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n 2014, while wrapping up the mix sessions for Syntropy (three:four, 2016), Mike Wexler found himself writing a different kind of song. Whereas Syntropy had been beholden to a world of ideas laying just beyond the purview of the songs themselves, something new began to present itself - something more streamlined, more personal, direct, and grounded in a bedrock universality of form. Where was this shift coming from? - At the same time decidedly more straightforward and troublingly dark. With Nov…
This is not a lathe, just a good old hifi sounding vinyl record. Xeaxx Xeaxx is a musique concrete unit featuring John Wiese & Brace Paine. In 15 years Xeaxx Xeaxx have released one CDEP on Troniks and one 7-inch on Fast Weapons and played two shows (one in the bathroom at The Smell and I can’t recall where the other one was, but involved us both trying to get into a sleeping bag with some microphones)… 15 years later we have a new 7-inch! Maybe we will do an LP in 2048? For this recording Brace…
* 2020 Stock * Leather Bath is a performance and art project founded in 2010 by Greh Holger and John Wiese in Los Angeles, California. Their work consists of sound-based performance and video, collage, and installations, creating explicit publications communicating reality to mature adults. Nature’s Crackling Fire is their first full length album.
* 2020 Stock. 6-Panel Digipack CD * Helicopter presents Live At Akihabara Club Goodman / Tokyo by Toshiji Mikawa, John Wiese, and Seiichi Yamamoto. Recorded 24 September 2018 at Akihabara Club Goodman, Tokyo, Japan.
* Deluxe digipak pressing for 2020! * Burning in hell with no relief. Nearly two full hours of scorched audio and blistering paralysis recorded in Los Angeles between 2002 and 2007 by the double flamethrower unit of Phil Blankenship and John Wiese. Compiling four original LHD albums onto two compact discs, featuring the complete recordings of Curtains (PACrec), Young and Restless (Blossoming Noise), Opaque (RRR/Pure) and Limbs of the Fawn (Misanthropic Agenda).
The only true non-places are those of the mind: but being able to give them a tangible form doesn't always equate to the delineation of a balanced, pictorially satisfying landscape, nor does it solve the inner mystery from which it originated. In the creation of an audio document, even the simplest sonic occurrence derives from an idea and a gesture, even if only pressing the record button: and it's precisely the gesture - be it overt, dissimulated, concealed, or mediated - the absolute protagon…
The imagery of musical forms emptied of earthly meaning, of solitude, and of a connection to the divine were irresistible to Federico Mompou. A desire to be alone had shaped Mompou’s early musical direction: as natural shyness ended his ambitions to be piano virtuoso, after studies at the Paris Conservatoire he turned to composition instead. His approach remained introspective – far removed from the overt and public expressions of the avant-garde, both before and after the Second World War – and…
* Blue Version * Growing up in deindustrialized Providence, Rhode Island of the 1970s and 1980s provided NYC-based composer and interdisciplinary artist Gavilán Rayna Russom access to derelict subterranean spaces including the mile-long East Side Rail Tunnel. The tunnel's reverberant darkness would produce distinctive sensory effects and host Russom's formative experiences of interpersonal connectedness, liminality, transgender identity, anti-capitalist desire and state repression.Secret Passage…
* Limited 7" for Christmas 2020 * Stroom presents Funny Bells by Betty Arden and Sloopy by Saskia. Two 7" released together on December 2020 for Xmas celebration.
"Goodmorning. I wish you, a merry merry christmas. As you sit by the fire. I see your sadness on your face. You hear the funny bells inside your head. And I do look into your pretty eyes. So gray. The Funny Bells. You are my friend. Today." - AU
**1982 Album. Original copies** Guitarist Thomas Tedesco tearing it up in June of 1981… the personnel on this one is an all-star group featuring: Bobby Bradford , Roberto Miranda, Onaje Ferguson, and Sartuse
**1985 Album. Original copies** Curtis Clark often overlooked beautiful solo piano LP, his 2nd release on Nimbus, featuring vocals by Marlene Holsey on the haunting title track.
Caught somewhere between environmental sound studies and surrealist sonic architecture, Sugai Ken helps mark the 30th release of Field Records with an ambitious new album. Commissioned by the Dutch Embassy in Tokyo, Tone River is the product of a year's intensive work between artist and label, created in part to examine the relationship between Japan and the Netherlands with regard to water management. While its doors to the Western world were closed during the 17th and 18th centuries, Japan kep…
This new album (the tenth in their discography) was born from two ambitions: to pay tribute to Soft Machine's Third on form (4 sides / 4 titles) and to philosopher Gilles Deleuze (Difference and Repetition is the title of his thesis) on the contents. The 4 long pieces of this double concept album were developed over 2 years and each has a different style and climate. Bold and kaleidoscopic, Difference and Repetition perfectly synthesizes the musical and literary obsessions of Palo Alto.
Formed i…
“In today’s world, it’s harder than ever to let go & find sleep. So kick back and let this pastel soundscape from the NYC synth rocker, TM™ ♪ drift you off to dreamland like it was 1984...” -Tommy Mandel
"New York synth magician Tommy Mandel has an astonishing career as a composer, sideman, and electronic pop artist. Since the late 1970s, he has toured or recorded with a laundry list of talents including Todd Rundgren, The Clash, The B-52s, Tina Turner, Cyndi Lauper, and countless others. Yet it…
One third of the France sauvage crew concrete musique made of field recordings, synths, drum machines & heart 3 super narrative works to be listened whenever you can technology and pebbles reconciled think Luc Ferrari & Lionel Marchetti bingo.
Composé, monté, mixé entre 2014 et 2015 Merci à Guillaume Dubreu pour les "crikaka", à Henri Michaux pour la "Grande Garabagne" et à Jo.
Living-room noise. Temporary retrospective of 75 minutes of/by William Nurdin. Sonic immersion, textures and off-road recordings accumulated during 10 years
Solo electronic improvisation using feedbacks, fields recordings and electromagnetic fields. New proposal fromthe man who hides behind Somaticae. Naturalism & noise electro-acoustics. Microscopic assembly and electron swirls.
Here it is, naked to the bone, free jazz in all its glory, loose, intense and furious, not in hanger but with "joie de vivre." A sax-drums duo like comprised of Thomas Beaudelin on saxophone and Erwan Cornic on percussion, makes you anticipate an essentialist approach to the communicative powers of improvisation. The music is dense and intense, seeming to drag everything that happens to be in their path with vehement free sounding and shamanic interplay. Don't miss this one
**Edition of 300, one-off pressing** Basking Sharks are one of the unsung heroes of the original minimal / synth–pop / wave era. Formed in 1980 in the North of England, members Adrian Todd, Ged McPhail and Martyn Eames used an array of home–made electronic instruments plus customized second hand synths to provide unique sounds. On stage they always played "live" without the use of backing tracks. Their stage act included a slide show, films and computer visuals synced into the stage performanc…