New Arrivals
Dragging Her Wings of Rusty Knives: Selected Recordings 1994-201
A Handful of Dust was founded over three decades ago by two giants of the New Zealand underground, Bruce Russell (The Dead C) and Alastair Galbraith. Declaring their raison d'être in the now infamous Free Noise Manifesto the group has advanced a radical aesthetic; rejecting any notion of structure or comfort they've ground music to its sub-elemental parts. A scraping and howling electricity, spontaneous, unrestrained, physical. Contains expanded and unreleased works spanning the group's history …
Home Fi
Edition of 400. "Vinylization of the recent Home Fi cassette (originally released on the Australian Brierfirld Flood Press label) by this magnificent New Zealand singer/songwriter. We were never able to score a copy of the tape, despite the fact we released Maxine Funke's last LP, Silk (FTR 410LP), so we figured we would perform the public service of making it generally available to the whole wide world. That's just the kind of guys we are! Recorded in stark and simple terms, Home Fi represents …
freeHorn
The form of both freeHorn and ii-v-i consists of a continuous modulation between three different harmonic series. freeHorn weaves together the live interaction of acoustic instruments and computer software written by Larry Polansky and Phil Burk. ii-v-i, a reverberant cloud of moving intonation, gradually drifts from one natural harmonic series to another. Only open strings, 2nd, 3rd and 4th harmonics, and notes stopped at the 7th and 12th frets are used, and the guitars are audibly re-tuned fro…
Windmill
Stephen Whittington writes:“…from a thatched hut draws upon a particular strand of Chinese culture: the Chinese scholar who withdraws, temporarily or permanently, from society. The thatched hut was the place where the great Tang dynasty poets Du Fu (Tu Fu) and Li Bai (Li Po) withdrew from the world. Their example was followed by many others, including the poet Bai Juyi (Po Chu-I), author of Record of the Thatched Hut on Mount Lu, and Xia Gui, the Song dynasty painter of Twelve Views from a Thatc…
Bhajan
Nicholas Chase's Bhajan, described by one critic as “a pas de deux between violin and electronics,” is in four joined/continuous sections. Influenced by many musics from around the globe, the work tantalizes and bewitches the ear with a breadth of sounds that ebb and flow as if guided by an elusive but inherent sense of logic. The composer performs its electronics/computer part while noted violinist Robin Lorentz (who has appeared on four previous Cold Blue CDs) propels the music compellingly, i…
Ecstatic Descent
Erik Griswold's Ecstatic Descent is a prepared-piano work that melds composed and improvisational elements to create an intensely animated, one-of-a-kind textural sound world. Performed here by the composer, at times it may call to mind an enormous out-of-control music box or mechanical toy. It also readily lends itself to comparisons to various ever-changing (yet ever the same) natural sound phenomena, and has been likened by composer Annea Lockwood to the bubbling frequencies of a river.The co…
Twilight Of The Dreamboats
Chas Smith's Twilight of the Dreamboats, one of his quintessential electro-acoustic work, is an ever-evolving single gesture, a seamless blend of tones and timbres from his metal sound sculptures (instruments with such names as Bertoia 718, Que Lastas, lockheed, Mantis, Sceptre, DADO) and his homemade and hot-rodded steel guitars (Clinesmith, Emmons, Guitarzilla, Cadillac bass), performed by the composer. “Reaffirming its status as one of the most exciting innovations in the recording and market…
After the Wars
Peter Garland's After the Wars, a resonant, sometimes clangorous four-movement piano solo, displays a unique sense of grace and a sincerity of expression that is quintessentially Garlandesque. In some ways it marks a slight shift of focus from his more overtly melodic and rhythmically driven material of the past 30 years. Garland writes about the piece:“After the Wars was commissioned by pianist Sarah Cahill as part of her A Sweeter Music project. The idea (I believe) was to focus on the idea of…
In the Village of Hope
Michael Byron's In the Village of Hope is a restless (and in some ways relentless) virtuosic harp solo performed by Tasha Smith Godínez, who commissioned the work. This ever-changing, ever-churning, ever-developing music is unlike anything else in the solo harp repertoire, though not unlike some of Byron’s other recent work, such as his Book of Horizons for pianist Joseph Kubera.Byron writes about the music:“In the Village of Hope,” a purely sentimental title, was composed at the invitation of h…
In The Sea Of Ionia
In the Sea of Ionia is a wildly spinning, charismatically eclectic album containing four of Daniel Lentz’s recent piano works: (1) 51 Nocturnes (2011), a set of very short, contrasting nocturnes that are played without pauses, as one continuous work; (2) Pacific Coast Highway (2014), a primarily textural three-piano piece built of polyrhythmic layers of continuously shifting/drifting harmonies; (3) Dorchester Tropes (2008–09), a four-movement piano solo; (4) In the Sea of Ionia (2007–08) a piece…
