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Most Likely To: be one of the only albums you hear that will protect you from the smallpox virus. In the late 1960s, as traditional African culture rubbed up against an influx of Western influences, some of the most amazing modern musical forms birthed in the dance halls of West Africa. Rhythm and blues, soul, and funk elements electrified and popularized in the United States folded back upon themselves into their African origins. Afrobeat reigned supreme in Nigeria, a defiant and jubilant funk …
Double LP edition: Lengths of stretched distortion rattle the grey matter, unnervingly slow and severe. With Sunn O)))’s second album, ØØ Void, the sonic misery nurtured to functionality by Greg Anderson and Stephen O’Malley stays simple and repetitive, a tabula rasa having yet to realize the full scope of its potential. With this album, Sunn O))) worked as a three-piece, collaborator Stuart Dalquist coming up with its opener, “Richard,” which is a solid fourteen and a half minutes of be…
In some ways, Commitment was typical of many bands of their time. Between 1978 and 1984, they enjoyed a modest success by the subterranean standards of the Lower East Side. They struggled for gigs during the waning years of the New York loft scene, enjoyed higher profile gigs at several Kool Jazz Festivals, made one short European tour, and recorded one LP. But their music is more significant than this story might indicate. Hwang was among the first improvisers to emerge out of the Asia…
Debut vinyl by this post-Anschluss project. Basement experimental sound & collage recordings from Amherst, first released in about '93 or so. Tapes, keyboards, synthesizers, harp, piano, percussion, etc.
**Double gatefold LP w/exclusives from Fennesz, Vainio, Jeck, Eleh, Chris Watson and so much more** Part of Touch's extended 30th anniversary celebrations, this compilation, with a cover photograph depicting Colossus, the first computer - serves first and foremost as a survey of the extraordinary breadth of the imprint's roster. Touch bosses Mike Harding and Jon Wozencroft consider the release to be a "group show" and a piece "documentary realism" as opposed to a compilation, one which provides …
Thurston Moore, Jim O'Rourke and Mats Gustafsson last convened for the monumentally noisy Diskaholics Anonymous LP, Weapons of Ass Destruction. Now the trio have returned to Smalltown Superjazz for yet more sonic carnage, this time joined by ace drummer Paal Nilssen-Love, guitarist Terrie Ex and bassist Massimo Pupillo. There's a tremendous breadth to the kind of ground covered by these musicians. At no point do you feel as if the ensemble is running out of ideas or stagnating on one particular …
North Carolina instrumental rock duo Ahleuchatistas belong to the beyond-category sector of such iconic, genre-flouting combos as John Zorn’s Naked City, Captain Beefheart’s Magic Band, Swans, Tortoise, and Sun City Girls.Ahleuchatistas combine wicked precision with intense abandon, droll humor with analytical construction, and a sly gregariousness with uncompromising vision. This pair interweaves elements of punk rock, jazz, classical music, speed metal, grindcore, progressive rock, noise, …
**Gatefold double 180g vinyl LP, with 12" booklet of liner notes and photos**Industrial Records presents the much-anticipated two album release Desertshore/The Final Report, a unique collaboration by Chris Carter, Peter "Sleazy" Christopherson, and Cosey Fanni Tutti. This is a two album release celebrating both the progress inherent in change and the fulfillment of two exceptional, yet separate projects. The Desertshore project is a "re-imagined" cover version of Nico's seminal 1970 album, f…
dimmer's "remissions" is the second full-length album from longtime sonic architects of interactive feedback circuits, thomas dimuzio and joseph hammer. this 2xlp effectively represents four side-long pieces from their live shows throughout california taken place between 2006 and 2007.essentially a follow-up to their 2007 album on los angeles' melon expander, "remissions" expands upon the immense recursive tape looping and resampling that is found inherent in their work but achieves a weight and…
Pantheon Of The Lesser was composed over a period of two years in Ocean's home studio in Portland, Maine. As the seasons passed each track was written, re-written, played and then re-played as layers were slowly stripped away until the true essence of the song was revealed. Once Ocean entered the studio it took another two years to deconstruct Pantheon Of The Lesser until they had found the essence of their writing. This disciplined deconstructionist approach to songwriting is how Ocean t…
"Don't look back," repeats one of several voices within Mark Van Hoen's The Revenant Diary, his fifth solo album and first release on Editions Mego. Surrounded by weighted beats, analog synthesizer drones and granular dirt, the unidentified, siren-like female voice's advice is as much seduction as warning. Tellingly so, for as well as being both Van Hoen's most ambitious and his most accessible work, The Revenant Diary is an eloquent meditation on the allures and dangers of memory, regret …
LP has tracks not on the CD and not available via download. The Four Aims is the much-anticipated second full-length by the long-running duo of Mick Flower (Vibracathedral Orchestra, Sunroof, Michael Flower Band) and Chris Corsano (Flaherty/Corsano, Jandek, Bjork, Sunburned). In the couple years since their debut, The Radiant Mirror (Textile), the two have toured and recorded frequently, expanding their range to include a mind-boggling array of free sound. "I, Brute Force" kicks off the record w…
Not much is known about the shadowy figure of the Head Technician, the man supposedly behind Pye Corner Audio. There are rumors that in another life he was an engineer to the stars, and while that can't be verified, there's certainly an air of expertise in this bumper set of productions. Black Mill Tapes Volumes 1 & 2 were originally released by the Technician himself, and have been picked up for a very special vinyl release. These collect the first handfuls of tracks from the Pye Corner A…
Long awaited reissue of the debut release from Mehdi Amezianes Twinsistermoon project, originally released as a gorgeous handmade self released CDR in 2007, to many of Natural Snow Buildings and each of their solo project, this is the pick of all their releases, which is rather ironic being that its one of the smallest release runs in the discography of all the Natural Snow Buildings and related projects, it is infact the most limited release of all the Twinsistermoon releases. But due to the ma…
Following in the tradition of minimalist composers such as La Monte Young, Yoshi Wada, and Charlemagne Palestine, Sun Circle exemplifies a contemporary focus on long form drone music. Members Greg Davis and Zach Wallace have shown their interest in the field most recently with extended works on Kranky and Root Strata respectively; together on Lessness, they show a deep-rooted interest in the power of simple forms. Building upon themes from their recent solo work (Davis’ subtly shifting tonal w…
EXCLUSIVE! Produced by FOUR TET. The relationship between Four Tet & SHOTM began in August 2003 when Kieran Hebden, read the cover story of The Wire, which touted SHOTM as leaders of the "New Weird America." That story sent Hebden on a search for Sunburned records & he's been a fan ever since. In 2004, Hebden asked Sunburned to tour with them. A couple of years later in March 2006, Hebden asked the band if they would like him to record them with the idea that he would take the recordings & const…
Special vinyl set collecting the first two incredible solo albums from Bruce Gilbert - not to be missed* In 1979, after completing their third and final group masterpiece, 154, Wire dissolved, leaving Bruce Gilbert and fellow traveller Graham Lewis free to explore their interests in minimalist electronics across a series of solo and collaborative projects. Originally released on Mute in 1984, 'This Way' was Gilbert's first solo album and was primarily made up of work commissioned by choreographe…
While Grail’s studio records are expertly crafted affairs, full of expert production and cinematic flair, but the Black Tar Prophecies series has been the set of songs which has brought Grails to the forefront of the instrumental scene. Lo-fi and bared back, it gives the band a place to experiment outside of the norm. Volume 4 of the Black Tar Prophecies series utterly drips in dark atmosphere; opener I Want A New Drug starts with a tape recording which slowly descends into warbling, becom…
More archival works from Jim O'Rourke see the light of day on Old News #8. Recorded in 1991-1992. Originally released as part of Disengage by Staalplaat. Special thanks to Geert-Jan Hobijn and Frans de Waard for their years of support. Jeff Cortazzo (trombone), Sue Wolf (cello), Michael Prime (shortwave), Geoff Fontaine (voice), Gretchen Wells, Matt Guerierri, Scott Shell. "Merely" recorded live at DePaul University, 1991 -- Carrie Biolo (percussion). Remastered in 2012, Steamroom Tokyo. This on…
LP version. “This is his second album for Touch, after the highly acclaimed “Englabörn” [Touch # TO:52], about which The Wire said: “...expressive leitmotifs that unveil a profound sadness without ever wallowing in pathos” and Boomkat called it “a work of rare beauty and ... a rare jewel.” “Virthulegu forsetar” contains one hour-long piece for 11 brass players, percussion, electronics, organs and piano. The piece had its live debut in Hallgrimskirkja, a large church in Reykjavik and the city’s t…