New Arrivals
From Tokyo To Naiagara
Keplar presents the first-ever vinyl edition of the 2003 album "From Tokyo to Naiagara" by Tujiko Noriko. This reissue with new artwork by Joji Koyama is an abridged version of the album as Tomlab label owner Tom Steinle and producer Aki Onda had originally intended to publish it alongside the original CD version. Written by the France-based Tujiko while she still lived in Japan, "From Tokyo to Naiagara" followed up on her two seminal Mego albums and marked a turning point in both the artist’s c…
The City In An Owl's Eye
Legendary and rare folk-psych private press record from 1967 that holds up well. Furthermore, the LP is legendary in a literal sense: until recently, few collectors really even knew it truly existed. And Roger Salloom? imagine Jack Kerouac, John Belushi, Lord Buckley, and Lenny Bruce, then throw in Leadbelly, Jimmy Reed, Lonnie Johnson, and Geoff Muldaur… all rolled into one person, and you have a glimpse of poet, singer-songwriter Roger Salloom.
Upstream Ensemble
Edition of 100. forms of minutiae and TBA21–Academy present "upstream ensemble", a communal happening and aqueous sound piece initiated and composed by field recordist, artist, and f–o–m co-founder Pablo Diserens. During the 2022/23 digital residency hosted by TBA21–Academy’s Ocean-Archive.org, Pablo Diserens launched an open call inviting members of its online platform ocean comm/uni/ty (and external enthusiasts) to venture into the world and record aqueous sonic encounters. The aim of this co…
Shallow Buoy
Mangled surf-rock samples and washed-up suds of everyday oddities define Shallow Buoy, the newest release from remote duo Stumped. Consisting of Berlin-based Page Swanson and Pennsylvania-confined Adam Buffington, Stumped strain field recordings and borrowed sounds through various analogue and electronic processes, resulting in a sonic puree that's never stodgy.
Mapping the Valleys of the Uncanny
Daniel M Karlssons Mapping the valleys of the uncanny is an investigation into a process and method, colliding with questions relating to what can be known to be real, within the field of algorithmic composition. This music and text-based work examines the roles and signifiers of instrumentation and timbre as they unwittingly conspire to designate access, power, status, work and ultimately class. Paradoxically, Karlsson uses this critical-analytical standpoint as a means to build a large-scale i…
Underground
Due to their successful debut, the band's producer was in demand, leaving little time to devote to the Prunes. The band took full advantage of the adults not being in the room and created an incredible follow-up of original material on 1968's Underground. Here is where the band really leaned heavily into their knack for challenging pop. This album came to define what later gravediggers of the garage genre came to devour: Iggy Pop, The Ramones, and Patti Smith all took a riff here; an attitude th…
The Electric Prunes
Formed in 1966, The Electric Prunes had a novel approach to being a band: deciding to be a recording unit rather than a live performance band. They discovered their signature sound -- reverb-drenched, beautifully chaotic garage pop -- and released one of the most fantastic, fuzzed-out singles of all time, 'I Had Too Much To Dream Last Night.' Guitar effects drip and splatter throughout (the band had landed an endorsement deal with Vox, who were the leaders in wild effects pedals at that time), a…
Mass In F Minor
In 1968, The Electric Prunes collaborated with classically-trained musician David Axelrod to create Mass in F Minor, a religious-based rock opera. Even though the album is a head-scratcher side by side with their previous records, this has become one of the era's most bizarre and hypnotic releases. Sung in Latin with the band hanging onto Axelrod's ambitious arrangements; you've never heard anything like it. It created enough of a cultural mark that the lead track 'Kyrie Eleison' was even used i…
In A Qu*a*re Time And Place: Post-slavery Temporalities, Blaxploitation, And Sun Ra’s Afrofuturism Between Intersectionality And Heterogeneity
In this book Tim Stüttgen considers the paradigm of (post-)slavery as an important epistemological break within predominantely white Gender and Queer Studies, as well as within critical Film and Cultural Studies. Departing from what E. Patrick Johnson has proposed as a specifically intersectional »quAre«, instead of an »unmarked white queer perspective«, this book contrasts Deleuze’s cinema theory with Frantz Fanon, queer theories of color, the history of the African diaspora and utopian quAre f…
Africamore: The Afro-Funk Side of Italy 1973-1978
Continuing Four Flies' dedication to delving into lesser-explored periods of Italian music, Africamore takes us on a captivating journey into the intersection of Afro-funk and the Italian soundscape during the six years between 1973 and 1978 - a time when disco was looming on the horizon and the nightclub market was rapidly expanding. Before reaching Italian shores, the infectious sound originating from African and Afro-Caribbean roots traversed both the Mediterranean and the Atlantic, landing o…
