We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
The disc is a recent release on the Monotype label by a group named LHZ+H, who are the semi regular trio of Thomas Lehn, (analogue synth) Carl Ludwig Hübsch (tuba) and Philip Zoubek (piano) augmented on this 2008 occasion by the trumpeter Franz Hautzinger, who on this occasion added a delay pedal to his instrument. The release contains four improvised tracks, and is named Scope. Now, I have been known to describe some improvised music as brooding a good few times before, perhaps trying to …
Denman Maroney (piano) & Mark Dresser (bass). Vision Festival NY - June 11, 2008. This is the third duo album by bassist Mark Dresser and pianist Denman Maroney, after Duologues and Time Changes. In contrast to some of the other material by the two players, this one is fully improvised in three long pieces. The first 30 minute track was recorded live at Vision Festival on June 10, 2008, the two other pieces date from a performance in Chicago in 2001. It's hard to call this jazz, since none of th…
'Magda MAYAS and Christine ABDELNOUR SEHNAOUI both play acoustic music that is diametral, a space they conquered by changing the traditional ways of their instruments: modern alchemy. Together they express a strong physical experience. MAYAS is a master of sparse fragments of motion and SEHNAOUI works in a flux of changing sounds. The multiple layers of their performance create a shivering moment of existence, which reminds me of the words of the Danish artist Malene Bach: 'Art finds its own re…
For a band with only two members, this group gets an impressive variety of sounds. Rob Mazurek on cornet and Chad Taylor drummer also use the studio as an instrument, alternating between post bop jazz and near ambient soundscapes. Taylor's rhythmic sense is unerring throughout the album, whatever the tempo. Electronics are added at times, and add effect, especially at slower tempos making for spooky music along with slurred horn. "Green Ants" has sputtering cornet and rolling drums settin…
NEW SERIES FRAMEWORKAn extension of our CONCRETE ELECTRONICS NOISE,a brand new mix-up of unusual conceptions of sound material by young unknown composers, well known not-so-young composers and old but clever composers.Benjamin Thigpen, nomad, born in the United States, immigrated to Paris at the age of 31. He studied music, literature, philosophy and esthetics. He now composes in European studios such as GRM, EMS, Visby and STEIM, as well as in his bedroom and in the train. After six years as a …
Luigi Archetti und Michael Heisch spent over two years experimenting in the studio. The result is the album the "Netherlandish Proverbs" – a musical approach to the painting by Pieter Bruegel the Elder (1525 – 1569). Conceived by a process of random selection, the album presents the listener with freshly perceptible, kaleidoscopic-like audio experiences."The Netherlandish Proverbs" is one of Pieter Bruegel the Elder's best known paintings. It contains over 100 sayings and idioms illustrating hum…
12k kicks off its 11th year with a new release that takes the label down new sonic pathways. Caught between the organic and electronic minimalism that 12k is known for and the unconventional Japanese pop musings and songwriting style of Happy, Moskitoo’s Drape is an infectously strange, bleepy, and dreamy debut release.Sanae Yamasaki (Moskitoo) hails from Sappporo, Japan in the country’s northern-most prefecture of Hokkaido. Perhaps a reaction to the cool climate of her home, her multi-instrumen…
Regarded by collectors of Anatolian rock as The Daddy of all Turkish rarities, this instrumental record from 1973 has to be heard to believed and even then it’s unbelievable. Either these guys had time machines or DJ Kool Herc had secret Eastern connections. Ten tracks of swinging hybrid grooves that run from blues to jazz to folk to soul to kraut, Latin, African and beyond. Rare grooves, indeed.
