New Arrivals
Dark as the sea
'Architeuthis rex. Leviathan. King. Magnificent sea dweller and haunter of the dreams of Italian artist Antonio Gallucci. Dark of the Sea is that dream, each of the seven recordings an aperture into a horrific underwater world filled with the fear of what lies outside. Together, the album is a kaleidoscope of Don Cherry's Brown Rice, backward masked King Tubby acetates, strange strings, outer space broadcasts of unholy funeral rites, Native American percussion and metaphysical drone. Illustrati…
s3d (Ear & Eye)
s3d presents a world of fresh sounds from invented and unconventional instruments with names as curious and evocative as the sounds they produce: mothics, shimsaw, kyurukyuttsu, gloopdrum, corrugahorn, sprong, sundrum and many more. An international collaboration. Twelve experimental instrument builders/improvisors in an inspirational world-first.
You'll Be Safe Forever
CD version. You'll Be Safe Forever marks the first release from Locust in 12 years. Mark Van Hoen, who made a string of influential releases as Locust on R&S records in the 1990s, all but retired the alias at the end of that decade. In May 2012, Van Hoen was invited to perform a live set on WFMU radio. In order to make the set more spontaneous and add a further dimension, he asked friend and fellow musician Louis Sherman to collaborate. While improvising new material in Sherman's Brooklyn …
Walden Pond's Monk
The first ‘proper’ widely-available album from Portugese composer and pianist Tiago Sousa, ‘Walden Pond’s Monk’ balances itself on the idealism and revolutionary spirit of Henry David Thoreau. While this might be initially hard to hear in an album of mostly solo piano, as the songs seep into the soul it becomes easier and easier to decode Sousa’s messages. There is a mourning, but hopefulness to these compositions, and in contrast to solo piano records from Gonzales or Goldmund it feels like an …
Neue Volksmusik
he zeitkratzer project Neue Volksmusik (new folk music) is more of a reflex to, rather than a reflection on folk music. This is because the ensemble does not play specific music with any sense of distance. On the contrary, zeitkratzer is taking possession of folk music in its essence. This means that they continue a tradition which folk musics all have in common: constant transformation. No form of authentic folk music can ever be about conservation as a fixed medium, destined for a museu…
Chikatetsu - Sax Solo
Fushitsusha Tokyo underground legend Tamio Shiraishi in solo alto saxophone solos from different subway stations in Queens, NYC, a unique voice interacting with an extreme urban environment. "Alto saxophone - Tamio Shiraishi. A set of unique site-specific live recordings from one of the true legends of the Tokyo underground, taped at a number of different subway stations in Queens, NYC. Tamio Shiraishi is one of the legends of the Japanese underground. For over thirty years he has continued to …
Recyclopaedia Britannica (Selected Works 1992-2002)
“The work of People Like Us rests gingerly between two dangerous positions: on the one hand, the risk of fashioning merely stylish pastiche out of borrowed finery for the sake of self-conscious kitschiness; on the other hand, the risk of making simplistic, heavy handedly "topical" audio-jokes at the expense of one's raw material to a smug effect. If the lounge creeps uncritically snack on their sonic ingredients and coast on being "groovy", the cads of pseudo-critique take cheap shots at straw m…
Time & Motion
Radio Massacre International is a British trio of Steve Dinsdale (keyboards, electronics, drums), Duncan Goddard (keyboards, electronics, bass) and Gary Houghton (guitar, synthesizers). These three musicians have worked together in various configurations since they were 16 year old students in the 70s and formed R.M.I. in 1993. After nearly 20 years together as R.M.I. and over 30 albums and hundreds of concerts, you might think that there might be no surprises left, but like their undulating, fl…
Rewound groves
Krampus used to be busy with St. Nicholas during December. But soon after St. Nicholas began to wear shiny red and white costume, he was no longer needed.He took long time to figure out why it happened, why he was abandoned. On the other hand, he could spend more time playing with old fellows in the mountains, and noticed what is most pleasant in his life.This album is released on 5th December - the day of Krampus. This edition is limited to 123 copies, wrapped in fur pocket (brunet or blond) an…
Harvey Milk
Following critical acclaim of Harvey Milk’s latest album Life… the Best Game in Town (2008), the band’s current home Hydra Head, has gone into the archives for this new/old album. Originally recorded in 1993 by one Bob Weston, these recordings never officially saw the long-playing light of day. Until now. The band is known for being somewhat curmudgeonly, and this proto-debut is fittingly nasty and strangely disconnected. Not for the ‘Milk the youthful exuberance of early spotty Metallica or gri…
E Pluribus Unum
a pure mantra: blending North African and Middle Eastern textures within a western context into our experience, regrettably the experience of a small few, but hopefully a wider community of listeners to come. Not only important historically, but musically: a wide range of music genres over the last couple of decades have worked with drone-note principles and it is an increasingly common device, but Sandy Bull was/is a superlative master of utilising the drone sounds;understated but effect…
Monsters & Miasmas
Brian Cook (TERMINALS) & wife Maryrose make up this long-running project who's releases on Ajax/3 Beads of Sweat & Siltbreeze have continued to tread a line between haunting country-esque ballads & the brand of noise-rock for which the Terminals is known.