Noise For Vendor Mouth
"The Nigerian establishment labelled Kalakuta Republic inhabitants as — ‘hooligans’, ‘hemp smokers’, etc. Noise For Vendor Mouth is Fela’s indifference to that name calling because, for him, people in Kalakuta are really a bunch of hard working citizens, trying to survive in a society riddled with corruption and mismanagement. He adds that the real hooligans are those in authority who resort to political gangsterism, and sometimes military coups in order to resolve constitutional issues. He cons…
Excuse O
The deepest song here is the second track, ""Mr Grammarticalogylisationalism Is The Boss,” which ridicules the notion that speaking ""proper"" English demonstrates superior intelligence, and bemoans the fact that doing so is, unfortunately, a requirement for upward mobility. As the chorus repeats the line “Him talk oyinbo pass English man” (“He talks English better than an Englishman”), Fela lays it down: “The better oyinbo you talk, the more bread you get, school start na grade four bread, B.A.…
Kalakuta Show
"The Kalakuta Show album release was Fela’s undaunted manner of extracting revenge on the military regime that attacked and brutalized him in 1974. The second of such attacks in a space of eight months, Kalakuta Show was an attempt by the Nigerian police to influence the cause of justice. After the first police raid on Kalakuta in April 1974, Fela was charged to court for: ‘possession of dangerous drugs’, and abduction of ‘minors’. However, the evidence presented by the prosecution was easily ex…
Why Black Man Dey Suffer.......
Also featuring Ginger Baker, the title track is among Fela’s first overtly political lyrics. His political perspective had evolved during the 1969 / 1970 tour of the US, largely through his friendship with the black-rights activist Sandra Izsadore, who introduced him to the writings of Malcolm X, Stokely Carmichael, Angela Davis and other revolutionary thinkers. By the time Fela wrote “Why Black Man Dey Suffer,” his songwriting and public statements were becoming increasingly critical of the pow…
splitter musik
Hyperdelia is proud to present “splitter musik” - the first Splitter Orchester album solely consisting of the ensemble’s own music. Previous recordings have highlighted the orchestra’s vast genre-bending output in collaboration with George Lewis, The Pitch and Felix Kubin. This 3CD release aptly titled “splitter musik” showcases for the first time the orchestra’s very own musical process. In contrast to other large scale improvising ensembles, Splitter Orchester has no central leader and is orga…
All The Patterns Inside
Hyperdelia is happy to present Sun Kit’s debut record All The Patterns Inside. Sun Kit is an experimental band, formed in Berlin in 2021. The band consists of Jules Reidy (guitar) and Andreas Dzialocha (bass) and fuses both artists' singular sounds. Their debut album All the Patterns Inside is a moody and ecstatic ride that navigates distance and closeness, breaking and re-forming. The record was produced completely self sufficiently at home, the two sending each other recordings and sketches ba…
The Snow EP
Transmigration celebrates the 20th release milestone with a repress of Coil's The Snow EP. Released as a promotional single for the 1991 album Love's Secret Domain, it marks the influential groups closest brush with the dance floor. Featuring a set of remixes from Peter Christopherson, Jack Dangers and an early collaboration with Drew McDowall prior to joining the group.
Licensed by Danny Hyde and remastered by ManMade mastering.
VII - CD
If Zeuhl is any indication, it's not only a French phenomena. This great Japanese group, well-known in the Japanese underground, proves that. Their work, which spans from rock to fusion to experimental to ethnic and draws more from the European school (Magma) than the Japanese new music movement, concentrates on avant-garde jazz structures, loud, blaring rock 'n roll, and occasionally all-out discord. They make extensive use of the violin, contrebass, and vibraphone in addition to the standard r…
Xyz
Unpublished home recordings from the 90's by the genius Lion Merry! This is a secret experimental record that gives us a glimpse of how the music was made.The other side of Lion Merry that no one knew! Lion Merry is a prodigious multi-instrumentalist known as a keyboardist for Jun Togawa, Virgin VS, Metrofarce, and others.22 songs were carefully selected from over 100 songs made mainly with synthesizers in the 90s, including demos made for Morio Agata's 'Pirosmania Umie Iku' (1994) and Metrofarc…
Bonjin Tan
Jim O'Rourke plays a lot with Japanese Free jazz legend Akira Sakata in various formations. Together with Italian composer and pianist Giovanni di Domenico and the drummer Tatsuhisa Yamamoto they form this powerful band. This is their first release, combining contemporary Avantgarde and Free Jazz in a beautiful way.Line-up:Akira Sakata - sax, clarinet, voiceJim O’Rourke - double bassGiovanni di Domenico – piano, hohner pianetTatsuhisa Yamamoto - drumsRecorded at Pit Inn Tokyo on 10 January 2017