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Limited to 300 copies. Field recordings, sine waves, computer data, lloopp, electric guitar, tremolo pedal, condenser microphone, contact microphone, mixing board. Recorded and mixed: 2006-2009. Mastered by Valerio Tricoli. Photography by Fotini Lazaridou-Hatzigoga. Package design by Pafsanias Ioannidis.' label info
"It's a generalisation, but Sylvia Hallett scrapes and Clive Bell blows. Bell specialises in reed or pipe instruments from exotic locations, principally South East Asia. Hallett bought a saw for £2.49, mounted a bicycle wheel on a spindle and also plays the more frequently-sighted viola. Bell studied the shakuhachi flute in Tokyo, then lived in Thailand, where he familiarised himself with the brittle vibrations of the khene reed-pipes. This was the beginning of his love for blown instruments tha…
Zbeen is an electro-acoustic project by Gianluca Favaron and Ennio Mazzon. Zbeen’s improvisational approach is developed from the human-machine paradigm which is represented by the interaction with digital instruments specifically designed and developed for this project. K-Frame, Zbeen's debut EP, was released by Ripples in January 2012. Unlike K-Frame, which was developed as a sonic counter-part to the linear algebra concept of an ordered set of ‘k’ linearly-independent vectors, Stasis elabo…
s3d presents a world of fresh sounds from invented and unconventional instruments with names as curious and evocative as the sounds they produce: mothics, shimsaw, kyurukyuttsu, gloopdrum, corrugahorn, sprong, sundrum and many more. An international collaboration. Twelve experimental instrument builders/improvisors in an inspirational world-first.
Necks pianist Chris Abrahams teams up with electronic artist and sound artist Alessandro Bosetti for six introspective and mysterious tracks that mix Necks like progress with ambient electronics and curious monologs, and one waltz.The piano recital format number one: a pompous italian tenor, his round belly almost exploding inside his tuxedo, stands beside the gigantic grand piano, holding a hand on it while protruding forwards. Outside the stage, an imaginary oceanic audience is seated on hundr…
Another album of unclassifiable experimental songs from British band the Sian Alice Group, who blend elements of avant-rock, folk and dark, cinematic tones for a uniquely atmospheric, inter-disciplinary sound. A Stereolab-like mix of pop modernism and Terry Riley minimalism gets the album started ('Love That Moves The Sun'), before all momentum is dismantled in favour of fluid ambience on 'Airlock'. From here on the band continue to genre-hop before stumbling upon a rich vein of balladry on trac…
For this release Mathieu Ruhlmann uses a lot of sound sources and per track he lists them. We see listed a coffee grinder, ukelin, e-bow, moss, denture cleaner, bubble wrap, dried plant, cactus, speaker and gate (and that's just the opening track!)... The gain is very much alive here, so there is occasionally some feedback leaking through here. That adds a strange component to the highly acoustic music. Ruhlmann plays his stuff with great care. His music is open, spacious, but also intimate. The…
Within the four-tenth-hasty Suite February von Luigi Archetti the individual musical-acoustic events seem to have out-pulled in individual sound-pure from the being silent background. Looking for, a "Hinhoeren" and emphasizing hidden, electrifying sound particle. The attempt is to be given to the shade of the music a voice. Klangliche atmospheres through-cross feeling and conception. Fourteen ephemeren sound places, arranges for the listener a music, which reciprocates between imagination, expec…
Awesome solo release by a former Amuleto band member (on the die schachtel Musica Improvvisa box)...Wanke continues to amaze us with his sensitive, detailed and spacious sound works. "to r.s." follows up his lauded debut "Caves" on Sedimental with another stunner. For “to r.s.”, Wanke uses electric and acoustic guitars, acoustic piano, objects and natural sounds. The 53 minutes of this unique piece divided in four parts combine static compositions, drones and looped music. Structurally viewed a…
Pieces by John Cage, Morton Feldman, Hanns Eisler, Giacinto Scelsi, György Kurtag, Frederic Rzewski, Henri Pousseur, Théodore Botrel, Rudolf Siecynski, and Sephardic songs. Performed/interpreted by vocalist Marianne Pousseur. "I like to listen to music in places that haven't been designed for it. I like when music mixes in with noise. Only came from a very personal desire to open the doors of my musical world to the concreteness of daily life, to tear down the fictional barriers between places a…
