New Arrivals
Un Jour Comme Tant D'Autres
This is an unreleased album from 1975 of studio/live material! Dieu has smiled upon us, for a previously shelved early album (1975) by Ilitch finally has its jour in the soleil. Thierry Müller's strange musical arc is further enriched and confounded by this exploratory cosmic release. A brilliant mix of Krauty space groans and experimentalism (see also Conrad Schnitzler and Ash Ra Temple, etc) and the progressive electronics of Igor Wakhevitch. There is some psych in the folds, and the albu…
Up and down the lion-revised
“The only existing recording by this legendary 1979 trio. Alexander von Schlippenbach and Sven-Åke Johansson was a working duo, when Peter Brötzmann joined them for a trio tour in Sweden in the fall of 1979. They were all three part of the strong growth of the free improvised music and free jazz in Europe. In 1979, though, the era of revolutions was already history. They had all played in groups that made any retreat impossible; not to mention their solo works. The music of the trio 1979 could r…
Razoj
the new creature by M.Gabola (A Spirale, Aspec(t), ASp/SEC_, Strongly Imploded) and Stefano Ferrian (psychofagist, Udus, FFATSO, de-noize). Razoj moves to the limits (ExtremeMetal/Elettroacustica/Free Jazz/PowerNoise, see the individual experience of the two musician); reduce the reality and generate the unthought, the chaos;
I Dreamed A World Of Darkness And You The White Light Shining
Gorgeous solo album from Isaac Edwards of ODAWAS. Think Popul Vuh's soundtracks for Werner Herzog. Limited to 300. HIGHLY RECOMMENDED.
Krungthep Archives
"After the post-industral / power-electronics 'diversions' of his recent collaboration with Pierpaolo Zoppo / Mauthausen Orchestra in From Unhealthy Places, and Forgotten Realm, the 'second chapter' of the Hall of Mirrors projects with Andrea Marutti / Amon in dark ambient 'territories', Nimh (Giuseppe Verticchio) returns as a 'solo' artist in his newest Krungthep Archives, rediscovering the sounds of his oriental ethnic instruments, collected in he Far-East, mainly in Thailand. The recordings o…
Malpais
Malpais is the first collaborative effort between William Fowler Collins and Gog. With both musicians based in the American Southwest (WFC in New Mexico and Gog in Arizona), the music is layered with hallucinatory visions of abandoned mines, atomic bomb blasts, genocide, and space travel. The listener is taken to a place that feels as though it could be the surface of the moon or a scorched earth strewn with bone dust and ash. Photograph by Max Aguilera-Hellweg.
Piano & Percussion Works
2011 release. Satoko Inoue is an experienced performer of Ferrari’s works and had a lively exchange of ideas with the composer, who was also present at the recording sessions. No wonder then that precisely those ideas of open work and its “anecdotal” interpretation were the ones that were most important to him – as such sounds were to him always abstract at the core, even if he first illustrated them in a very visual and associative way. Satoko Inoue writes: “We discussed, he explained ab…
Ablation
Welcome return for Robert Hampson with the first Main album in seven years, new on eMego. Hampson founded Main with Scott Dawson upon disbanding Loop in '94, and while their initial releases still bore traces of their space-rock origins, the goal was always total ecstatic abstraction, and by the time of the Hz series, completed in '96, they'd pretty much achieved it. Main's music has been called many things: industrial, noise, isolationist electronica, dub, drone; the truth it, it's all a…
Renihilation
Brooklyn, NY’s Liturgy deal in a style of black metal steeped in the genre’s most basic foundations of buzzing, dissonant guitars and whirlwind percussion, and yet they demonstrate an acute ability to make the sound firmly their own, both modern and ancient. Liturgy’s unique take on the genre only slightly recalls their NYC friends Krallice and the earlier works of the Norwegian wolves Ulver (particularly their 3rd LP masterwork Nattens Madrigal). In some sense Liturgy represents the seeping of …
The invisible city
Recorded and mixed during 2008-2009 in Berlin. All tracks composed by BJNilsen using tape recorders, computer, organ, acoustic guitar, electronics, viola, subharchord. Field recordings from Sweden, Iceland, Norway, UK, Japan, Portugal and Germany. The subharchord was recorded in the EAM Studio @ Adk, Berlin. Viola played by Hildur Gudnadottir. Mastered by Denis Blackham at Skye.
