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Sainkho Namtchylak is a singer originally from Tuva, an autonomous republic in the Russian Federation just north of Mongolia. She is known for her Tuvan throat singing or Khöömei. Her music encompasses avant-jazz, electronica, modern composition and Tuvan influences. Once the Soviet Union had collapsed, she moved to Vienna, making it her base, although she traveled widely, working in any number of shifting groups and recording a number of discs that revolved around free improvisation. Amongst th…
The sounds of late '70s and '80s east coast avant-garde jazz, soul, and punk rock are well documented, but in Nothing but the Music Thulani Davis gives us something beyond, delivering a collection of synesthetic, transportive documentary poems that breathe anecdotal and impressionistic life into a sonic-social history about which most can only speculate. Davis' verse takes free flight with its muses, scatting and leaping off the page and the shoulders of the musicians, nightclubs, and choreograp…
**Edition of 200** Over the many years we've known each other, Joe Carducci had several times mentioned his brother Mark had a cool band back in the pre-punk '70s. Then a couple of years ago, he added that tapes of this project were around, and asked if might we be interested in hearing them. Midknight 1975 is the result. Two different line-ups of the band are documented here -- a quintet studio session recorded on location at the Hippie House, and a live one with a different drummer and one les…
Vestals is the avatar of Los Angeles based artist Lisa McGee, whose debut album Forever Falling Toward the Sky was released by Root Strata in 2012. She has also discreetly operated in U.S. underground music for the last decade as a member of the dream-drone duo Higuma with Evan Caminiti, while making vocal contributions to acclaimed albums by Jefre Cantu Ledesma and Sarah Davachi. McGee is the sole producer and performer on her sophomore effort, Holy Origin. Since her last offering she has evol…
New album by another favourite artist here at FD, whose work can traverse everywhere from avant-folk or otherworldly pop to minimalist electronics or some of the most fervent 'outer sounds' one can dredge from the deepest crevices of their doubtlessly life battle-scarred imagination. On Metal River, Richard Youngs offers four songs of deep space beamed curdled electronics not far removed from being akin to the contorted death caterwauls of a cyborg species reaching out in uttermost anguish. It's…
NYZ on the recording: "The Buchla 100 experimental session begins with a documentary recording of the noise generators. Something I find endlessly fascinating is listening to different noise sources, so I always feel compelled to record them. The remaining tracks are sequenced by my MANIAC Cellular Automata sequencer. First up are three little sequenced ditties that also incorporate the ARP 2600 modular interconnected to the Buchla 100. After this is an ultra-minimal setup using MANIAC and the m…
Tip - this is stunning! Since their launch in mid-2000s, the New York based imprint, Unseen Worlds, has continued to set an incredibly high bar through the earth-shaking quality of their releases. As dedicated to historical artists and works as they are to those emerging in the present, they’ve always taken their time, slipping things into the world with remarkable care, that leave humble tectonic shifts in their wake. After an absolutely incredible couple of years with brilliant albums from Lau…
Marc Behrens presents six extended surrealist songs ranging from psycho rock to dismantled R&B, crossing into doom jazz and spoken word. Animal field recordings; electronic boom and buzz; synths; detuned sitar; violins played by Portuguese master musician Carlos Zingaro. None of this is in any way what you would expect.
**Edition of 250** Music nowadays is a crime. The whole dark art consisting in whether the composer opts for death by suffocation (maximalism) or death by strangulation (the perennially fashionable anti-fashion that is minimalism). Jon Doe One’s debut record, Small Numbers, involved layer after layer of obsessive construction. Faced with its delirious palimpsest of rhythm and sound, listeners — those curious lost souls, I count myself amongst their ranks, alas — had no choice but to gag on the e…
Over the years, it has become clear that the “thing” that continues to captivate us is in flux, as are its possible definitions. Various contributions to the current issue of this magazine attest to this permanent development, too. And whatever our “thing” might be called or actually might be, the following has become clearer in the recent past: the boundaries separating different artistic practices have been dissolving more and more. Also this second assertion seems to be present again in the i…
**In process of stocking** The Japanese female singer Cotton Casino used to be the singer of Acid Mothers Temple, the ultimate Japanese psychedelic band, several members of which provide backing on this album. Cotton's voice is fragile and emotional. The overall mood tends towards sadness and melancholy while the music hovers between acid folk and post rock. Most of the songs are sensuous and ethereal, like soundtracks to imaginary movies. Other songs may come as a surprise...
