We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

New Arrivals

remissions
dimmer's "remissions" is the second full-length album from longtime sonic architects of interactive feedback circuits, thomas dimuzio and joseph hammer. this 2xlp effectively represents four side-long pieces from their live shows throughout california taken place between 2006 and 2007.essentially a follow-up to their 2007 album on los angeles' melon expander, "remissions" expands upon the immense recursive tape looping and resampling that is found inherent in their work but achieves a weight and…
Versions
"David Daniell and Douglas McCombs's first collaborative LP, Sycamore (THR 216CD/LP), was assembled from seven hours of in-studio improvisations. Daniell and McCombs sifted through the material looking for their favorite moments, then combined, cross faded, mixed, and matched those moments into something that made sense to them as a long player. For their new release, the double LP Versions, they gave the same seven hours of material to noted recording engineer and producer Bundy K. Brown…
Old news #8
More archival works from Jim O'Rourke see the light of day on Old News #8. Recorded in 1991-1992. Originally released as part of Disengage by Staalplaat. Special thanks to Geert-Jan Hobijn and Frans de Waard for their years of support. Jeff Cortazzo (trombone), Sue Wolf (cello), Michael Prime (shortwave), Geoff Fontaine (voice), Gretchen Wells, Matt Guerierri, Scott Shell. "Merely" recorded live at DePaul University, 1991 -- Carrie Biolo (percussion). Remastered in 2012, Steamroom Tokyo. This on…
The Emotional Plague
Includes digital download voucher redeemable from the label** "Jagjaguwar is proud to reintroduce the first ever vinyl pressing of 'The Emotional Plague' from 1996. Supreme Dicks put out one single in their career, Ia double B-side. Maybe they had a sense of humor, but in hindsight it's hard to tell. Falling somewhere between Captain Beefheart, Throbbing Gristle and SALEM in the lineage of musicians who've found a muse in the nasty, brutish brevity of life, Supreme Dicks chose to cloak d…
\"The Vodoun Effect\" 1972-1975
Most Likely To: be one of the only albums you hear that will protect you from the smallpox virus. In the late 1960s, as traditional African culture rubbed up against an influx of Western influences, some of the most amazing modern musical forms birthed in the dance halls of West Africa. Rhythm and blues, soul, and funk elements electrified and popularized in the United States folded back upon themselves into their African origins. Afrobeat reigned supreme in Nigeria, a defiant and jubilant funk …
S/T
All things must come to pass, if you love something set it free, it’s better to burn out than fade away, blah blah blah. No platitude can mask the permanent bummer of a favorite band breaking up in their prime, and such is the case with Iowa City’s most untamed civic treasure, feral-psych foursome Raccoo-oo-oon, who decided to dissolve this year after nearly half a decade of radical and galvanizing activity (tapes, tours, t-shirts, etc). Fortunately they’re generous sorts, so their parting gift …
Gramercy
On 'Gramercy', we find clarinet abuser Gareth Davis (who might be best known for collaborations with Machinefabriek and Steven R. Smith) paired with virtuoso cellist Frances-Marie Uitti. Uitti is widely revered for her unusual and original twin bow technique, which allows her to eke out far more sounds from the humble cello that you might initially expect. These sweeps and drones are matched perfectly with Davis's patented haunted drones and breathy chokes resulting in a deftly academic yet unne…
Palace of marvels (queered pitch)
Edition of 500. Composed by Marcus Schmickler. Recorded and Mastered at Piethopraxis, Köln. January-August 2010. Cut at Dubplates & Mastering, Berlin, October 14th 2010. Artwork by Tim Berresheim. Marcus Schmickler's new release following his acclaimed 'Altars of Science' is a must have for those interested in the rising field of contemporary Computer Music. It reconfirms Schmickler's interest in the liaison of sound, phenomenology and cognitive sciences. Schmickler therefore utilizes a n…
Kill For Love
16 Track Deluxe Double LP on Magenta coloured wax finally available, includes downloiad code redeemable from the label* At long last available for public consumption - Johnny Jewel and co make their loooong overdue return with a gorgeous new album. It's now five years since 'Night Drive' triggered an avalanche of copy-cats and even a film - Nicolas Winding Refn's 'Drive' - and although we were all blessed with Johnny Jewel's sumptuous 'Symmetry, Themes for an Imaginary Film' earlier this…
Endtime
It's a great honour for us to be able to present conrad schnitzler's last work. endtime will be released as dlp, cd and download. only a few days before he passed away last august, he created this unique, almost 70 minutes long work. 36 parts mixed into each other create a walk through his entire work. this record is not only for fans of conrad schnitzler. it's like a trip through 40 years of electronic music. conrad schnitzler once more shows how strong his influence has marked young art…
