We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Gothenburg-based artist Johan Zetterquist delivers his debut album for the excellent iDEAL label, unspooling three extended pieces shaped like sound sculptures. It's a profound drone metal variant recorded on a Gibson SG, amplifier and effects, live with no overdubs, slowly unfolding to reveal blistered shards of sound that recall everything from Stephen O’Malley to Maryanne Amacher's seminal Sound Characters. Zetterquist gets a huge amount of mileage out of the contrast between extremes produce…
Utterly destructive and heart-wrenching power noise and catharsis from the don gorgon of Hospital Productions, making Prurient's first album confession since the release of the stunning Frozen Niagara Falls. Taking almost 40 minutes to spell out a litany of ills that mark up as classic, pain-saturated Prurient in contrast with the more layered, nuanced narrative and more complex production values of his last album, the set boots off with the infernal backdraft and flagellating vox of the album’s…
Gorgeous new album from Teresa Winter, an uncanny collection of ambient / dream pop / entheogenic reveries that comes highly recommended if you're into anything from Grouper to F Ingers to Leyland Kirby to Delia Derbyshire to early AFX. Teresa Winter’s LP debut Untitled Death is a hallucinogenic wormhole of sensuously ambiguous pop and electronic experiments primed for the after-after party and altered states of reception. Realised thru a mesh of strategies from live, lo-fi tape recordings of sy…
Hyper colourful and shiny modular synthesis and effected Clarinet ecstasies from the American contemporary avant garde...“As the duo Golden Retriever, Matt Carlson and Jonathan Sielaff have explored an ocean’s worth of sound. Primarily working with the intersection of modular synthesis and amplified/effected bass clarinet, the duo has done eight releases for labels like Thrill Jockey, Root Strata, and NNA Tapes. Their music combines an intense emotional immediacy and meditative focus with strong…
"Concept Bongo"'s completely minimal logic is not exhausted in the fact that it is an album that is only played with bongos. Because beyond this conception, the music we find in its thirty minutes is characterized by a mystagogic feeling which, through an abstracted and repetitive ambience, keeps you totally transfixed, marginally helpless to react to it. References to the musical culture of the percussion instruments are stimuli left to the listener's own discretion: you can understand "Concept…
Taximi is the improvisation during the performance of traditional musical pieces, using soloistic folk instruments. It has roots in the eastern Mediterranean and Arabic culture and can be commonly found in Greek music and specifically in rebetiko. Taximi is a free rhythm melody, an author's imagination, alternating between various emotional paths with a passion respective to each one who carries it. The main prerequisite in order to play a taximi is not to have excellent technical knowledge, but…
Blick : voice and texts. Jean-Marc Foussat : AKS Synthi, voice. Recorded in 2016. Voice imprecation and electronic environement, both always in movement.
Five CD box set in DVD size metal tin with PVC jacket. Very limited edition, 100 copies only ! Five factory pressed CDs. Five postcard inserts. Individually numbered. Mark Wastell has been organising larger formations of musicians, collectively known as The Seen, for over 10 years, featuring John Butcher, Wolfgang Fuchs, Rhodri Davies, David Toop, Phil Durrant, Lee Gamble and many more. Using predominantly improvised material with occasional instructions or themes distributed to individual music…
Impossible-to-find Italian library music oddity from semi-mythical producer and Fabio Frizzi collaborator Giuliano Sorgini, aka Raskovich. Best regarded for his groundbreaking electro-acoustic and concrète sound design input to The Living Dead At The Manchester Morgue and Zoo Folle , Raskovich is also linked to a wealth of impossible-to-find cult LPs with Alessandro Alessandroni’s Braen, Giulia Alessandroni’s Kema, and their mysterious supergroup The Pawnshop, all amounting to a catalogue which …
Alto sax player/improviser Masahide Tokunaga released his second solo album in 2015, and the highly original playing on that recording, comprised entirely of powerful long tones, received critical acclaim. Two years later, his third solo album shows that he has reached new heights. Proceeding in a comfortable way, his performances here consist mainly of long tones, but add subtle changes in timbre and volume with impressive technical skill, producing a highly creative sound space which could eve…
'A Thousand Strands' is the debut long-player from The Dandelion Set, a new collaboration between Glyn 'Bigga' Bush (Lightning Head, Rockers Hi Fi) and PK Chown (James Beige, Mr Liquorice). The album travels back to their formative years in the mid 1970s, with sleevenotes, lyrics and vocals by cult writer Alan Moore (V For Vendetta, Watchmen) and passes through a cavalcade of musical landmarks en route to the present day.
Två porträtt (Two portraits) is a record that includes two long sounding portraits of two, in different ways, significant figures from the 19th century Europe that in a first glance should not have much in common. But both Hanna Arendt and Friedrich Jürgenson chose in their thinking and in their practice a completely own way. Rainer Maria Rilke appears as a shadow in the wings, as a third for the record important character, whose words has given the two compositions their titles. In Martin Tegen…
"Attempt No. 6 is the result of a cooperation between Swedish organist Hampus Lindwall and the Stockholm-based artists Joakim Forsgren and Leif Elggren with the Werkleitz Gesellschaft e.V. in Halle (Saale), Germany. Upon the invitation of curator Martin Hartung, the audio-visual performance Attempt No. 6 formed the core of the Werkleitz Festival 2016, titled Trans-Positionen, which was addressed to the power of the imagination associated with radio broadcasting. In conjunction with the internati…
Reading (Story of) O brings together (Story of) O a graphic and semantic reworking of the original story (English and French words coexisting on the page) accompanied by two fictional texts (Story of) A and (Story of) E, and Reading O, a few simple strategies and choices for reading—alone or with others, in private or to an audience, so that you may find your way through it as through you own story. This is the first collective reading in English and French with 9 readers, it lasted 48 mins. …
This really is a special one. Solo voice carries so many connotations, of speech, of song, of chant, of prayer. It’s the most directly human, personal, unmediated instrument of all. It’s the way we speak to each other, comfort each other, entertain ourselves, reassure ourselves, talk to our gods. Kurka’s singing throughout is quite extraordinary: so refined, balanced, unadorned and controlled. Absolutely nothing is wasted or unnecessary.
Antoine Beuger Christopher Fox Eva-Maria Houben Th…
"Recently, I have become interested in the idea of music blending with the environment the listener is in, rather than the music creating its own environment. In listen, I have recorded a balance of sounds that occur naturally throughout the day and others created intentionally in imitation of those sounds. the piece is comprised of four field recordings, collected in an area near my current home (Avon, CT) at different times of the day. I listened to each of the recordings and isolated sounds t…
Spectral Arrows is an ongoing series of long-duration performances for guitar and electronics by Marco Fusinato. In Spectral Arrows, Fusinato arrives at the venue when it opens for business, sets up his equipment facing a wall and proceeds to play for the whole day until the end of business hours. Fusinato presents himself here in the guise of a worker, clocking on and unceremoniously clocking off at the end of his 8-hour day, refusing to allow the behind-the-scenes mystery of rehearsals and pre…