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Blackest Ever Black presents the first vinyl edition of Dickon Hinchliffe's original score for 1980 -- the second part of Channel 4 and Revolution Films' Red Riding trilogy, adapted by Tony Grisoni from David Peace's quartet of novels and first screened in 2009. Each film in the Red Riding trilogy, a landmark achievement in British television history, was helmed by a different director and had its own distinctive look, sound and feel. While Julian Jarrold's 1974 and Anand Tucker's 1983 were bo…
A classic, highly sought-after and influencial experimental electronic and acoustic tape from 1981, finally released as a deluxe vinyl LP in extended form with an additional LP to round-up this perfect release - Solo-Works and three more 5ive Ximes of Dust instrumentals by the two genius synth-and-cassette-culture-protagonists and musicians of Dada Computer; Mark Philips, who also ran the Tape-Label MAP-Tapes and Robert Lawrence who ran one of the first Cassette-culture Tape-Labels called Quick …
Peter Frohmader alias Nekropolis is a german artist known for his distinct and very dark athmospheric electronic compositions as well as his extreme visual art-projects leading to many exhibitions, films, multi.media-events and collaborations in the field of art and music (incl. H.R. Giger, Chris Karrer...). In 1981 at age of 23 Peter released his first Lp “Musik aus dem Schattenreich“. At same time he produced a series of 4 Tapes called Nekropolis 81 Vol.1-4 which can be found on his comprehens…
Lovely compilation selected by Xiu (Oksana Rodionova) consisting of contemporary minimal electronic and deviant-techno artists based in Milan, Italy. Here's the label's mission statement as you could say: "The musical aesthetism defended by the label admits connections with post-modern qualities and challenges conventions for an innovative musical conversation between analogue instrumentation and technologies." The label will host various types of electronic music always seen throught a dark and…
Latest release on Vatican Shadow's Bed of Nails label - initial copies on Translucent Orange Vinyl** Dominik Fernow's Bed Of Nails venture welcomes his longtime co-conspirator Kris Lapke with three tracks of haunting Gothic Techno produced as Bronze Age. Kris used to run the Hospital Productions studio when it was operating in Manhattan. It was there that he galvanized seminal records including Kevin Drumm's 'Imperial Distortion' and Prurient's 'Arrowhead' with his signature post-product…
With each successive release, MV & EE strive to map new territory and to travel more distant orbits. It makes sense that this mission is their furthest reaching yet. While they've long been comfortable navigating the same planes as such cosmic explorers as Sun Ra and Alan Silva, Fuzzweed sees them planting their freak flag in the sorts of different galaxies where the atmospheres counterpoint the music of the spheres with the more earthbound plaints of the blues. Please remember that The …
november 2009 release ; pristine electro-acoustic work from cenotaph’s john w. fail (responsible for both a criminally under-appreciated quadruple tape-box on c. spencer yeh’s dronedisco &, partially, the “lied music vs. boy-band tax returns” lp on ultra eczema ... as well as full-length collaborations with spiral joy band & ben reynolds) ...inhabiting similar head-space as graham lambkin’s recent “softly softly copy copy,” the piece in question here takes it source material from live-played ins…
An oblique response to various antecedents of pulse-based electronic music without recourse to drum machines or sequencing (or — in the case of the Four Investigations — synthesizers). Tools include oboe, English horn, analogue synthesis and malfunctioning electric organs and piano. Mastered by Giuseppe Ielasi. Gratitude also to Niko Wenner and Monica Scott. Dedicated to Michael Randers-Pehrson, Jeff Bollaro, and HK Kahng — stalwart comrades in my very earliest electronic music misadventures.
