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Daniel Carter's relaxed phrasing moves naturally between Parker's earthly bass sound and Ughi's sensitive drumming. This trio's music seems to be possessed by a light and welcoming spirit. A constant flux of energy, a three way dialogue consumed within the time and space of one breath. Telling the story of the trio's origins, the musicians talk about dreams and desires while the body of this music takes shape within the human connection of the band's relationship which has grown over time, throu…
"Date Palms revolve around the core duo of Gregg Kowalsky (keyboards, electronics) and Marielle Jakobsons (violin, flute, electronics). They employ traditional rock instrumentation to create music informed by Indian classical music, country, minimalism, and spiritual jazz, arriving at a style that is wholly their own. On their third album, The Dusted Sessions, the duo expanded the line-up to include Ben Bracken on electric bass, Michael Elrod on tanpura, and Noah Philips on electric guitar…
Guardian Alien is a free wheeling ensemble coming into its own, having found just the right balance between structured arrangements and wild abandon. Helmed by Greg Fox, who has lent his percussive force to the likes of Teeth Mountain, Dan Deacon, and Liturgy, the ensemble was initially an extension of his solo music (GDFX). It rapidly took on its own identity and expanded to a core group of Greg (drums, vocals, electronics, arrangements), Alex Drewchin (vocals, synth), Turner Williams Jr…
Five recordings, 2 from 1977 at Tempo Natural and 3 from 1993, where Tony Oxley leads various permutations of improvisers Derek Bailey, Paul Rutherford, Pat Thomas, Matt Wand, Phillip Wachsmann, Ian Brighton. The first track from 1993 brings all musicians together for a 29 minute work of great dynamic and dialog. The following track present a quartet with Oxley, Bailey, Thomas and Wand from the same session, and the final 1993 track is the duo of Oxley and Rutherford. The first '77 tra…
Toshimaru Nakamura returns with another outstanding full-length of no-input mixer improvisations. Hello, Dear…ah, anyone who takes this up in front of your eyes and ears. Here’s my new (in 2013) solo album. I hope you find it worthy enough to take your time and have a listen. It was recorded in one day. Compared to my previous releases, “Maruto” on Erstwhile Records (2 years to produce), “Egrets” on Samadhisound (5 years), it came to life quite quickly. Almost like it popped out. But it took thr…
"Since 2005, Tompkins Square label's Imaginational Anthem compilations have featured some of the greatest acoustic guitarists in the world, with recordings spanning five decades. More than mere samplers, these albums have served as state-of-the-art dispatches from the front lines of the art form. Imaginational Anthem Vols. 1-5 is a specially priced 6CD box set, limited to 999 copies, featuring the first five volumes in their originals packaging, plus an exclusive live bonus disc from Willia…
Hospital Productions present a heavy 30-minute session of layered drone and tormented, bass-heavy bombast from Max Gudmunson's Virile Games project, now available on vinyl for the first time after a sold-out micro edition of cassettes in 2013. Operating somewhere between his label-mate Lussuria's gothic ambience, the ear-bleaching concrète of Helm, and the more blown-out cinematic visions of Leyland Kirby, Wounded Laurel oscillates between sublime and wretched with a gripping night-time narrat…
"(no thing-ness)" comes hot on the heels of Brian Pyle’s latest highly acclaimed Ensemble Economique album on the Not Not Fun label. While "The Fever Logic L.P." saw him head diving into a sort of ambient goth pop this brand new 12“ appears to be more influenced by industrial, almost EBM-ish textures. The atmosphere seems more aggressive with an almost militaristic touch, and titles like "New Banking System" hint at the source of this anger. Combined with Pyle’s cinematic tension this makes for …
Finnish experimental electronic musician Mika Vainio's first solo album for Blast First sees him return to his classic power electronics/heavy beats approach that made Pan Sonic garner a worldwide reputation. The album developed from Vainio's recent live sets to make 10 tersely-titled tracks inspired by the shipping container industry. Four stars in Mojo: "heavy-freight," The Quietus describes it as "fearsome."
