New Arrivals
Beyond utopia
2012. English edition, 18,5 x 24 cm (softcover), 126 pages (b/w ill.). Edited by Sophie Warren and Jonathan Mosley. Contributions by Maria Fusco, Marie-Anne McQuay, Paul O'Neill, Elizabeth Price, Jane Rendell, Lee Stickells, Robin Wilson. Based on a project initiated by the collaborative practice of Sophie Warren and Jonathan Mosley with writer Robin Wilson, Beyond Utopia queries the function of utopian thinking in urban planning and spatial culture. The aim of the original project was to…
Industrial Musics - v. 1
Huge book (656 pages) on early industrial scene, in french only. Le concept de musique industrielle forgé par le groupe Throbbing Gristle au milieu des années soixante-dix a par la suite connu de singulières évolutions avec le nombre pléthorique de formations qui se sont ralliées à cette mouvance du rock expérimental. En un très court laps de temps, on a même vu apparaître ce qu’il n’est pas exagéré d’appeler un véritable mouvement se réclamant de l’industriel, englobant des univers sonores et d…
Februar
Within the four-tenth-hasty Suite February von Luigi Archetti the individual musical-acoustic events seem to have out-pulled in individual sound-pure from the being silent background. Looking for, a "Hinhoeren" and emphasizing hidden, electrifying sound particle. The attempt is to be given to the shade of the music a voice. Klangliche atmospheres through-cross feeling and conception. Fourteen ephemeren sound places, arranges for the listener a music, which reciprocates between imagination, expec…
As a Leaf or a Stone
For this release Mathieu Ruhlmann uses a lot of sound sources and per track he lists them. We see listed a coffee grinder, ukelin, e-bow, moss, denture cleaner, bubble wrap, dried plant, cactus, speaker and gate (and that's just the opening track!)... The gain is very much alive here, so there is occasionally some feedback leaking through here. That adds a strange component to the highly acoustic music. Ruhlmann plays his stuff with great care. His music is open, spacious, but also intimate. The…
1979 - 1983
Michel Bertier : prepared mellotron, doublebass. Sylvain Bélot : visuals and projections. Rodolphe Blois : tape recorders, editing and mixing of tapes. Guillaume Loizillon : synthesizers, vocoder, tapes. Claude Micheli : synthesizers, sequencer, G.S.S.A (semi-random sound generator, electronic device built by Claude Micheli). A French group who existed from 1979 to 1983 in the field of electroacoustic, audiovisual and improvised musics. the group worked with a multichannel system of 10 loud spe…
Sol Sketches
Film director Chris Teerink asked me to make the soundtrack for a documentary he would be making about American artist Sol LeWitt. This was in 2009. Chris and I agreed that the music and the images should both be equally important in his film. We didn't want the score to overpower the images, but neither did we want it to become solely background 'muzak'. I searched for a certain openness in the sound, while at the same time keeping a directness to it. Musical references for me were the piano pi…
Spoils
For this latest album Caledonian folk impresario Alasdair Roberts teams up with expected collaborators like Alex Neilson (whose drumming and percussion work has illuminated many a free-folk record over recent years, a few of which Roberts has been involved with) and more unusual contributors such as Niko-Matti Ahti of Fonal's Kiila. Perhaps more than ever, Roberts' music invites comparisons to Bonnie 'Prince' Billy, traveling sufficiently far from the trad songwriting fold to be thought of as 'a…
Maria Minerva's Cabaret Cixous
Over the course of a 12", cassette, and a stream of ace youtube vids, Maria Minerva has emerged as one of the most interesting artistes to come into leftfield-pop focus over the last 12 months. 'Cabaret Cixous' is her debut album, a coruscating water-bed of mottled '90s dance-pop memes writhing under blankets of slyly sexy new age synths while her dreamy vocals whisper and croon seductively suggestive lyrics. It's not quite aural soft porn, but there's an inescapably lascivious element to …
This Is No Fun Acid 3
Tour only CD for the no fun acid project, see no fun acid 02 for description, this was recorded in an intense studio session with less than a week to go for the tour. Limited to 500, all copies left after tour sent to distributors. "They should be amazing in theory, Carlos Giffoni bringing a Noise mindset to the acid template and all that. OK, the first track on the CD starts off with a nasty little drone which slowly subsides as the 606 kicks in, very satisfyingly as it happens, and continues …
Only
Pieces by John Cage, Morton Feldman, Hanns Eisler, Giacinto Scelsi, György Kurtag, Frederic Rzewski, Henri Pousseur, Théodore Botrel, Rudolf Siecynski, and Sephardic songs. Performed/interpreted by vocalist Marianne Pousseur. "I like to listen to music in places that haven't been designed for it. I like when music mixes in with noise. Only came from a very personal desire to open the doors of my musical world to the concreteness of daily life, to tear down the fictional barriers between places a…