What makes the music of Kasia Głowicka special? First of all space. Deep and extensive. As in ambient music. Built by reverbs, echoes and electronics. Against this background - a piano. Flickering , rippling . Cascades of repeating notes and rhythms. As in minimal music . Tonal associations, but with different development. Clear sounds, distorted, appear then re-appear hear and there as whispers and crackles. As in glitch music. But clearly you hear the skills of a seasoned composer –…
In Format, Sarah Crowner's first widely distributed artist book, the artist creates a roving collage of source material culled from a diverse range of previously distributed print material: magazines, books, posters, newspapers, postcards, etc. This publication provides a rare insight into the artist's working practice, demonstrating Crowner's concerns with visual formulations hinged on historical investigations, particularly in the overlap of art, writing, fashion, and design. Crowner's gracefu…
Guitarist Chris Forsyth is a unique voice in the realm of American music, having emerged from the challenging free form expressionism of his old group Peeesseye with a lyrical command rare in any genre. His newest work brings his trademark lyricism to new heights in his most straightforward setting yet. Gone are the fleshed out rock band arrangements of last year’s Paranoid Cat LP, replaced on Kenzo Deluxe, by Forsyth shunning overdubs and playing his transcendent songs alone in a room on his el…
I had heard so much about the machine created by Daniel Aspuru that my curiosity turned to desire. The transductor eolico is not an easy item to move around and as there were no concerts on the horizon I decided to follow my intuition and invite Steven, Daniel and Manrico to spend some time in La Perrera, located in my house in Oaxaca, Mexico in order to experiment with the TE and eventually produce material for a record.During this ten day residence La Perrera was transformed into a recording s…
Opportunities for introspection have come few and far between for Canadian-born, New York City-based cellist Julia Kent. After coming to prominence as a member of the cello-driven group Rasputina in the ‘90s, she went on to arrange and play on numerous recordings and tour extensively as a member of Antony and the Johnsons, among other projects.The opportunity to explore her own emotional and creative world came with her solo LPs, Delay (2007) and Green and Grey (2011), and it is something she ap…
Dirter Promotions presents another volume of Cut Hands material, containing reworked and remastered versions of some tracks from his Afro-noise project. Comes in a beautiful special edition on 180 gram vinyl mastered by Noel Summerville and featuring the magical vévé artwork of Mimsy DeBlois, in a one-off pressing of 750 copies. The entire 750-limited pressings of Volume 1 and Volume 2 sold out on release day, so don't miss these! A reclamation of the conscious through 16 pieces (split betwe…
Compiled by Chris Menist, Qat, Coffee & Qambus: raw 45s from Yemen features vintage oud and vocal music inspired by the qat-chewing, coffee-sipping, qambus-playing culture of Yemen. Although part of the classical Arabic musical tradition, the music of Yemen takes its rhythmic lead as much from the East African coast (a mere 20 miles across the Red Sea) as the surrounding Arab Peninsula.Little has been written about the music and culture of one of the world's oldest civilizations, and each 45rpm …
"Fruitful meeting of two very consistent mainstays in the southern drone hemispheres... The recordings took place in Buenos Aires when Antony recently was on a trip to South America.. Dark and broodling, yet also soothing and narcoleptic drone works from these two masters of their fields.. Guitars, violins and organs create buzzing forcefields and nocturnal sonic transfixions.... Top shelf trans-continental drone extravaganza from these highly prolific gentlemen. Don't miss out!"
Double LP pressed on 180 gm vinyl, Includes download code redeemable from the label** Tommy Four Seven and his buddy Alain present striking gothic techno architecture as These Hidden Hands on their excellent debut album. Converging a brutalist aesthetic with studio dynamism, their eponymous debut cycles eleven crushing blends of wrecking ball bass hits and pulverised noise rent with super wide and spacious production. It's a sound that's steadily attracted a lot of listeners and producers alike …
2009 issue "The album begins with a percussion intro that sounds more like a gunfight than any sort of recognisable drumming routine, and continues to get weirder and weirder from there on. New York avant-garde-ists Zs might be seen as a kind of post-modern free-jazz ensemble, combining sax, guitars and live kit sounds with all the tumult of contemporary electronic drone music. This LP absorbs the impact of no-wave, industrial music, Merzbow and (on the ornate rhythmic figures of 'MMW I…
Cute doesn’t cut it, at least not all the time. But take cute, add drum machines, and put him (yes, for our purposes, “cute” is a dude) in short-shorts, smear him with trashy makeup, wrap him in cellophane and bind him in handcuffs—as Of Montreal’s Kevin Barnes has been doing onstage lately—and suddenly this thing called “cute” undergoes a transfiguration. It’s a whole new beast.Once the most overtly precious of the Elephant 6 menagerie, Barnes has since jettisoned the everybody-and-his-roommate…
Conrad Schnitzler is considered to be the keyfigure of electronic Avantgarde Music in Europe. Schnitzler was member of Tangerine Dream and Kluster and Con Many years ahead of his time, CON was revolutionary in many aspects, He predated Industrial Music, sounded like Kraftwerk and DAF before they did and makes music today at the age of 71. Some rare early works in re-edited versions by Mooner aka Zombie nation. The track ''Electroklang'' is featured as a loop only!! Amazing electronic music…