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Exact repro on 180gm vinyl w/ original art. All-analog mastering from original tapes. Upon the breakup of legendary Krautrock duo NEU!, drummer KLAUS DINGER formed LA DUSSELDORF w/ his brother THOMAS & keyboard player HANS LAMPE. This, their S/T debut, was recorded in 1975 & is a staggering mix of Dinger's trademark motorik rhythms & accessible experimentation.
The second LP in the RRR Foley Artist Series. Another great noise-wall record from The Rita. Two sound sources, one for each side. Because each side is a completely separate sound source, lets consider it a split LP.
Remix albums might be the new live albums, but over the past few years, "sessions" have also come to prominence as a way for artists to reimagine or repurpose their music in a variety of different scenarios. Things like Daytrotter, La Blogotheque, Black Cab Sessions, "Don't Look Down" and other Pitchfork.tv shows, and AOL Sessions, have become the "MTV Unplugged" for the era of inexpensive digital technology, constantly shifting economic imperatives, and small-but-fervent online publ…
There's a big sticker on this record saying it's one of Aquarius's records of the year. Now call me cynical but I might start doing that for everything just so we get our name mentioned on the front of every record. Genius. Don't know why I didn't think of that before. No Balls are ex Brainbombs and if you're not familiar with them they're a bunch of noisy Swedish types who did a top album called Burning Hell years ago which is a sludge masterpiece. From the same school of thought as Drun…
Long out-of-print cassette originally released on Sloow Tapes (Belgium) in an edition of 70 with hand colored inserts. Cassette sold out within a week and has become quite collectible. Recorded after Expo '70 played France in 2008, just weeks after the IAO festival where the label owner and musician met. Upon returning to the states, the experience spawned the 2 day recording session materializing these 2 improvised tracks with no overdubs. Both tracks begin with rhythmic beats and slowly …
Vinyl-only release. Performers: Jean-Philippe Collard-Neven (piano); Claude Berset (piano); Vincent Royer (viola). Sub Rosa presents the first release after their Luc Ferrari trilogy. Didascalies 2 is not to be confused with 2007's Didascalies (SR 261CD) -- this is another composition entirely, never published before. "The other day I found a file from 1993, a score for two pianos entitled 'Revenir à la Note de Départ' (trans. 'Getting Back To The Initial Note'). So I decided to turn it i…
The second full-length release by U.S. Girls is an even more fully realized excursion into a hazy alternate universe where pop vocals and muzzy scree fuse in harmony. Go Grey conjures up ambient aerosols while luminous kaleidoscopes of sound sizzle, peak, and explode. Megan Remy is a chanteuse from (perhaps) the future, guiding all who choose to sail an evocative trip through her unique aural hallucinogenic landscapes. It's a journey of lush vistas, warm currents, and complex beauties. 23nd-Cent…
Harmonizer, or as lovingly referred to as HARMO around these parts is the Vermont duo of Toby Aronson and Greg Davis, whose previous effort, their self-titled debut on Aronson's own stellar NNA Tapes label was the definitive 5th world statement, and solidified them as sensais in the koan of new drone worship shared by the likes of fellow melodic noisers Caboladies and OPN. In fact Greg Davis (Kranky, Carpark) is zone veteran shredder whose explorations into pastoral electronics have been w…
A quartet of new songs from the ever-wonderful Alasdair Roberts - a follow-up to his long-player Spoils, released earlier in the year. The tone is carefully poised between staunchly traditional folk values and more modern arrangement styles; though Roberts' fingerpicking and unaffected delivery are faithful to the genre's purist leanings, there's nothing conventional about the songs' segmented structures or the often very minimalist arrangements. It's quite strange to hear such a seemingly old-f…
RESTOCKED, very last copies... Brand new LP by the So-Cal recluse responsible for the recent "Matrix Metals" cassette on NNF. This one is deeper into the Vodka Soap-style ritual electronics zone.
Amanda from Pocahaunted joins Robedoor for this first full-length as Topaz Rags, and the album's a real winner, kicking off with 'Darker Sooner' sounding like a Portishead album recorded over the phone. Elsewhere, twisted blues and moaning, haunted house vocals convene for 'Sightings', and 'Wear You Thin' is like a chill-wave night terror. An uneasy listen, but Capricorn Born Again is a druggy, beautiful raincloud of a record that's got appeal beyond the more conventional parameters of the Not N…
Clear and Discovery were originally released as two companion CDRs by James Ferraro (of the whole Skaters / Lamborghini Crystal / 90120 / Splash / Nirvana axis) and comprise the August 1974 (Taj-Mahal Travellers) of his discography. Both albums contain absolutely beautiful whirling hall-of-knives-style synth drone that makes one want to reference Klaus Schulze or Bobby Beausoleil. Clear bursts with flam beats and a cluster of melodies muffled like a calliope wrapped in a soggy tarp, while Discov…
Sun Ra was a innovative jazz composer, pianist, synthesizer player, poet and philosophiser who was fascinated by cosmic philosophy. Ra’s fascination with all things ‘cosmic’ combined with his instrumental ability lead to the creation of off-kilter, avant-garde and highly experimental music. ‘The Night of the Purple Moon’ originally cut in 1970 showcases Sun Ra playing the Roksichord (a then state-of-the-art solid-state electronic keyboard manufac…
Call Back The Giants first surprised and delighted the listening world in 2010, with their warmly-recieved eponymous debut album. Since that time, the duo of Tim Goss and Chloe Mutter have been locked in perfect isolation, teasing every nuance of their sound into sharp focus. The Rising presents the results of their toil, exposing Call Back The Giants as true masters of cryptic intent. Homespun keyboard minimalism, wavering teenage laments, and foreboding pronouncements of doom, synthesize into …
Gary War's thick synth-heavy psychedelia occupies a space between spacey bedroom experimentalists like R. Stevie Moore or the more contemporary Kurt Vile & the abrasive proto-punk of Chrome & Debris. This album expands on the more stripped down sounds of his "Zontag" single, plying layers of warm fuzz & feedback on top of psychedelic pop song structures.
As if the music of lysergic, lo-fi drugdub one man band Sun Araw wasn't flipped out and damaged enough, on this latest joint, those already tweaked and twisted sounds get even more far out, the vibe WAY druggier and spacier, a 26 minute blast of crumbling wah-guitar laced psychdub comedown in the form of three skull caving soul freeing innerspace excursions."Last Chants" begins with a dense swirling cloud of white noise and damaged effects, shot through with barely there melodies, and loose detu…
“Belles Betes” features 4 new tracks fuzzed-out heaviness. The track ‘Green & Cold’ is currently streamable from Nadja’s MySpace page, and it sounds awesome - dark and brooding yet subtly melodic. Like most Nadja releases, “Belles Betes” is annoyingly limited. It’s being released as an LP and will be limited to 500 copies. Click the Beta-lactam link below for samples from each track and additional album info.
An excellent compilation of beautiful early 70s folk tunes from three LPs that that legendary acid-folk hippy-goddess Collie Ryan recorded in 1973, pretty much in Fahey/Basho vein
Vessel: a sonic narrative. Through physical confinement and isolation a threshold is penetrated and a vast new world is suddenly accessible. Pressed in a limited edition of 200 copies housed in a deluxe tip-on jacket.
Mindblowing totally acoustic drone record, musicians are Jacques Puech (cabrette), Yann Gourdon (hurdy-gurdy) and Basile Bremaud (violin). This totally acoustic set is a variation around two bourrées in triple time, both themes are taken out of the tradionnal Mont d'Auvergne repertoire. Hand made, spray painted cover