New Arrivals
Black Nature
Experimental programmer and musician. He bases his work on the deconstruction of field recordings, no-conventional sinthesis and the creative use of technology errors. Luthier-digital with a 'pure data' environment, which he uses to develop his own no conventional tools for processing and real time algorithmic generative composition. He can be placed somewhere between Computer Music, the Aesthetics of Error, and generative Noise. He seeks the creation of virtual sound universes, imaginary sounds…
There
Engrossing debut album from Iranian sound artist, Pouya Ehsaei, sublimating samples of traditional Iranian music to “reveal the rage hidden beneath its melancholia.” There was produced in 2010, using fractured and brutally processed instrumentation indigenous to Iran to isolate a palpable feeling of tension articulated with a timbre unique to the artist’s background. In the course of its six pieces we perceive a stark and grinding sadness from his aerated arrangements, gleaning elusive emotions …
Insula
A multi-channel composition for electric organ, commissioned by L’ull Cec for The Game of Life Foundation’s spatialisation sound system (consisting of 192 speakers and 12 subwoofers, using the Wave Field Synthesis technique). Performed on 20 June 2012 at Fabra i Coats, Barcelona. This recording is the stereo version.
Untitled
MINDBLOWING! The tracks on this CD were recorded between 2005 and 2006, yet the music seems to have surfaced from another time - completely isolated from influences of the current era. Dimpflmeier also seems to be an "assistant" to the unique and arcane instruments that he helped manifest. As he has stated, his instruments seem to be "autonomous - their own masters"... However, that is not to say that it doesn't require a form of mastery to successfully "collaborate" with such strange ins…
Zeus joueur de flutes
Alvise Vidolin (live electronics), Roberto Fabbriciani (flute)
Diagonal Flying
1994 CD release, with some incredible early 70 (1973-1975) recording for Cello And Tape Delay (or Trombone and tape delay)... Gehlhaar is a pretty interesting cat ... long Stockhausen’s personal assistant he blossomed into a composer in his own right in the early 70’s and proceeded to experiment with “computer controlled interactive musical environment(s)” and the sort of computer-free tape-delay manipulation studies as featured on this disc ...(Mimaroglu)In this extended composition, veteran av…
Hinaus:: In den, Wald
In 1986, SPK's Graeme Revell released an album entitled "Necropolis, Amphibians and Reptiles". The recordings were based on the work of Swiss art brut artist and mental patient Adolf Wölfli. Some 15 years later, Austrian composer Bernhard Gal used Wöfli's poems as the basis for a sound installation at modern art museum Essl near Vienna. Now, in 2004, Klanggalerie are proud to present you a CD version of this outstanding composition. There are male and female voices bordering between meanin…
Quintet, Sextet, Duos
The final night of Otomo Yoshihide and Sachiko M's first residency in 2009 saw the pair joined by the long-running trio of Evan Parker, John Edwards and Tony Marsh and special guest John Butcher. Butcher played duos with both Otomo and Sachiko and joined the quintet for a rousing sextet: stunning twin saxophone interplay, the unparalleled openness of the Marsh/Edwards rhythm pairing, Sachiko's deft high-frequency interventions and Otomo's guitar at the center -- moving between abrasive textural …
Crritic!
Two interlocking pieces dedicated to Hans Keller, Desmond Leslie and Lester Bangs. I Only Asked uses an interview recording — questions only — to modulate various sound parameters, and is a reworking of a piece first performed at Café OTO, London in March 2011. Hatchet Job is based on a computer speech recording of all the negative reviews Moliné has penned for The Wire magazine in the last ten years. These amount to around 50,000 words.
What's That For, Mate?
