (turntables, self-made synthesizer). The noise of Otomo sharply incises the unique sound of sim, where Uemura’s controlled roaring drumming sets an main axis on Oshima’s precise rhythmical composition, Oshima’s the chord cuttings beats minimally and the electronics of Ootani give extreme voltage. …
Live at the Horseshoe Tavern
10 CDs documenting three full concerts from March, September & November 1978 at the Horseshoe Tavern; 8 hours of excellent music, well recorded and available here for the first time (none have been on bootleg lists) and a long radio interview with Sun Ra. This is a chance to experience the flexibility and vast repertoire of the arkestra and the way sets were organised and constantly changed. This is a numbered limited edition of 500 copies, officially released
Creative Orchestra
Recorded live at Alto Adige Jazz Festival in Bolzano, Italy in June of 2007. All compositions by Anthony Braxton: Composition No. 63, Composition No. 92 (part 1-2), Composition No. 164 (part 1-2), Composition No. 59
Compound
The cooperative of composer/improvisers John Wiese (Sissy Spacek) and C. Spencer Yeh (Burning Star Core) presents in a terrific session recorded in August 26, 2007 at The Compound, San Francisco. The work reveals further unexpected developments and strategies of this ongoing partnership. Familiar machineries were primed, but an increasingly alien attitude was fed through and processed into churning and bewildering shapes.
Vague Maze
Pain Jerk and John Wiese are two titans of noise. Their collaborations are not a new. This is the stunning prologue, the first one, dated 2005. 7 minutes of synthesizers, electronics, noise. This is what a 7inch must be. Fast, violent, harsh. Play it at 45rpm as loud as possible you can. You know you need it. Artwork by John Wiese. Limited edition of 200 hand-numbered copies, one time presssing
Sacred Trails
Terrific new release by the cult 'a dear girl called Wendy' italian label: this recordings are a natural progression from the recent "Förruttnelsen" LP on Release The Bats. Like before filthy and decaying reel-to-reel/cassette/tape-echo loops, electronics, junk, field recordings, feedback blasts is mixed with industrial decay and creepy dynamic noise. Minimalistic textures raped by tapeloops, field recordings and junk abuse. Just raw electronics. Organic machine music. No happiness there. 7"…