35 Whirlpools Below Sound
35 Whirlpools Below Sound presents a fantastical soundworld of 19 short, richly detailed, multilayered electro-acoustic soundscapes jointly composed by Thomas Newman and Rick Cox, whose musical friendship and ongoing working relationship date back to 1985. These enigmatic works, built of often mysterious juxtapositions of sounds, have been gestating and changing shape for many years, with ever an eye toward their eventual completion and release, which this CD marks. The album’s title was taken f…
From A Folio
Michael Jon Fink's From a Folio, a suite of six short pieces for cello and piano and one central piece for six cellos, a set of songs without words, was composed for new-music cellist Derek Stein, with whom Fink has been performing in various small groups during the past few years.As the elegant, subtle music unfolds, radiating a deep, emotional sense of form, the listener is quickly drawn into a highly nuanced, lyrical sound world. Fink’s characteristically reductive but expressive style is evi…
Music For Airport Furniture
Music for Airport Furniture is Cold Blue’s first release of Stephen Whittington’s refined, beautiful music. Whittington is something of a musical vagabond, traveling widely and writing music that is often multicultural in its inspiration. With this in mind, this compelling and sublime string quartet could be heard as a strange homage to the act of traveling, airport to airport.Stephen Whittington writes about the piece, “Music for Airport Furniture is a work for string quartet that alludes to Er…
Long Night
Kyle Gann's Long Night is exquisitely drifting, ever-unfolding music for three pianos that sometimes play independently and at other times in synchronization with one another. Gann calls this “the most successful piece from my early, Brian-Eno-influenced, ambient period, a variable-length piece for three non-synchronized pianos at different tempos.”For this recording, all three piano parts were recorded by Sarah Cahill.The composer writes about the piece:“I wrote Long Night very much under the i…
Ragnarok
Silence present a vinyl reissue of Ragnarök's self-titled debut
album, originally released on the same label in 1976. Some music never
becomes dated and this debut record by Ragnarök from Kalmar in Sweden is
just filled with that kind of music. Many listeners have tried to
describe the music they have carried in their hearts throughout a whole
life or just discovered. They all say it does not sound like anything
else they have heard, some say it sounds like looking at water, others
that i…
A Jamais / Ping
This is the third album by Laurent Perrier’s “Pylône”, Laurent’s experimental electro-acoustic project. Entirely composed and performed with modular synthesisers, it consists of 2 long tracks stretching across each side of the LP. Side A: “A jamais” was produced with the writings and sampled voice of multimedia artist Lyne Vermes. Her words are dissolved into a stream of digital treatments, creating new textures, long waves. With the use of granular synthesis it stretches out only to end up in s…
Steadfast on our Sand
Steadfast on our Sand is a documentary about landscape creation and nature control. A mesmeric film about the islander community and its contradictory habits and traditions. A cowboy movie with herds running in the meadow at sunset and white horses resting in the dark of the night, a documentary film about artificial nature and landscape design, a scary movie with zombies and ghosts. J.H. Guraj contributed some music to the documentary by Zimmerfrei and we liked it so much we decided to release …
Bloom Into Night
Bloom Into Night is the new album from ByMyDelay, the solo project of Marcella Riccardi (Blake/e/e/e, Franklin Delano, Massimo Volume) started in 2011, initially as a one-woman band with an array of loopers end effects to accompany her own songs. During time she got closer to a lysergic kind of folk music, always in between British Folk and West Coast style and in recent times she further opened the structures of her songs, which became more and more stretched out and free-form, like a river wit…
Black Water
Jim Fox’s music is usually noted for its quietude and ambling pace. In the mid-1980s, however, he drifted from these defining stylistic penchants for a couple of years, penning music that often bounced along, energetically and loudly, at a good clip. His clangorous Black Water, from 1984, is rich with dense, sometimes shimmering, sometimes rumbling tremolos and loudly struck chords covering the full range of the piano, set off by brief moments of quiet, twinkling serenity.Jim Fox writes, “Black …
Four Voice Canons
Over the past 25 years, Larry Polansky has been composing a series of fascinating mensuration canons (a formal concept dating back to the Renaissance) that run a sonic gamut from wildly boisterous (#6) to serenely introverted (#17, Guitar Canon). This disc brings together thirteen of these pieces (one of which is found here in three different realizations).In these canons, each successively entering voice moves proportionally faster than the previous one (i.e., each successive voice is to some d…