* Hand-numbered edition of 100 in recycled cardstock sleeve with envelope. * Recorded in March 2010, What's that for, mate? Is one of the first recordings the duo (Jack Harris & Samuel Rodgers) made together. At this time the two worked with a combination of no-input and acoustic feedback, digital processing and phonography. This recording sees a discourse resulting from the amalgamation of and conflict between the analogue and the digital, the gestural and the static, and multiple recorded spac…
It Just Ain't Flapping
Hand-numbered edition of 100 in recycled cardstock sleeve with envelope. VA AA LR is the London-based trio of Vasco Alves, Adam Asnan and Louie Rice. Their fearless experimentalism has previously seen them tackle instrumentation as variable as compressed CO2, distress flares and a Citroën. Here, while the tools are in more traditional electronics territory, the music is anything but. From a heap of pulsating speaker cones, whirring dictaphones and a virtuosic cameo by Stevie Wonder the trio forg…
Oera
Recorded in the small Norwegian town of Øra, from which the album takes its name, this meeting of two acoustic string instruments belies the simplicity of its instrumentation through the complexity and diversity of the music produced. Ranging from careful melodic a/tonal interplay to dense full spectrum harmonics, capturing the versatility and inventiveness of these musicians.
Remembrance
Recorded 9th February, 2004 at Steam Room Studios, London. Recording engineer Jon Wilkinson. Photos by Gérard Rouy except photo of Tony Bianco by Christopher Trent. Mastered by ArÅ«nas Zujus at MAMAstudios. Design by Oskaras Anosovas. Produced by Danas Mikailionis. Co-producer - Valerij Anosov
Multiple
A cloud of quick gray motion, a presence in the forefront, then rapid withdrawal. A dazzling cloud, swirling, drawing together to the thinnest of waists, then wildly twisting in pulses of enlargement and diminution, a fluid choreography of funnels, ribbons, and hourglasses, spills and mixing, ever in motion and achieved through scale-free correlations.
All For Now
All for now, by Thollem McDonas (Piano, Voice) and John Dieterich (Guitar). Celebrating their first public collaboration, All for now is one of those special moments, when the empathy and complicity between two players emerges into something far wider, complex, and profound than the simple circumstance of their encounter. In fact, as they play along, one wonders how did they have achieve such maturity in their first work together, evoking both their idiosyncratic inner voice and years of traditi…
s/t
Niagara are pushing modern house music in yet another direction. Their debut introduces one to their own unmistakeable balance between tropical psychedelia and danceable electronica.The Lisbon based trio's unconventional song structures rely on a stripped down junction between hypnotic repetition and immersive, experimental, spaced-out blips and cuts. Drawing equal parts of their raw analogue execution both from classic chicago tracks as well as mid 70s german experimental rock and electronic ae…
Music and Words 2
Music and Words 2 is the much-delayed second instalment in an ongoing series of archival documents of Adam Bohman's early work. As with the first volume, this CD is divided into two separate areas of his work. Adam is probably best known as an improviser, playing prepared instruments and objects, but the music here uses little of these purely-improvised techniques. On this CD, the musical sections consist of idiosyncratic lo-fi songs alongside short collage pieces and other experiments, recorded…
Signature
Refraction without the appearance of colour.' Virilio is the sound project of Dimitris ‘KU' Papadatos and Corinna 'Cosi' Triantafyllidis. The duo launched their experimentations in 2008 initially recording their Skype improv sessions under the moniker Cassettine & KU. The Virilio project, launched in 2010 and it has been their main common vehicle in covering their sonar explorations and experiences in electroacoustic music and subtractive synthesis. They have performed in various occasions from …
Kaleidoscope
The idea for the Kaleidoscope works came from the composers' memories of playing with the prismatic toy of the same name as a child. The toy, of course, consists of colored beads in a tube of mirrors, whose reflections generate complex symmetrical patterns that change dramatically in density and texture as the tube is turned. With these pieces the aim was to emulate such dynamic spatial activity through sound, distributing fragmentary materials in space and immersing the listener in a rich and e…
Kartacz
If I were to look at the ideas promoted by the Experimental Studio against Ma e Instrumenty's practices, I would refer to the concept of music which is - for certain reasons - 'impossible' studio electronic productions, preparing instruments, using and editing tapes - all those practices once broadened the perspectives of the art of sound. However, the 'unreachable' sound combinations produced by Ma e Instrumenty could also be considered as an attempt to overcome the 'impossibility' in music. Ho…