New Arrivals
Terre Légère
An eagle, a bearded wood, pine cones, underground water... An outdoor studio, different every day. Steps to infuse the body with space. Something elementary that changes our metabolisms and focuses. Physical presence discovers living links with environments. With these sensory and emotional agreements, feel the supple, deep movement of a large whole. Encountering the rhythms of nature, in the range of its frequencies, soaking up this sound orchestration and taking part in this acoustic community…
The Exaltation Of Tom Rapp
The grand masters of acid folk, Pearls Before Swine outline the genius of leader Tom Rapp on an album created from a dusty box of tapes left behind by the incisive tunesmith. Never before heard recordings remastered to create the perfect route into the essential ‘Balaklava’ and ‘One Nation Underground’ albums that kick started a whole genre. This new double vinyl compilation was made in collaboration with, and fully endorsed, by the Tom Rapp estate.
Landscape
Fumio Kashima, a famous pianist loved by Elvin Jones and Otsuka George. This is a third album with a trio of George Murats and Motohiko Hino, which shows more vivid and lively play. Rich in colors including the comfortable explosive Landscape, refreshing Revlis and the beautiful ballad "The Fall" You can also enjoy the original Karajima songs and songs.
Elegant Evening
Elegant, but also incredibly powerful work from Fumio Karashima, exactly the kind of record that shows why he's one of our favorite Japanese jazz talents ever!
Round Midnight
Recorded over two days at the Sound Inn Studio, Tokyo in 1983. Fumio Karashima’s Round Midnight is a solid straight ahead session featuring the esteemed pianist at his prime. Featuring Ikuo Sakurai on bass, Motohiko Hino on drums and guest jazz-fusion guitarist Larry Coryell on Side B of the LP. Post bop, cool jazz with a touch of Latin-fusion courtesy of Coryell. Perfect listening for anyone looking for a well-rounded session of classic jazz standards. Fumio Karashima, born March 9, 1948 in Oit…
Moonflower
A 1978 piece composed by pianist Fumio Karashima with legendary drummer Elvin Jones. The trio with bassist Andy MacLeod will feature original songs and standards, including the title track. This is the work that gave Karashima an opportunity to become active on the world stage.
Sho
Fumio Karashima, who was active in Jazz Machine led by Elvin Jones, recorded this work in 1981 when he returned to Japan. The trio is led by George Otsuka, the drummer who gave Kashima his breakthrough, and Richard Davis, the famous bassist from Chicago, and their performance is the most attractive of all. Kashima's piano is vivid and fresh, like a fish moving in a large current.
Hot Islands
This is the fifth album by Fumio Kashima, who became a world-famous pianist after his encounter with Elvin Jones. The edgy groove of "American Tango" and "Merry-Go-Round" are very strong, and the colorful sound with power and volume, which sets it apart from ordinary fusion music, is very appealing.
Piranha
Fumio Kashima, a famous pianist loved by Elvin Jones and Otsuka George. This first album was recreated by the trio of Suzuki Ino, Jimmy Hops. It has also been the first Japanese work of Whynot label, and it has a strong presence. A variety of famous songs and performances, such as Piranha and melancholic stormy "Little Island" are overflowing with vibrants.