Raudales
Rogelio Sosa was born in Mexico City in 1977. His work explores a wide range of aspects that deal with sound morphology, structures of auditory reference, intensification of the acoustic space and performativity. His projects include solo and collective improvisations, music compositions, sound actions and sound installations. All of these are produced using electronic media. He started studying musical composition with Julio Estrada and then electroacoustic music at the Ateliers UPIC and IRCAM …
Everything's A Love Letter
Saddleback is the solo project for producer Tony Dupé. In many ways, with its warm and exploratory craft, Everything’s A Love Letter is the culmination of the varying strands in Tony’s musical life.Tony first came to notice in Glovebox, who put an ethereal, ambient twist on the indie-pop scene as far back as the early ‘90s. Glovebox’s swirling sound has been as unhurried as its release schedule, though no matter how spare their output, each album has always found a warm reception. The group were…
The End Of The Empire
Second album for the Brooklyn trio led by guitarist Ninni Morgia (ex White Tornado, ex La Otracina), in this recording with Stuart Popejoy (Bassoon) on bass and Kevin Shea (ex Storm and Stress, Talibam!) on drums. Compared to their first album, that featured Peter Evans on trumpet, “The End of the Empire” is more various and eclectic. The eight tracks open up to psychedelic and ambient music besides free jazz, marked by Ninni Morgia’s visionary guitar, Stuart Popejoy’s pulsating industrial bass …
Resume the Cosmos
"Resume the Cosmos" finds the unclassifiable Virginian band Rake performing some of their most diverting and accessible work to date. The five nameless tracks that make up the disc were culled from many hours of studio improvisation, not only on a range of atmospheric instrumentation, but also with studio space and "silence" itself. The elusive membership of Rake play out like reconstructed indie rock fans with fistfuls of Sun Ra/Coltrane/70s Miles/Art Ensemble of Chicago/Henry Cow scattered thr…
Stasis
Zbeen is an electro-acoustic project by Gianluca Favaron and Ennio Mazzon. Zbeen’s improvisational approach is developed from the human-machine paradigm which is represented by the interaction with digital instruments specifically designed and developed for this project. K-Frame, Zbeen's debut EP, was released by Ripples in January 2012. Unlike K-Frame, which was developed as a sonic counter-part to the linear algebra concept of an ordered set of ‘k’ linearly-independent vectors, Stasis elabo…
Fame
This new CD, Fame, the first all sound poetry release on Pogus, consists of 20 new polypoems produced by noted Italian sound poet, scholar, and sound poetry archivist Enzo Minarelli between 2008 and 2010. Since the early 1970s, Enzo Minarelli has been developing his multiple activities, starting from the written word, which will become related to orality, visuality, performance and television. He has been active in the field of linear and visual poetry, creating several one-man shows and a…
I Dreamed A World Of Darkness And You The White Light Shining
Gorgeous solo album from Isaac Edwards of ODAWAS. Think Popul Vuh's soundtracks for Werner Herzog. Limited to 300. HIGHLY RECOMMENDED.
Morning And Sunrise
At some point all great explorers, from Amundsen to Kishan Singh Rawat, come to an opening up and cast their minds across a big space. A clearing, a promontory, a look out from a place no one's been before. Jakob Olausson ventured deep on Moonlight Farm, his debut for De Stijl in the winter of 2005. His singular expression returns on Morning and Sunrise, an explorer's codex, a gaze through to what's more important and less seen. The path yet traveled and the sun arcing over it. Morning and Sunri…
Quintet
Things get dislocated, gather themselves, spread across areas of varying intensities. More intimate or more complex song. closer to the sacred, left untouched by mediation, even slightly incomprehensible, though mostlyambivalent and reality-piercing. At times, the music seems to lead us to a meaning that is deeper than the textual level. or is it the depth of another possible song? That's when the music takes us to areas that seem perpetually urging, more than their simple addition of voi…
Post
Post is the solo guise for James Wilkinson, who has gleefully cracked the ground between free jazz and punk in Bucketrider and made sonic cinema with the electro-dub-hip-hop fusion of High Pass Filter. He’s also provided innovative sound design as director for the internationally acclaimed Snuff Puppets, and his adventurous spirit runs free through Post’s pop persona. It’s the same ecstatic abandon shared by the likes of Mouse on Mars, Plaid and Caribou. Post’s playful but stirring sense of comp…