Orchestral Works
Beautiful boxet with 5 CDs "It would be an understatement to say that Iannis Xenakis, who passed away nearly ten years ago, marked the whole second half of the 20th century. Whether or not assisted by computer, he built vast musical architectures, which diverge resolutely from what was being done at the time and is still being done: another world of sounds, combined according to a different, but never gratuitous, approach resulting in something magical. The listener is surrounded by sound, immer…
The Resurrection And Revenge Of The Clayton Peacock
Michael Chapman, one of the finest acoustic guitar innovators borne of the late '70s UK folk scene, was in Philadelphia early 2010, paying tribute to his good friend, the late Jack Rose, a mighty six-string alchemist in his own right, and a youngster wholly inspired by Chapman's critical recordings. While sharing in the good light of friendship backstage, we asked Michael if he'd ever recorded an LP of purely improvised guitar music. It seemed feasible, as the current state of acou…
Chikatetsu - Sax Solo
Fushitsusha Tokyo underground legend Tamio Shiraishi in solo alto saxophone solos from different subway stations in Queens, NYC, a unique voice interacting with an extreme urban environment. "Alto saxophone - Tamio Shiraishi. A set of unique site-specific live recordings from one of the true legends of the Tokyo underground, taped at a number of different subway stations in Queens, NYC. Tamio Shiraishi is one of the legends of the Japanese underground. For over thirty years he has continued to …
Old Sights, New Sounds
Recorded at Incus HQ, London, in October 2010, this duo is a delight that should refresh even the most jaded ears. Lol Coxhill and Alex Ward are both veteran improvisers and regular participants on the London scene, so it was inevitable that they would eventually play together as a duo. As evidenced below by YouTube, that happened in August 2010 at John Russell's annual Fete Qua Qua; the pairing was repeated the following month at Sybil Madrigal's monthly Boat Ting gig on the Thames (on the…
Rip
Recorded up and down the West Coast by JESSE JACKSON, CORYDON RONNAU, and JOHN WIESE and featuring appearances by YELLOW SWANS, PETER KOLOVOS (OPEN CITY) and PAUL COSTUROS (DEATH SENTENCE: PANDA!). Studio and live recordings with concrète witcery.
1979 - 1983
Michel Bertier : prepared mellotron, doublebass. Sylvain Bélot : visuals and projections. Rodolphe Blois : tape recorders, editing and mixing of tapes. Guillaume Loizillon : synthesizers, vocoder, tapes. Claude Micheli : synthesizers, sequencer, G.S.S.A (semi-random sound generator, electronic device built by Claude Micheli). A French group who existed from 1979 to 1983 in the field of electroacoustic, audiovisual and improvised musics. the group worked with a multichannel system of 10 loud spe…
Rekviem MB-JMI
A "classic" minimal ambient album; just one long track, a bit obscure, of a static nature but unarrestable as a matter of fact and slowly developing, built with layers of soft and “round” sounds, heavily processed and effected, whose origin seems to be an organ... "Atypical" for sure, if confrontated with the huge and widely diversified productions of Maurizio Bianchi, this new album is probably one of the last and not to be missed releases signed by “M.B.”, since he has already announced his de…
Sunrise
Comprised of pieces from the band's original score for F.W. Murnau's 1927 silent masterpiece "Sunrise: A Song of Two Humans", My Education has discovered the perfect forum for which to flex their compositional muscles, achieving ever-transcendent musical heights in the process. This original score was perfected over the last two years through live scoring to the film, performed at sold out shows throughout the USA. Just as the music provides new context to the film as a live accompaniment…
Hairdryer Peace
Finally available on CD. Ranked 3rd best album of 2008 in The Wire magazine. Intensely psychedelic and mixed for maximum hallucinations, this marks a pretty heavy departure from the Hospitals of old. Heavy tranced-out riffs, weird pop, cracked folk, disorienting noise, paranoid vibes. Main Hospital Adam Stonehouse with Rob Enbom & Rod Meyer from Eat Skull and Chris Gunn from The Hunches. The most forward-thinking album of 2008 but also an album of songs with actual emotional intensity. Not a par…
Bridges intact
Dan Burke alone or with Thymme Jones and Ben Vida. All music completed during 2010 by Daniel Burke.