Azure
Having each followed their own distinct trajectory of exploration for decades - interweaving rigorous experimentalism with transcultural conversations - and building upon roughly 20 years working as a duo, Jessika Kenney and Eyvind Kang return with Azure, their third full-length with Ideologic Organ. Among their most riveting outings to date, comprising five new compositions recorded in Seattle during the spring of 2022, this remarkable body of sonority culminates in a singular gesture of contem…
To Ki Me Ki
"Wewantsounds is delighted to continue its series of reissues of Akiko Yano albums with the release of her third album, To Ki Me Ki, recorded in New York in 1978. The album is the follow-up to Iroha Ni Konpeitou, and features the same mix of Japanese pop with New York jazz funk, featuring such luminaries as Rick Marotta, Will Lee and David Spinozza. Programmer Hideki Matsutake also joins Akiko and Yellow Magic Orchestra on their international tour the following year. Together, Akiko and her musi…
I was too young to hear silence
A single saxophone, a glockenspiel, two microphones, a zoom recorder. These are the materials Patrick Shiroishi brought down with him late one night into the cavernous parking structure below a hot pot restaurant in Monterey Park. It was around 1:30AM; the spot was not too far from where Shiroishi grew up, a blank slate shown to him by his dear friend, Noah Klein. A vacant space for a new kind of collaboration—between saxophone and silence, between noise and reverberation, between negative space…
Grasshopper Republic (Original Motion Picture Soundtrack)
*200 copies limited release* In the opening moments of Grasshopper Republic, composer and sound artist Robert Aiki Aubrey Lowe (Candyman / Master / Telemarketers) soundtracks images of hands rubbing, counting, and exchanging thousands and thousands of Uganda banknotes are juxtaposed with a heap of grasshoppers escaping or overflowing from a hole in a woven basket. Underscoring this is a rising tide of crystalline tones that hover from the high frequencies of the right into the deafened space of …
Der Ferne
On 'Der Ferne', Phil Struck intricately weaves an abstract tapestry of textures, incorporating elements reminiscent of Hassellian-like sounds and multi-textured dubby soundscapes, a testament to the musician's getaways from urban life, journeying in the heart of nature. The music's warm and concise amalgamation of audio fragments lends it an ineffable quality, evoking hazy, sun-drenched memories, while the radiating reminiscences of the natural world invite contemplation of its true essence, rem…
Espace En L'Espèce
"Four seasoned musicians improvised for an hour-long in 4 long and longer pieces. The shortest is eight minutes, and the longest is twenty minutes. Accordion (Claude Parle), modular synth (Jean-Marc Foussat), percussion (Makoto Sato), saxophone (Quentin Rollet) and sometimes voice create a riveting sound world. The title translates as space in this case and is very apt. Makato Sato has played with Alan Silva, Linda Sharrock, and Joe McPhee. Claude Perle has played with Don Cherry, among many oth…
Le Vieux Fusible / The Singles
"Here we have two discs, received in the same parcel and which share a love for electronics and saxophones. I am never too fond of lumping things together, but it, in this case, is hard to avoid. Duncan Pinhas was born in 1979 and is a guitarist (any elation to Richard Pinhas is not mentioned), while Yerri-Gaspar Hummel (1982) plays the saxophone. Both musicians have a background in serious (read: composed) music and met "around the composer La Monte Young", as the bio says. I found the opening …
Singing Enzo Mari The Function of Esthetic Research
A musical version of legendary Italian designer and artist Enzo Mari's rare book The Function of Esthetic Research (1970), singed by a computer-aided software.
Remembering a Dance Part of Some Sextets 1965/2019 (Book)
Parts of Some Sextets, Yvonne Rainer’s 1965 performance for ten people and twelve mattresses, represents a turning point in the American choreographer’s oeuvre. “My mattress monster,” as Rainer calls it, was built in her formative years with the experimental downtown New York group Judson Dance Theater. In this work, she asserted her exploration of “ordinary” actions as well as her disregard for narrative constructions to create an intricate choreography that unfolded with a new scene every thir…
Music for Diego Marcon’s works
Starting with the film Monelle (2017), music has been a fundamental part of almost every work by the artist Diego Marcon. Federico Chiari’s compositions emerge from his ongoing dialogue with the artist. The music and the imagery take shape together, riffing off one another as they are interwoven to define both the structure and the emotional temperature of the pieces. The collaboration between Marcon and Chiari revolves around the deconstruction of codified genres, such as the aria, popular jazz…
Moons Melt Milk Light
“Loss has been a constant (in my life), and I wanted to express a deep acceptance of this, but also a pervasive feeling that these kinds of sadnesses are what beauty is derived from, that it doesn't come from perfection. I find the idea of perfect beauty completely banal. Tension matters.” - Anenon