Personal Space Electronic Soul 1974 - 1984
Excerpts from the album. Now available at Experimedia.net. "If the independently-pressed record made the galaxy of recorded music that much larger, the burgeoning home studio became the black hole from which little escaped. Flowering in the mid-to-late '70s, affordable high-quality tape recorders, synthesizers, and simple drum machines permitted the aspiring artist to never leave his home, never request the assistance of another human being. In the world of American black music, name artists suc…
Heads Full Of Poison
North Carolina instrumental rock duo Ahleuchatistas belong to the beyond-category sector of such iconic, genre-flouting combos as John Zorn’s Naked City, Captain Beefheart’s Magic Band, Swans, Tortoise, and Sun City Girls.Ahleuchatistas combine wicked precision with intense abandon, droll humor with analytical construction, and a sly gregariousness with uncompromising vision. This pair interweaves elements of punk rock, jazz, classical music, speed metal, grindcore, progressive rock, noise, …
Pantheon Of The Lesser
Pantheon Of The Lesser was composed over a period of two years in Ocean's home studio in Portland, Maine. As the seasons passed each track was written, re-written, played and then re-played as layers were slowly stripped away until the true essence of the song was revealed. Once Ocean entered the studio it took another two years to deconstruct Pantheon Of The Lesser until they had found the essence of their writing. This disciplined deconstructionist approach to songwriting is how Ocean t…
Live Peace In Toronto
Limited edition, audiophile pressing, with original spiral bound 1970 calendar w/ photoLive Peace in Toronto 1969 is a 1969 live album recorded by John Lennon and Yoko Ono, as the Plastic Ono Band, at the Toronto Rock and Roll Revival festival. Lennon after being asked by local promoter John Brower if he and Yoko would accept an invitation to emcee the show on short notice instead decided to make his post Beatle debut at this festival. Featuring Eric Clapton on guitar (fresh from the breakup of …
Black Mill Tapes Volumes 1 & 2
Not much is known about the shadowy figure of the Head Technician, the man supposedly behind Pye Corner Audio. There are rumors that in another life he was an engineer to the stars, and while that can't be verified, there's certainly an air of expertise in this bumper set of productions. Black Mill Tapes Volumes 1 & 2 were originally released by the Technician himself, and have been picked up for a very special vinyl release. These collect the first handfuls of tracks from the Pye Corner A…
Deutsche Elektronische Vol1
What's in a name? Good question. On first glance, Deutsche Elektronische Musik gives the impression that the pieces for Soul Jazz's new collection were selected for how they later fed into house and techno. But then there's that subtitle—"Experimental German Rock and Electronic Music 1972-83"—one which gently reminds listeners that much of the most fertile music from Germany in the '70s wasn't electronic at all. So why not Krautrock? Well, that doesn't quite work either: A title like that…
Weight / Counterweight
"Recorded in April of 2008, Weight/Counterweight, the new release by Bill Dixon marks his return to small group playing, his first trio since the Dixon/Taylor/Oxley Victoriaville recording. The group, assembled by Hall at Dixon's suggestion, marks a new direction in Dixon's instrumentation with no untreated trumpet whatsoever and a barrage on pitched and unpitched concert percussion creating landmark skeletal architecture which Dixon pushes out from into unmediated solos of gravity and we…
Desertshore/The Final Report
**Gatefold double 180g vinyl LP, with 12" booklet of liner notes and photos**Industrial Records presents the much-anticipated two album release Desertshore/The Final Report, a unique collaboration by Chris Carter, Peter "Sleazy" Christopherson, and Cosey Fanni Tutti. This is a two album release celebrating both the progress inherent in change and the fulfillment of two exceptional, yet separate projects. The Desertshore project is a "re-imagined" cover version of Nico's seminal 1970 album, f…
Reverse Atheism
Barbara Manning and S. Glass lead a small army of guest readers and musicians through barely musical versions of tunes, texts, and tracts. A survey of the exceptional, the eccentric, the feverish, and the pathologically peculiar within popular religious faith, to paraphrase William James, made by others, communicated by tradition, determined to fixed forms by imitation, and retained by habit. 70+ minutes of music fragments leached of melody and harmony, looped, hacked, noisified and depas…
Spiritual Jazz 3: Europe
Gatefold double LP version. Esoteric, modal and deep jazz from the European underground, 1963-1972. At the end of the '50s, Miles Davis' Kind of Blue heralded the revelatory arrival of modal jazz. As the vibrations of these giant steps resonated across the world, European jazz musicians reassessed their bearings and began to steer a new course. Across the continent, they sent roots down into the rich soil of the European folk and Christian liturgical traditions, extended their music along a…