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**CD version, 200 copies** All Other Voices Gone, Only Yours Remains unites the UK’s The Humble Bee, America’s Offthesky, and Spanish photographer and artist Nieves Mingueza. Iikki focus on dialogues between visual artistry and musical artistry, and All Other Voices Gone, Only Yours Remains is a heavenly episode. Opener For Her Breath Is On All That Hath Life is a delectable, swirling dream, the thrill of a new romance, where Cupid’s arrow inflicts a purple bruise that looks more like a gorgeous…
**CD version, 200 copies** "Iikki’s latest dialogue is a conversation between Los Angeles-based photographer Jake Michaels and musicians Stephen Vitiello and Molly Berg. Michaels is a regular contributor to the New York Times, and he’s also involved with ‘The Look’, an ongoing series that blends fashion with street photography. Six years on from their last release, Stephen Vitiello and Molly Berg’s I Drew a Fish Hook, and It Turned Into a Flower is a benevolent and playful listen. The pair met i…
**300 copies** I Drew a Fish Hook, and It Turned Into a Flower is the result of a dialog between the Los Angeles photographer Jake Michaels and the musics artists Stephen Vitiello and Molly Berg initiated by IIKKI between May 2019 and October 2019. The complete project works in two physical imprints: a book and a disc (vinyl or CD). it should be experienced in different manners: the book watched alone, the disc listened to alone, the book and the disc watched and listened together.Jake Michaels …
**Edition limited to 200 numbered copies, printed in one-colour Risograph**Eleven environments released over eleven years, starting with the ocean surf in 1969 and ending with a blizzard in 1979. This was the first record series to successfully market ambient sound recordings to a broad audience in the United States, with the purpose of being used as a mood enhancer and stress reliever. This publication brings together all the liner notes to the albums (from the 'The Music Of The Future / The Ma…
**2019 stock** Recordings by Joana Escoval of insects singing in the Costa Rica rainforest and a 180º orthodontic X-Ray in Lisbon, 2013-14. Pressed Mono at 45rpm on clear acetate and encased in a double-sided poster with two found photos: each presenting a child and a bird, both in Amazonia and in Sweden.Joana Escoval examines
how everything is entangled and connected. This is the reason why
Escoval’s sculptures can not only be perceived as appearances in their
raw, authentic state but as dis…
**2019 stock** In 2008, at the Brussels flea market, Marco Laguna got his hands on a batch of 200 slides revealing the first wave of skateboarding in Belgium. Considering the relevance of these mysterious documents as well as the few (or not at all) unpublished images of this period (1977-1978) - witness of the appearance of the first skateparks, the first championships, the first Belgian boards, the creation of the league, etc. - he decides, with Fil Plastic, to spread this historical testimony…
**In process of stocking** It’s been a few short months since Badge Époque Ensemble released their self titled debut, an ambiguous collection of woozy, narcotized funk. And yet already we have Nature, Man and Woman - a simmering new platter containing 3 songs, producing 26 minutes of dank flute-oriented atmosphere.The disco-sleeved 12" EP provides a revealing glimpse of a musically omnivorous approach. On Badge Theme we find the group upping the ante of the sound of their debut, unspooling 14 mi…
**2LP only** FLEE is proud to present its new project: Tarantismo: Odissey of an Italian Ritual. Dedicated to Tarantism, this project tells the story of a centuries-old choreo-musical ritual from Southern Italy, mobilizing frenetic rhythms and maniac dances, to exorcise women of a mysterious evil caused by the bite of a spider. Trans-disciplinary, this effort of documentation and artistic re-interpretation of one of Europe’s most mysterious trance phenomenon is comprised of a double LP vinyl com…
CD version. Edited and mixed between Montreal and Paris, From Somewhere Invisible summons the fever of experimentation and the powerful sound of the game coming together in the service of a luxuriant and psychedelic drift. Synthetic brass meets hammered rhythms, string electrics with cracked electronics, saxophone cries and laughter at a pulsing and seminal bass. Created in 2012 by multi-instrumentalists Frédéric D. Oberland and Stéphane Pigneul, Oiseaux-Tempëte (Storm Petrels) is a constantly e…