Klaus Ellerhusen Holm, alto saxophone & clarinet. Tor Haugerud, drums & percussion. Kim Myhr, guitars & objects. Martin Taxt, tuba. Muringa navigates playfully in a polarized world of opposites. Between speed and tranquility, industry and flora, violence and tenderness, noise and silence, chaos and order; Muringa gives the listener the hegelian third choice. The group consists of four of the most active improvising musicians from Norway. All occupied with other SOFA-projects such as Mural…
Another album of unclassifiable experimental songs from British band the Sian Alice Group, who blend elements of avant-rock, folk and dark, cinematic tones for a uniquely atmospheric, inter-disciplinary sound. A Stereolab-like mix of pop modernism and Terry Riley minimalism gets the album started ('Love That Moves The Sun'), before all momentum is dismantled in favour of fluid ambience on 'Airlock'. From here on the band continue to genre-hop before stumbling upon a rich vein of balladry on trac…
The Preservation label presents Burnt Offerings, the fourth album from Brooklyn's Padna. As Padna, Nat Hawks initially made his name in the cassette underground on the revered Stunned label with two works of pop experimentalism displaying a bustling -- often boggling -- and vivid imagination. Veritable joyrides in sound and style, these releases were in line with the DIY aesthetic, primitive songcraft and eclectic sonic stew pioneered by the likes of Tall Dwarfs and forwarded by Olivia Tremo…
A new landscape is painted out of darkness by progressive strokes of the dawn. The finished piece is neither night nor day, but the transformation itself. Aidan Baker's (Nadja) "Book Of Nods" crests experimental peaks in similarly paced sonic transmigrations. His lustrous chimera blooms open in shifting onion layers built out of slow-moaning guitar, flute, organ and drums. The resonant frequencies of quietly crashing nodes vibrate the ozone with a sub-textural beating of multi-pianic fea…
Takahiro Kawaguchi: tuning fork. Shinjiro Yamaguchi: guitar. Composed by Takahiro Kawaguchi. Edited by Shinjiro Yamaguchi. Recorded by Takahiro Kawaguchi at 102 Studio, Tokyo, November 9, 2008. Mastered by Taku Unami. Takahiro Kawaguchi began making field recordings and performing improvised music in 2000, and in recent years has attracted a great deal of attention as a sound artist. In January 2009 he released, on Taku Unami's label Hibari Music, the solo album, on which he uses several remodel…
2009 release. Portland, OR. bedroom wanderer Ilyas Ahmed emerges from the shadows and offers up his first new batch of songs in some time. Over a year in the making, Goner sees Ahmed telescoping his previous acoustic wanderings into fuzzed out rockers and a hypnotic set of beautifully tight knit nocturnes. The kick off of 'Earn Your Blood' is probably the most amped up and stoned out Ahmed has ever sounded, a heavy blown out thump of hiss & electric strum. From their Goner really gets los…
Sprung aus den Wolken have teamed up with Berlin based electro duo Film 2 to record a new album. The result is a mix of Renault Schubert's cool electro pop tunes and Kiddy Citny's and Betty la Gachette's vocals sung in French, English and German. A more than welcome return after a far too long pause for theose German pioneers. "The ten tracks of the CD span from funky electro industrialism to ambient cinematic experimentations (like "Push here" or "Nous irons aux bois") passing though electro 80…
Robert Horton’s musical exploits are diverse, heady and spans over three decades. From his early punk days to joining various groups in pursuit of free jazz, drone and even psychedelic hillbilly, Horton is happily hard to pin down. He also makes his own instruments. One found regularly across the 30-plus releases he’s been involved with since 2005 is the ‘boot’, a four-stringed instrument that plays like an otherworldly dobro or slide guitar. Tom Carter has been a lightning rod-like figure…
Sub Rosa presents a release by composer/violinist Baudouin de Jaer. Gayageum Sanjo: compositions for 12-string gayagrum, Prelude, 5 sanjo and 10 studies. According to legend and to recent archeological digs, the gayageum is a millennial zither-like instrument featured in all Korean traditional repertoires. "Sanjo" is usually translated as "scattered melodies." This style of music was informed by southwestern shamanic music (Sinawi) and the great epic songs (Pansori) from the same regi…
"After the post-industral / power-electronics 'diversions' of his recent collaboration with Pierpaolo Zoppo / Mauthausen Orchestra in From Unhealthy Places, and Forgotten Realm, the 'second chapter' of the Hall of Mirrors projects with Andrea Marutti / Amon in dark ambient 'territories', Nimh (Giuseppe Verticchio) returns as a 'solo' artist in his newest Krungthep Archives, rediscovering the sounds of his oriental ethnic instruments, collected in he Far-East, mainly in Thailand. The recordings o…
Reissued on Fledg'ling in 2005, originally released in 1965 by Decca. An experimental recording conceived by Austin John Marshall bringing together Shirley's haunting traditional song with Davy's guitar improvisations. Folk Roots, New Routes opened the door for Fairport Convention's Liege and Lief and Pentangle's debut. For this carefully remastered edition, Fledg'ling have restored the original artwork, added a new sleeve-note essay as well as previously unpublished photographs.
2004. Jean Claude Jones (electro acoustic bass and live electronics) is a central figure on the Israeli jazz scene since many years and a pivotal member of the avantgarde - free jazz movement in Israel. Former member of the Kedma trio, he played with litarally everybody on the scene during the years. This is his debut album as a leader and he performs a series of duets with usual friends like Josef Sprinzak (voice), Harold Rubin (clarinet, text), Yuval Mesner (cello), Gan Lev (alto sax, baryton)…