New Arrivals
João Gilberto
Originally released in 1973, Joao Gilberto aka The White Album, is as a timeless classic of the genre and one of Joao's definitive masterpieces. Featuring only the minimalist drumming of NY jazz drummer Sonny Carr (and the backing vocals of 'Miucha', Gilberto's second wife and sister of Chico Buarque on the final track), Joao spins a delicate web of sound that from the first notes of Tom Jobim's anthem 'Aguas De Marco' has the listener dreaming of Bahia, even though the album was recorded in a N…
Jazz By Sun Ra
This essential title is also available under the moniker of Sun Song (1956). Regardless of its name, this long player contains some of Sun Ra's most complex but most accessible efforts. Ra had been an active performer since the late 1940s, recording with his various combos or "Arkestra(s)," as he dubbed them. Since this was the first widely distributed platter that the artist cut, it is often erroneously referred to as his debut. The tracks were documented by then-unknown Tom Wilson. If the name…
Angels And Demons At Play
Angels And Demons At Play was compiled from two different sessions, recorded four years apart (1956 and 1960), that reflect Sun Ra's evolution from hard Chicago bop towards exotic styles that transcended easy categorization. The album was released in 1965 with a distinctive sleeve design by Sun Ra, featuring an identical illustration on both sides, and no sleeve notes. Besides the leader, there's overlapping personnel at the two sessions, yet the two LP sides were somewhat incongruous, demonstra…
Gondoliers
To coincide with the opening of his major forthcoming UK solo exhibition at BALTIC (17 March – 11 June 2017), The Vinyl Factory presents a new album of music by the acclaimed Canadian artist Rodney Graham and his band. Gondoliers will be released on vinyl and digitally by on 17 March, featuring nine new tracks of lyrical rock and roll. Gondoliers follows the release of Graham’s 2016 album, Good Hand, Bad Hand, also released by The Vinyl Factory and can be seen as the second half of a pairing. Ta…
K-Priss
"As a member of 70’s proggers Heldon, Georges Grünblatt made the unusual journey from psych rocker to full time psychiatrist. But not before his one and only 1980 album K-Priss bombed commercially. The solo offering was recorded in the autumn of 1977 for Polydor with his Heldon contemporaries; the influential guitarist Richard Pinhas, Francois Auger, Didier Batard and others, while Jean-Louis Rizet, one half of the one-off prog collaborative Besombes and Rizet who put out the spacey masterpiece …
Cine Opera
Limited edition of 500 copies worldwide, each hand-signed and individually numbered by Michael Nyman. Cine Opera represents Michael Nyman at a creative peak, bringing together the old and the new, a powerful statement on the timeless nature of his work, his continuing relevance, and his enduring success in multiple artistic fields. La Traversée de Paris was first commissioned in 1989 to mark France’s bi-centennial celebrations. Nyman continued to use tracks from La Traversée de Paris in other pr…
Fourth Sensation
First ever reissue of the sought after album Fourth Sensation, originally released in 1970. The band was formed by Ares Tavolazzi (I Giganti, Area) - who later was an active session musician as well as being a leading figure in the Italian jazz scene, accompanying Gil Evans, Steve Lacy, Max Roach, Lee Konitz, Phil Woods and many others - on guitar, Ellade Bandini on drums, keyboardist Vince Tempera - who, a few years later formed the progressive supergroup Il Volo with Mario Lavezzi and Al…
Ecologia Del Delitto
**ltd 100 on Red vinyl** One of the coolest 70s soundtracks from the great Stelvio Cipriani – served up here with a huge amount of bonus tracks too! The music here was scored for a Mario Bava horror film, but it often has a quality that's more lean and lovely overall – that current of sex that we always love in Ciprani's best work, and which made him a key force for transforming the Italian bossa and jazz soundtrack style of the 60s into something completely new for the 70s! There's a lo…
Aaffluss Raaffluss
Killer 1988 “art-gallery” edition - each copy of the original LP was hand-painted by the composer in a loose, water-colour smear / drip style beautifully reproduced here, albeit utilizing the same image for each replica - covering a pair of beautiful, drifting piano pieces composed & executed by Giuseppe Morrocchi in 1980 & 1984.Seemingly influenced by Charlemagne Palestine’s “Strumming Music” approach - coupled perhaps with Lubomyr Melnyk’s “Continuous Mode” - the slow rise from decisive…
People The Sky
Nicely timed replication of this 1969 Vanguard “Cardinal” series LP, offering a pair of side-length “Automatic” Buchla pieces by Composer / Producer Michael Czajkowski - then and now known mostly in music circles for his odd, post-production contributions to Buffy Saint-Marie’s “Illuminations” LP.Recorded at NYU’s famed Intermedia Center - see Charlemagne Palestine’s 60s Electronic Music, Morton Subotnick’s “Silver Apples” - this one falls squarely into the “hands-off” master-patch canon o…
Homo Faber, Dum Spiro Spero
Creel Pone treatment of this majorly slept-on set of dark, minimal, surrealist electro-acoustic & Musique Concrète pieces from the Polish composer Joanna Bruzdowicz, a member of the GRM under Pierre Schaeffer’s tutelage between 1968 & 1970 & long-term collaborator of Agnes Varda’s, for whom she scored several films from the mid-80’s on, including “Les Glaneurs et la Glaneuse.” The LP in question (the only one to feature her electronic work) consists of the three-part “Homo Faber” suite - compose…
The Soundhouse
When you think of the BBC Radiophonic Workshop, we’d wager most of the time it’s in context of their seminal ‘60s and ’70-s output. However, The Soundhouse (1983) proves there was much to marvel at in their early ‘80s catalogue, too, summing up the great advances in technology between their Radiophonic Workshop - 21 collection and their acquisition of a Fairlight CMI - the first digital sampling synth - which is thoroughly, imaginatively demonstrated throughout. Horses for courses and all that b…
The Harmony of the World
Fascinating one-off Computer Music curio from 1979, released, incredibly, on Book-of-the Month Records, "a Division of Book-of-the-Month Club, Inc." Much like Laurie Spiegel's Voyager "Golden Record" piece, "Harmonices Mundi," Johannes Kepler's star-math was used as a template for the cyclical periods of a series of Digital Oscillator algorithms, which were then sent spinning in & around each other. The result is not unlike the Pythagoron™ LP, or even Thorkell Sigurbjornsson's somewhat contempor…
Tapes
Hamburg’s Growing Bin go back to the roots of Trance, as in hypnotic electronic rhythms for dancing, with this Baldelli-favoured suite produced in Germany 1983-86. “If you’ve kept a keen ear to the underground, you may have noticed a trance revival creeping into the dance floors and darkrooms of late; a post ironic return to the 64 bar breakdowns and peak time key changes of your serotonin drenched youth. So what’s this then? Has Growing Bin gone from groundbreaker to copycat? Dig a little deepe…
Oeldorf 8
Issued by the Dutch "Nea Mousa Promotion Centre for Contemporary Music", the initial 1976 issue of this music documents the 8th meeting of "The Oeldorf Group" of Composer-Performers Pëter Eótvös (whose "Cricket Music" graces Creelpolation 1), Joachim Krist, Dietrich Frische, Gabriele Schumacher, and Mesias Maiguashca, who met annually at the barn pictured on the cover to workshop & perform each other's pieces from 1971 on. The two-part "Oeldorf 8" suite, composed in 1975, is a thing of wonder; f…
Abattage
Recorded in 1981 & issued “privately” in 1983 (on Jean Marc Foussat’s own Pyjama imprint) this is a screamer of a record, taking in a decidedly unique approach to minimal musique concrète assemblage (there’s an emphasis on presenting banal, interstitial in-situ sound-events [coughs, footsteps] that reminds of Luc Ferrari one minute ... before a sudden barrage of jackhammer-noise, plunderphonic mangling [is that ... Barbra Streisand !?!], and high-end oscillator scree takes over pushing this clos…
Cordes-Ci, Cordes-Ça, La Discordatura
1972 split release on Pathé Marconi EMI by the GMEB - Groupe de musique expérimentale de Bourges - founders & wife-and-husband team of Françoise Barrière & Christian Clozier. This is the first issue of Barrière's work & only the second of Clozier's after the Perspectives Musicales "Lettre À Une Demoiselle / Dichotomie / Petite Suite / D'Une Multitude En Fête" split w/ Jacques Lejeune (Creel Pone #073). Barrière's three-part "Cordes-Ci, Cordes-Ça" coats the A-side, electronically warping her Harp…
Pythagoron Inc.
Reproduction of a rather odd, late 70s upstate New York “Electronic Music for Healing” lineage LP, credited only to the corporation "Pythagoron Inc. 1977;” about whom we know very little - and maybe it’s best it stays that way. Explaining the music enclosed - encased within, really, without resorting to euphemism is rather hard to do here; so I’ll just give you a rundown of what I hear:The A-side starts out with a surge of White Noise, then suddenly out of nowhere an out of time Echoplexed Dru…
7 Trumps from the Tarot Cards
Yet another follow-up; actually in this case a precursor to a prior Creel Pone, Ruth White’s “7 Trumps from the Tarot Cards • Pinions” (LS 86066) - originally released just eight notches before her “Flowers of Evil” (LS 86058) in the discography of the now-legendary Mercury Limelight series - in between, Pierre Henry’s “Mass for Today • The Green Queen” (LS 86065), the Percussion of Strasborg’s “Signals” (LS 86064) , Fifty Foot Hose’s “Cauldron” (LS 86062), “Response: Electronic Music from Norwa…
Ramasses-Miettes, Nouveaux Modes Industriels
Long on the Creel Pone radar has been this pair of LPs by French bandleader Philippe Doray, recorded in conjunction with the aid of his five "Asociaux Associés" & issued in 1977 & 1980, respectively, via Jean-Marc Patrat & José Serré's Gratte-Ciel & Invisible, the house-label of the inimitable Jacques Pasquier's Société Coopérative d'Ouvriers-Producteurs Artistiques. Centered around Doray's Synthi VCS3 playing & sprech-stimme vocal stylings, the selections here run the gamut from puerile, absurd…