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3CD live retrospective covering '98-2006 & incl. shows in New Zealand, Japan, Denmark & Scotland. Shows the evolution of sound from the mid 90's slowly emerging drone-fields to the more dynamic sound. He's assembled the best possible overview of his work under one title, w/out rehashing any material from previous releases
'We kick-off 2010 with possibly the most essential Merzbow release for many years. This 3CD set is culled from appearances on various compilations, ranging from the most obscure cassette releases, to long out of print gems on labels such as Blast First and Susan Lawly. This material spans an entire decade from 1991 to 2001 and as such, tells its own story of the development and sonic chicanery that is the Merzbow sound during this time. If you only own one Merzbow work, this is the one to…
Terrific triple CD set...Formerly of 1990's dark ambient pioneers Endvra. Three previous full lengths on U.K. label Cold Spring. Over three hours of music focusing on subtle changes that command attention and focus; imagine if Philip Glass composed a three hour drone piece... Triple disc set, each disc with its own artwork, held together by a custom band with genuine letterpress printing. Original landscape photos reflecting the mood of each disc by Chris Walton himself, and packaging design by …
Awesome reissue: presenting yet another collection of 'absent' works is an evidence of their creators' critical approach and lack of consent to political pressure, under which they had to function. This album is only a selection of compositions belonging to this trend. Under the wing of the Warsaw Polish Radio Experimental Studio emerged dozens of hours of socially engaged music. These compositions to a various degree alluded to the current events but also pointed to the broader historical…
Many years in the making, An Accident In Substance collects all of the 7-inch tracks and a huge number of compilation appearances of Key Ransone's legendary project Small Cruel Party. Like the pungent scent of a campfire or the complex flavor of a good, peaty single malt, Small Cruel Party's mix of environmental sounds, far-off voices, and Cartridge Music-like close manipulation of tiny sounds get into your sinuses, your hair, your jacket, melding into a location-specific surrealist vision …
Nine long and extraordinary tracks collected in a 3 CD, among fluctuating ambient atmospheres, hypnotic rhythmic progressions, circular and motionless stasis, acid psychedelic escapes, evocative electronic reflections... Slow suites of "classic" ambient music suspended and dilated, soft and wrapping sonorities alternated with evocative and dramatic crescendos, through progressive sounds layerings, drones, pulses, distant echoes of human voices and subliminal perceptions of ethnical vibrations...…
The monumental set 'What Space Is Made For' has been recorded in their secret base on the Western Alps, and unlike MCIAA's previous works, it's mostly made of short pieces and songs. In addition to their (un)usual instrumentation (electric and acoustic guitars, space toys, percussion), MCIAA have self-made, modified, and assembled / disassembled primitive electronic equipment. So the result may sound their most 'experimental' as well as their most 'accessible' work to date. An alternate edit of …
Deluxe triple-pack CD that restores two classic Skullflower albums to print, with a bonus disc of contemporaneous singles. Recorded together and originally conceived as a double CD back in the dark ages of 1995, "Carved Into Roses" and "Infinityland" find the band making a transition from the "heavy" riffs of their early days to a more free-form sound that continues to this day to drive leader Matthew Bower's many guises (Skullflower, Sunroof!, Hototogisu, Mirag, etc). Sporting a revamped …
A totally essential real sound art bible, 452 pages! A companion volume to 2009's See This Sound, this all-embracing compendium brings together texts on the various art forms that have combined sound and image. The full spectrum of audiovisual art and phenomena is addressed in 35 dictionary entries, and in-depth essays treat overarching aesthetic issues, while individual works--including projects by John Cage and Chicks on Speed--are represented in audiovisual documentation and scientific …
the fifth issue in a series of monthly magazines collecting activities and changes in general.This issue was made in vienna in the beginning of august, made in between, after, and before swimming, train rides, visits to exhibtions by Burroughs, daniel spoerri, breathing in fresh air, garlic soup, wine etc..i like vienna, not only for all above mentioned, also because there's a bunch of old skool photo boot machines there.. where half of this book was made.limited to 150 copies, riso printed by j…
How we experience space by listening: the concepts of aural architecture, with examples ranging from Gothic cathedrals to surround sound home theater. We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relation…
Fourth issue of the contemporary art journal about sound: Mark Leckey, Ruth Ewan, Tom Marion and the sonic explorations in San Francisco Bay, notes on Robert Morris' 21.3, interview with Pierre Henry, the Louie Louie project, special interventions by Dora García and Hannah Rickards, etc. This fourth issue of Volume comes under the aegis of the double. Somewhere between duality and dialogue, the praxis of certain artists is illustrated as much by way of music as through the visual art…
2012. English edition, 18,5 x 24 cm (softcover), 126 pages (b/w ill.). Edited by Sophie Warren and Jonathan Mosley. Contributions by Maria Fusco, Marie-Anne McQuay, Paul O'Neill, Elizabeth Price, Jane Rendell, Lee Stickells, Robin Wilson.Based on a project initiated by the collaborative practice of Sophie Warren and Jonathan Mosley with writer Robin Wilson, Beyond Utopia queries the function of utopian thinking in urban planning and spatial culture.The aim of the original project was to…
the fourth issue in a series of monthly magazines collecting activities and changes in general.This fourth issue collects 20 pages, a bunch of mat inverted purple music paper and a bunch of raw green glossy messyness!the golden cover portraits are made by Mima Schwahn and the inside cover is tripple stamped and hand numbered!lay out by jef cuypers, offset printed and limited to 200 copies
A treasure trove of archival articles and interviews with the great one. Hard to find. This book compiles tons of articles interviews, and press clippings about Captain Beefheart and the Magic Band. It contains 40 separate pieces of writing, including Lester Bangs original reviews of Trout Mask Replica and Lick My Decals Off, Baby, interviews and articles from such diverse sources as Rolling Stone magazine, ZigZag, Hot Wacks, and New York Rocker, and transcripts of interviews from Late Night W…
"Scultori di suono: percorsi nella sperimentazione musicale contemporanea" raccoglie una serie di percorsi attraverso i grandi cambiamenti avvenuti nella sperimentazione non ortodossa e nel modo di fare e di pensare il suono negli anni Novanta: la glitch music e la rivoluzione ‘riduzionista’, i primi segnali di ