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Wally Shoup, Chris Corsano and Paul Flaherty make up this screamin' free punk jazz liquid solid noize trio captured LIVE 'in your face' style in Seattle, WA. Totally improvised double sax and drum explosions that break down into duos and solos and re-ignite as trio howlin' paint splattered madness gone butt-naked wilder. Recorded at an art gallery with artwork melting off the walls and frightened fans nervously mopping their furrowed blood-stained brows (they were especially afraid one or both o…
The Parasites of the Western World are a band from Portland, OR who released their recorded debut in 1978. It's a fascinating spin, a galactic ramble across the otherworldly themes of alienation and paranoia, seemingly inspired by LSD and Philip Dick. Primarily the creation of Patrick Burke and Terry Censky, the Parasites were limitless with invention and completely DIY. This is a record that was recorded in an apartment, by a crew thoughtful enough to curtail it's loud excursions for the…
Dispossession is the second full length from Brooklyn’s Mike Wexler, and his debut for Mexican Summer. An artist who defies easy categorization—a songwriter/guitarist without a traditionalist bone in his body, with an ear for far flung sound-worlds and sonic atmospheres both high & low, Wexler brings all of his manifold interests to bear in carving out a space for a singular vision uniquely attuned to the present moment. Dispossession is the product of over two years of intermittent recor…
Emergency Stairway could have been Thought Broadcast's debut vinyl full-length. In fact, when commissioned in early 2012, only one 7" and two super-limited tapes were in existence, until some other label snapped to the finish with an even older commission. So, let's say an "almost-debut." Confused? Well, yes, that's probably the point. Ravi Binning's Thought Broadcast project oozes out a dank and confused audio experience isolated way beyond the city limits. A glance at the titles suggests…
2012 repress, LP version. This is Reykjavik-based composer/producer Ben Frost's second release for the Icelandic Bedroom Community label. By The Throat is blood red and cloaked in shadow. Produced in Iceland by Ben Frost and Valgeir Sigurðsson (Björk, CocoRosie, Bonnie "Prince" Billy), this album features performances by Amiina of Sigur Rós fame, Arcade Fire's Jeremy Gara, Swedish metal outfit Crowpath and composer Nico Muhly. Aside from the purely musical language of harmony and melody, there'…
An excellent compilation of beautiful early 70s folk tunes from three LPs that that legendary acid-folk hippy-goddess Collie Ryan recorded in 1973, pretty much in Fahey/Basho vein
Debut album, originally released in 1956. The blind Kansas native showcases his talent for the minimal & avant-garde here, w/ compositions driven by percussion & Japanese-inspired melodies, complimented by street sounds, recitations, & animal noises. Bizarre even for today's standards, it's a wonder this was released over a half-century ago.
Repressed! "Roberto Cacciapaglia is an Italian electronic composer who's made albums using every possible permutation of the same six notes, right up to modern classical, with The Ann Steel Album as the weird anomaly. Made with an American model who moved to Italy to make it big in fashion, Roberto took her languid, Laurie Anderson-esque voice and created a detached futurist popstar. The odd sound of these European futurist pop songs make it sound like the machines are breathing, creatin…
**Limited to 300 copies in hand painted jackets* No Neck Blues Band guy Pat Murano heads deeper into the cosmos with the latest in his head-swallowing 'Decimus' series. There's an ostensible clarity to this installment distinguishing it from previous editions, with almost baroque synth work percolating through the first side before it cascades into billowing, blown-out distortion and physically wrenched drones, like being expanded and contracted by massive gravitational forces and element…
A lasting gravestone release from Philadelphia's Clockcleaner packs in more drama than your mama with enough bad attitude to make the food court cry. Since 2007's release of "Babylon Rules", Clockcleaner have toured the trailer park areas of the United States as well as conquering the scorched earth of Australia. During this time the band recorded this 4 song EP length record that sharpens their midnight howl in a direction only hinted at in previous releases. The band now operates in a d…
The Drag City / Galactic Zoo team delve deeply into the recesses of private press obscurity once again, further revealing the underbelly of American music's recorded history - this time the little known songwriter Ryan Trevor is in the spotlight, who released just one incredibly rare, homespun LP (this one, if you're wondering) which surfaced originally in 1977. Not much is known about Trevor, though the guys at Drag City bill him as a "loner genius", whose work is to be filed somewhere between …
Alexis Georgopoulos (ex-Tussle), who is one third of The Alps (released by Type and Root Strata), and half of Q&A (on DFA), has finished his second album as ARP. Recorded as Alexis Georgopoulos (the man behind the music of Arp), relocated from San Francisco to New York, "The Soft Wave" is expansive in scope, unfolding like a collection of short stories or filmic vignettes, each piece building upon the other. "The Soft Wave" incorporates guitars, piano, flute, & Ebows to create a dense bro…
New LP - The Phantom Family Halo - Music From Italian TV - The label behind this release is using a very cryptic description for this record. One that, unfortunately, won't help sell many copies of a very enjoyable record. We won't be reprinting said description here, but what we will tell you what we know. Phantom Family Halo Band is from Louisville, Kentucky. At least one member of the band Sapat (remember their great LP on Siltbreeze from a couple years back?) is involved, but thi…
Upon setting out to score the music for the play Englaborn by Havar Sigurjonsson, Johann Johannsson, co-founder of the Icelandic arts organisation Kitchen Motors, came upon a text by the Latin poet Catullus which roughly translates as, I hate and I love. Why do I do it, you might ask? I dont know, but I feel it happening to me, and it's tearing me apart. This poem concisely bridges the emotional opposites which clashed within the play itself. As the play's content was extremely violent and distu…
Panabrite is the solo project of Seattle-based Norman Chambers, utilizing analog synthesis, vintage drum machines, various effects and occasional guitar. Inspired by science fiction, new age music, soundtracks and library production music, nature/science documentaries, and vintage electronic sounds... His first lp release Sub Aquatic Meditation is an exciting record replete with underwater tunes. The outer space & the deep blue sea collide into two sides of spellbinding adventures reminis…
Second album by Texas psych duo CALEB COY (guitar) & ETHAN COOK (organ), written in the desert, yet recorded during an endless NYC winter. A cold, expansive sound made ripe for these turbulent times: it's drone rooted deep in the American tradition. RIYL: Earth, Growing, Brightblack Morning Light.
Mind-scrambling free jazz, noise, experimental drones, and uncategorizable sound experiments from the wilds of Judith Kan, voice. Jac Berrocal, trumpet, piano. Dan Warburton, violin, keyboards. Béatrice Godeau, cello. Jean-Noël Cognard, percussions. Recorded by Patrick Müller, 2009. Cover by Jörg Morning. Limited to 300 copies.
Alien Column' is the first full length LP by the thick-smoke-filled-Michigan-basement duo of Chris Pottinger (Odd Clouds, Cotton Museum and the Tasty Soil label) and Heath Moerland (Sick Llama, Cygnus, Drug Abuse and the Fag Tapes label). Often described as a post-Wolf Eyes combo, Slither offer a mutant take on free jazz through their multiple electronics manipulations and dual horn tandem (alto saxophone and clarinet). An additional proof to why Michigan is currently the best place to be on ear…
Home is a collection of folk songs recorded at the end of 2007 and beginning of 2008. Recorded in various places in various parts of the world, it is an album about finding a home. Written, performed, recorded, and produced by Peter himself and mixed with his good friend and sound wizard from Efterklang, Mads Brauer.