This new CD, Fame, the first all sound poetry release on Pogus, consists of 20 new polypoems produced by noted Italian sound poet, scholar, and sound poetry archivist Enzo Minarelli between 2008 and 2010. Since the early 1970s, Enzo Minarelli has been developing his multiple activities, starting from the written word, which will become related to orality, visuality, performance and television. He has been active in the field of linear and visual poetry, creating several one-man shows and a…
A soft immersion, leaving the surface behind,knowing that on the inside, wide horizons are waiting.In the mines of matter: laboring and exploring, searching and will-o‘-wisping, but always with compass and sextant at hand.Ample discoveries are the prize – never boastfully on display,but tended with archeological care: larger molecular aggregates, atoms, elementary particles; interacting or alone.A journey, seemingly documenting itself through close observation. Land surveying through experiencin…
Michel Bertier : prepared mellotron, doublebass. Sylvain Bélot : visuals and projections. Rodolphe Blois : tape recorders, editing and mixing of tapes. Guillaume Loizillon : synthesizers, vocoder, tapes. Claude Micheli : synthesizers, sequencer, G.S.S.A (semi-random sound generator, electronic device built by Claude Micheli). A French group who existed from 1979 to 1983 in the field of electroacoustic, audiovisual and improvised musics. the group worked with a multichannel system of 10 loud spe…
"Resume the Cosmos" finds the unclassifiable Virginian band Rake performing some of their most diverting and accessible work to date. The five nameless tracks that make up the disc were culled from many hours of studio improvisation, not only on a range of atmospheric instrumentation, but also with studio space and "silence" itself. The elusive membership of Rake play out like reconstructed indie rock fans with fistfuls of Sun Ra/Coltrane/70s Miles/Art Ensemble of Chicago/Henry Cow scattered thr…
Second album for the Brooklyn trio led by guitarist Ninni Morgia (ex White Tornado, ex La Otracina), in this recording with Stuart Popejoy (Bassoon) on bass and Kevin Shea (ex Storm and Stress, Talibam!) on drums. Compared to their first album, that featured Peter Evans on trumpet, “The End of the Empire” is more various and eclectic. The eight tracks open up to psychedelic and ambient music besides free jazz, marked by Ninni Morgia’s visionary guitar, Stuart Popejoy’s pulsating industrial bass …
Tan or Boil – a pun on the name of bratty short stop from those 1970s Bad News Bears films that stuck – is the alias of the Pittsburgh-born Jason Bacasa. After growing up in Pittsburgh and studying graphic design, Jason took flight from his home town to work freelance in a variety of cities, though his latest and current stint in New York seems more permanent than those in San Francisco, Los Angeles and Chicago. On the songwriting side, Jason’s continual travels kept him to just an acoustic guit…
ASESOME NEW RELEASE! Josh Hanson is another of Portland, Oregon’s underappreciated sons. Having come up through the ranks of long-time, long-forgotten faves Hochenkeit, he also spent time as a member of The Davis Redford Trio. But Hanson’s path diverges into a totally different sphere nowadays, spinning solo modular synth exploits to the stars. Influenced not just by the likes of Subotnick and Cluster but also various types of Eastern sounds, Hanson is looking forward, trying to find new pa…
a Snare is a Bell is a solo piece for snare drum, voice and the room in which it is played.Inspired by some close encounters I had with African shamanic/trance musicians and my personal experiences with meditation and music, it also relates to a known-to-many-of-us acoustical wonder of sitting on the toilet and picking up the tone of that little room (often by accident while coughing or talking out loud to oneself) and enjoying to sing that tone and let the toilet become filled with an eno…
RESTOCKED! 10/10 on Foxy Digitalis, writing "best psych album of the year! Maybe even best psych album ever?! “Stone Circle” deserves much more than a measly ten stars!”. Wood-land have released a few bits and bobs on the Install label but i'm totally unfamiliar with their work. 'Stone circle' is the duo's first full length release, limited to a super small run of 100 copies. On first listen i reckon it's total winner. Twenty tracks of brooding lo-fi instrumentation that sounds like it was recor…