New Arrivals
Hairway To Steven
The second part of Matador’s reissues of the essential early records by Texas’s Butthole Surfers continues with three of their most insane slabs -- 1985’s ‘Cream Corn from the Socket of Davis,’ 1987’s ‘Locust Abortion Technician’ and 1988’s ‘Hairway to Steven.’ The period during which these records were first issued parallels the Buttholes’ transition from being weirdo Texas outcasts to becoming internationally recognized smut-kings of the American underground. In 1985 they were still the sole p…
Pulsar
William Parker - double bassHugo Costa - alto saxophone Philipp Ernsting - drums
Recorded at Codarts, Rotterdam, October 11th, 2023 by Philipp ErnstingMixed and mastered by Arūnas Zujus at MAMAstudiosCover art by Martynas IvinskasPhoto of Hugo Costa by Rui SilvaPhoto of William Parker by Peter Gannushkin / downtownmusic.netPhoto of Philipp Ernsting by Florian CramerDesign by Danas Mikailionis
Innervoice
"Innervoice is perfection filled with beauty, power and grace of the celestial blues where the changes are happening all the time; the tonic is love; the seventh is the absence of war; peace is the melody redefined moment to moment; all are guided by the inner voice" - William Parker
Rivbea Live! Series, Volume 2
An extraordinary, previously unheard session by alto saxophonist Arthur Blythe originally recorded on July 6, 1976 in New York City, and performed in the expansive, unconfined environment of the loft jazz movement, delivering remarkable extended solos on alto saxophone. The minimalist ensemble comprises Juni Booth on bass, Steve Reid on drums, and Muhammad Abdullah on conga, devoid of piano or additional horns, allowing Blythe ample opportunity to showcase his improvisational skills. The initial…
Automatic Popular Music
*300 copies limited edition* Inside Automatic Popular Music there are two people sitting in a room, their backs to each other. One plays a piano with no particular attention to detail and tuning of the instrument, and another, sitting behind him, claps his hands on his own legs. They do not see each other, they never look at each other, they can only listen to each other, look around. The room is large enough, it is daytime, there are four windows through which enough light enters to illuminate …
Îl!es
Augustin Soulard is a French composer, sound artist and sound engineer born in 1992. His practice is grounded in experiments in modular synthesis, computer music, sound design and live performance. Trained in algorithmic music and computer composition, Soulard studied with Yvan Etienne and Bastien Gallet. He later met Fransisco Ruiz de Infante and became a member of « Blue Sky ». His research focuses on diverse modes of sonic phenomena, the ambiguity between the synthetic and the organic, and me…
Caverns Of Your Brain
We continue our deep-dive into US Prog Classics with Lift’s one-time wonder Caverns Of Your Brain. Previously released on vinyl as a bootleg, this 1977 4-track sonic labyrinth is packed with the quintessential ingredients of an instant classic. A never-come-down, fast-paced haven of complexity, with abundant mellotron/moog doses and inventive rhythmic shifts that evoke a eureka moment on every corner. This is the first official vinyl edition, featuring new and band approved cover artworks, bonus…
Persian Underground
A serious obscure object of desire ! Amazing collection that gathers some of the rarest Persian 45s. Such an eclectic mix of styles, from garage rock to cool Persian beat, exotic rock&roll and astonishing prog/psych numbers. Featuring female drummer & singer Zangoleah with some killer garage/rockin' tracks, obscure bands like Takkhalha doing a fab cover of the Stones 'Play With Fire' and an amazing take on the Persian traditional song 'Mastom, Mastom', Golden Ring-styled beat by Big Boys, exotic…
Music For A Bellowing Room
Big tip! 'Music for a Bellowing Room' is a collaborative durational work by musician Sarah Davachi and filmmaker Dicky Bahto, both based in Los Angeles. With a performance/running time of three hours, 'Music for a Bellowing Room' is an exercise in resolution, inviting the audience to shift their concentration and perception through gradual changes in sound and image. This piece was originally commissioned by the Museum of Modern Art in New York, and received its premiere performance in September…
Fatbergs
"Rubbish Music embody the elevating and transformative action of imaginative involvement with discarded materials. In the process they give audible expression to our ability to resist pessimistic resignation and to realise creative redeployment. Long may they recycle!” — The Wire
Persistence of Sound presents the second album by Rubbish Music (Kate Carr and Iain Chambers), the duo upcycling waste into immersive electroacoustic music. “As we go about our daily lives, malodorous monsters are const…
Rebelòt
Angelo Bignamini is a musician and sound artist from Italy. His musical research focuses its attention on the relationship between sound and its deterioration. For this purpose he uses analogue devices (especially tape recorders and feedback) as the main tools for manipulating digital sound. He recently returned to the acoustic guitar as an implement for inner investigation through improvisation on open tunings. His works are published by independent labels all around the world. Angelo Bignamini…
Aigue - Marine
De L’Angle Mort Trio is Claire Bergerault, Patrick Charbonnier & Lionel Marchetti. The three musicians collaborate for the first time as a trio. Their music explores new aspects of electroacoustic music, combining improvisational musical techniques with live electronics and dance music forms.