**100 copies** "The organ: in popular association, both the ‘God Instrument’ and the ‘Devil Instrument’, a purveyor of myriad densities and shades of massed tone, elemental fire and inexhaustible air, capable of inspiring wonder, awe, profound mystery and sinister darkness. The essential nature of the organ, as a synthesizer layering sound upon sound, is controlled by an alchemy very similar to that which generates electronic music. The natural hybridization of these phenomena allows one to expl…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
**300 copies** Feedback leads a life of its own. It is an uncontrollable sonic accident, usually ear-numbingly loud but sometimes also delicately ethereal. The essence of feedback is being released from bonds, its path is always one of intensification and escape. Its a physical phenomenon and hard to predict. The duo G.A.M.S. makes music on the edge of losing control. A restless drummer works his way through waves of feedback, which span the full spectrum of frequencies from pumping bass to the …
"Occasionally, a work of art falls into your hands with such a bizarre backstory, you just have to run with it. The implausible origins of Nick Garrie’s folk-pop album The Nightmare of J.B. Stanislas require just such a leap of faith. The Englishman recorded his masterpiece in France at the tender age of nineteen. The year was 1968 and Garrie felt ill at ease with the lavish arrangements accompanying his songs (beautiful as they may sound to our ears today). Worse still, the label owner committe…
**Red vinyl, gatefold sleeve** Exotic jazz guitar mastery! Gabor Szabo’s singular style and authentic sound is on full display across a set of originals and choice covers highlighted by unusual instrumentation and ingenious arrangements. From the sitar-starring adaptation of Paint It Black to the Latin rhythms and bossa nova beats, Szabo’s savvy jazz guitar innovations shine throughout."Gabor Szabo was one of the most original guitarists to emerge in the 1960s; mixing his Hungarian folk music he…
**1.000 copies** "The Black and Latin American space programme of the late '70s and early '80s was born on dancefloors and took more bodies into orbit than NASA ever did. Space Funk: Afro Futurist Electro Funk In Space 1976-84 charts a major phase shift between boogie-disco and electro-funk that came about as African American and Latin American artists really embraced the potential of computers and synths to express their ideas about alienation and utopian escapism. Taking cues from science fict…
**1.000 copies** Soul Jazz Records release flautist Lloyd McNeill’s album Treasures (1976). Originally issued on the artists’ own private press Baobab label in New York, the album is a serious collectors’ piece, a heavyweight and fascinating fusion of deep and spiritual jazz sensibilities blended with Brazilian and Latin rhythms and melodies."Lloyd McNeill is a cultural polymath - a multi-disciplinarian flautist, painter, academic, poet, and photographer - who as a musician has worked with every…
Alternative Fox present a reissue of Pete Brown & Piblokto!'s Thousands On a Raft, originally released in 1970. London-based poet Pete Brown made a name for himself after joining Mike Horovitz's New Departures art group in the early 1960s, leading to a residency at The Marquee and a 1965 appearance at the Royal Albert Hall. Brown began co-writing lyrics for Cream the following year after a request from drummer Ginger Baker, yielding tremendous hits such as Sunshine of Your Love, White Room, and …
"The improvising trio Monopiece lists its instrumentation as guitar, percussion, and electronics, but electronics describes far more than one third of its texture, since both guitar and percussion are amplified and electronically processed. On this release they are joined by the Dutch vocal artist Jaap Blonk in recording spontaneously generated music, edited and subtly processed to reflect the communal nature of its creation without interrupting the strong, improvised narratives of each piece.In…
**Clear vinyl edition** Before Afrobeat, there was Highlife-Jazz and Afro-Soul. Highlife music, originally from Ghana and widely popular across West Africa, dominated the music scene in Lagos when Fela Kuti returned to the newly independent Nigeria in 1963. Fela had been studying trumpet at Trinity College of Music in London where he met drummer Tony Allen, who also joined him in new group Koola Lobitos as they sought to mix things up by introducing the sounds they had heard in the capital's jaz…
**2019 stock** "This December 1976 recording features two of the most prominent AACM musicians, Roscoe Mitchell and Anthony Braxton. Mitchell’s compositions run the gamut, beginning with the darkly gorgeous opener that features Braxton’s contrabass clarinet nestling evocatively beneath the composer’s earthy flute… Mitchell’s other pieces investigate the sparer, more abstract realm, as the duo’s wide variety of reeds populate the sonic environment with scattered moans, squeaks and pops. Overall, …