Black December
After a series of CD-R re-issues, Klanggalerie are now proud to present you a new silver CD edition of one of the most obscure records ever to be recorded: Konstruktivists' "Black December" is a highly neglected gem in the history of Industrial music. Not as noisy as the band's masterpiece "Psykho Genetika", this record is a classic full of stunning music that doesn't fit into any categoriz…
Tenkujin
Fifth and final release by Far East Family Band (if you include the 1973s Nihonjin released under the Far Out banner), Tenkujin was the first of the bands albums to be released in the US on the small and short-lived Calfornian-based All Ears label. Without Kitaro, who by this time had departed to persue a solo career, the band reverted to its earlier balled-based sound, this time supported on drums by former Samurai alumnist Yujin Harada. The expected Pink Floyd influences appear in abundance, a…
Succubus
Seductive but perilous, he Kilimanjaro Darkjazz Ensemble's new session under the Mount Fuji Doomjazz Corporation name is a new combination of drones and jazz. Creating sensual, murky and dark atmospheres, “Succubus” the evolution of this band, with stronger horns and a focus on hypnotic, soundtrack-like material. A deep, dark and yet seductive trip again for the corporation.
Phoenix & Phaedra Holding Patterns
Live composition for portable radios, FM transmitter, 4 corner speaker PA, found sound textures, & Shruti drone box. Sound is all around us. An ethereal tapestry of invisible radio waves and sound pressure waves fills our world. Live in concert, Phoenix and Phaedra plays with our sense of place and scale, by using a surround sound speaker system in combination with a short range FM transmitter which broadcasts to a collection of hand held radios located within the audience. The concert is perfor…
Tidings / Amesthyst Waves
Trying to put the last 15 years of music into context, you’d be hard pressed to get anyone to agree on a single thing. If anything, this period has been a collective convergence of all things cool-sounding: naïve experimentalism, academic composition, art-rock synthesis, electronic nihilism/flagellation, and, well, everything else. Mark McGuire could muddy anyones interpretation of the contemporary canon with his buddies in the triadic mega-unit, Emeralds, his collaborative outings in Sun Wa…
Slap & Tickle
Massimo Pupillo, Terrie Ex & Paal Nilssen-Love recorded this gem live in concert at Kongsberg International Jazzfestival in July 2007. With the two tracks, Slap & Tickle on 32 & 16 minutes, they attack all senses with an exploding riot of free rock. If possible to describe, the music is in the midst of Black Flag, DNA, Pere Ubu, Last Exit, James Blood Ulmer, early Sonic Youth & of course Terrie's very own legendary band The Ex. All free improvised. Total freedom, total rock!
Hum Crackle & Pop
"The 2nd Digital Primitives release (Cooper-Moore, Assif Tsahar, Chad Taylor) digs in deep to fuse a new sound from blues, folk, jazz & funk, with accents from the music's African antecedents."
Our Prayer
Another previously-unreleased gem from South African pianist/composer Chris McGregor and his cohorts in '60s UK free jazz. Our Prayer was culled from the same sessions that produced the also never-released Up To Earth in 1969 and was produced by Joe Boyd and engineered by John Wood at Sound Techniques studio. The previous year they had signed to Joe Boyd's illustrious Witchseason production company alongside Fairport Convention, John and Beverley Martyn, Nick Drake and the Incredible String Ba…