Elsewhere, ‘The Love Didn't Go Anywhere’ sees Leafcutter John play guitar on a beautifully loping piece that has the subtle afterglow of classic Roxy Music, with Bryan Ferry’s vocal replaced by the rapier glide of the two reeds, while Tom Herbert’s hefty double bass pounds out concise but penetrating lines. Interestingly, prior to the sessions, Rochford listened to a lot of ‘60s soul (“Aretha and Marvin Gaye”), an influence that he has channelled with more guile than is immediately discernible. …
Spectral Arrows is an ongoing series of long-duration performances for guitar and electronics. In Spectral Arrows, Fusinato arrives at the venue when it opens for business, sets up his equipment facing a wall and proceeds to play for the whole day until the end of business hours. Fusinato presents himself here in the guise of a worker, clocking on and unceremoniously clocking off at the end, refusing to allow the behind-the-scenes mystery of rehearsals and preparations to lend an aura to the per…
Seattle-based Simon Henneman's first solo vinyl release is here. Mr. Henneman has worn many hats in the musical vortex of the Seattle sub-underground, most "famously" as one of the Diminished Men, who released an LP on the Sun City Girls Abduction label in 2009. That LP gave the lucky few who procured a copy an idea of the talents of that great band. Here, Mr. Henneman strikes out on his own and creates a solo journey of a much more intimate palette. Playing every instrument on the reco…
few copies available - creen printed & hand numbered mail-order only edition of 500, sold out at source. Weight Of Accumulation contains two long magnifications of a piece that has been performed, in various versions, in Berlin, Amsterdam, Brooklyn and Seattle. This work is based on John Coltrane's composition Living Space.
"Moving from minimalism to free jazz for inspiration, this new album by Eleh is inspired by the later period of John Coltrane’s career. Although elements of these two pieces …
A beautiful little record – and one that definitely earns the "suite" distinction in the title – given the thoughtful longform approach of the set! The album's got a more composed feel than other spiritual jazz sessions of the time – not in a stiff way, but in a style that shows that leader Donald Alexander Strachan really has a strong vision in his music – not just in the compositions he spins forth on the record, but also in the way he directs the rich energy of the ensemble! The lineup featur…
Both DT and JC have been sending eachother garbage and leftovers since a few years, sometimes almost nothing, probably out of pity, often to make eachother smile or as an act of friendship.Sharing the last spoon of cold soup on a cold winter night, when the heater does not want to be touched. these 36 pages are filth, with found imagery or buggles that the cleaning lady forgot to sniff out, images that have been dominating our seperate rooms for years and that remain unnoticed because of the dai…
Two new tracks from LA based duo Pedestrian Deposit. Side A is a little more noisy than last works, starting from jon's harsh-noise origins and the use of multiple layers of sound, they created a piece of musique concrète, near of what they did in Austere.Side B is dominated by shannon's cello and behind it, the sound of manipulated electronics and minimal textures to build the perfect background.
"17 years after Other Places, a sophomore album from these innovative musicians. Dieter Moebius (Kluster, Cluster, Harmonia), Mani Neumeier (Guru Guru) and Jürgen Engler (Male, Die Krupps) got back together to carry on exactly where they left off in the 1990s. The long break has done no harm to their latest music, on the contrary -- as is clearly audible -- it has taken them to another level. The way they react to each other as they improvise, the powerful, subtle rhythms and the use of digital…
A book all in French about the Swiss artist Roman Signer and his work. Texts from François Bovier and Hamid Taieb, Geneviève Loup, Rachel Withers, + an interview with Roman Signer.
The title is a double pun. The score is the first that John Cage devised allowing the hexagrams of the I Ching to fully determin e how the music would procee d, event by event, gesture by gesture—the musical details (pitch, duration, dynamic s, density, tempi) being painstakingly, albeit fortuitously, derived through point-by-point con sultation from charts of possi bilities designed by the composer. (Christian Wolff, Cage’s young friend and musical associate, had presented Cage with a co…