“Aigue – Marine” consists of three compositions based on voice, electronics, accordion, and rhythmic elements. Claire Bergerault, Patrick Charbonnier & Lionel Marchetti improvise in a spontaneous way, creat…
HerzAtmungen
"I believe that the destructive element in art is neglected too much." - Piet Mondrian
Toute L'Âme Résumée
"Drawing on a sound poem from French poet Stéphane Malarmé published in 1875, pianist Michel Wintsch and multi-reedist Udo Schindler on bass clarinet and alto saxophone tubax (a modified contrabass saxophone) perform five expressive and assertive improvisations with titles "borrowed from Stéphane Malarmé, who sees his texts as instruments." - SquidCo.com
Plastic Narratives
"Confidently forceful German free improvisation with an eccentric approach, from multi-instrumentalist Udo Schindler on clarinets, cornet & tuba and artist & improviser Etienne Rolin on basset horn, Glissotar (a continuous wind instrument) & a Bansuri flute, as they improvise over Schindler's poem (jetzt/now) from his cycle frequenz schaukelt / frequency swings." - SquidCo.com
![Travelling Sound Images - Cognitive Transfers [Duo] [LowToneStudies #19]](https://cdn.soundohm.com/data/products/2024-09/4-jpg-6.jpg.500.jpg)
Travelling Sound Images - Cognitive Transfers [Duo] [LowToneStudies #19]
"Lately I’m seeing that it would be nice to turn one’s thoughts inside-out, which is possible for me, because I don’t compose in a straight line. I always compose around the periphery, you know." - David TudorUdo Schindler, b-flat, bass & double bass clarinets, cornet. Werner Dafeldecker, double bass.Udo Schindler plays a bflat-clarinet mod.3000 by Seggelke Klarinetten, a Leblanc metal doublebass clarinet modified till low C by Bruno Waltersbacher (& Benedikt Eppelsheim†) with a mouthpiece by Ma…
Basis Acoustronics
Audio & video live recordings November 26th, 2023 at BASIS_Klangraum at MUCCA & dasvinzenz (Munich) by Udo Schindler (arch-musik). Mix & editing by Thoma Lehn. Music by Schindler & Lehn (GEMA). Cover photo by Udo Schindler. Gaphic design by Udo Schindler. Produced by Udo Schindler/arch-musik & Thomas Lehn.
Udo Schindler plays a bflat-clarinet mod.3000 by Seggelke Klarinetten, a Leblanc metal doublebass clarinet modified till low C by Bruno Waltersbacher (& Benedikt Eppelsheim†) with a mouthpiece…
Sound Forge Dialogues
Live rec. at April 18th, 2024 by Udo Schindler at StudioUS / Krailling-Munich. Mix by Wolfgang Obrecht / Tonstudio RichArt. Cover photo by Udo Schindler. All compositions by Udo Schindler (GEMA), NOID (SKM). Udo Schindler plays a bflat-clarinet mod.3000 by Seggelke Klarinetten, a Leblanc metal doublebass clarinet modified till low C by Bruno Waltersbacher (& Benedikt Eppelsheim†) with a mouthpiece by Max Geller & use a bass clarinet heavy neck by Martin Suter (Blashaus Luzern)
Soundforge Laboratory
"... it's not about cleaning the music from the non-music or trying to destroy all disturbing noises, but to perceive the music as such, which exists in the midst of the noise of life. The more open the ear is to everything audible, the more strongly the music radiates its speciality. Because a musical instrument has a material body, its sound cannot be frictionless and clean. ..." - From Portrait of a Spinning Top / Portrait eines Kreisels by Yoku Tawada (Berlin)
Udo Schindler plays a bflat-cla…
Portico Quartet / Hania Rani
Portico Quartet / Hania Rani brings the singular Polish pianist and composer, Hania Rani, and East-London based widescreen minimalists, Portico Quartet, together for a unique collaboration. The idea was simple, each artist would rework one of each other's tunes. The result is a beautiful collaborative work that feel less like straight forward remixes and more like a new recording that brings the two acts distinctive sound worlds to a new place. The first track to be shared is Hania Rani - Nest (…