The tenth Conference Call album and the first with drummer Dieter Ulrich taking over for former drummers Matt Wilson, Han Bennink, George Schuller and Gerry Hemingway, the 20 years journey for this transatlantic band leading to this album captured in the studio in Central NY while on tour, performing 3 original compositions from Ullman, 2 from Fonda, and 2 from Stevens.
"The gift of playing music together with the same people over 20 years is priceless. A long-standing musical ensemble becomes a…
**60 copies** Paralelo is the solo project of Raul Q. de Orte (also member of Wind Atlas). Since his early dark wave and synth pop recordings he has evolved with strong personality to his own style that could be redefined as cold electronic amidst anxious pop. His last tape “Synth Protesta” can be consider as a pure underrated gem of the spanish synth wave. Retro and contemporary at the same time, Raul sings against the modern reality demanding explanations to the world.
This new record “Iberrom…
Frédéric D. Oberland and Irena Z. Tomažin’s »ARBA, DÂK ARBA« was conceived as the soundtrack for the eponymous installation piece by the French artist Fanny Béguély. First presented as part of the group exhibition »Panorama 21 - ›Les Revenants‹« at Tourcoing’s Le Fresnoy Studio National des Arts Contemporains in December 2019, Béguély’s chemically painted photographs focused on humankind’s propensity for self-examination and its attempts to probe the mysteries of the past, present and future. Ob…
**150 copies, black vinyl** Miscellanea – originally released in 1969 on cult italian label Sermi SR Records (home of famous composer such as Bruno Nicolai, Francesco De Masi, I Marc 4 and more) – is the debut of composer Luigi Zito, an in-demand session player and music director throughout all the seventies. An extremely brilliant music library with lots of jazz licks, descriptive and improvisational themes composed with a multitude of instruments, including the famous whistle by the one and on…
**In process of stocking. 250 copies** After multiple lauded album-length cassettes, ‘Adaptive Emotional Use’ is the first true album from Toronto-based Death Kneel. Several years in development, ‘Adaptive Emotional Use’ is a maturation of the project. Exhibiting a markedly harsher sonic palette, Death Kneel takes a turn towards violence and tragedy. Presented in heavyweight 350gsm printed sleeve.
“Death hides the angels it makes in blue skies”
**In process of stocking. Black vinyl lp in embossed sleeve, edition of 300.** Things falling apart - composition for three PA’s (stereo version): the original 6 channel piece was commissioned by bad bonn kilbi festival düdingen switzerland 2018.
Radical hope - live action (studio version): this incarnation of live action was initiated in january 2016 and has developed since. triggered by a broken heart, it’s a critical analysis of subjective behaviourisms, self-reflections, self-criticisms and …
Mental Experience present the first ever vinyl reissue of Bomis Prendin, a collective of experimental “noisicians” from Washington DC formed in 1978, pioneers within the DIY, Industrial, cassette culture and experimental electronics scene. Using cassette recorders, mutated musical toys, electric guitars, bass, rewired circuitry, analog pedal effects, and cheap keyboards, they recorded and released in the late '70s a couple of astounding flexi-discs (Test and Phantom Limb) which led to them being…
Frahr is the meeting of Micro_Penis, Youri Potlatch, Angstrom and Roro Perrot. The recording dates from 2018, a year in which hospital staff must already have been on strike, allowing these dangerous oddballs to escape. How to survive the agony of the deep? Perhaps through the blossoming of a rarely heard music! Unique and fortunately incomparable!
Grant Green's debut album, Grant's First Stand, still ranks as one of his greatest pure soul-jazz outings, a set of killer grooves laid down by a hard-swinging organ trio. For having such a small lineup, just organist Baby Face Willette and drummer Ben Dixon -- the group cooks up quite a bit of power, really sinking its teeth into the storming up-tempo numbers, and swinging loose and easy on the ballads. From the first note of "Miss Ann's Tempo," they establish a groove, and swing like hell thro…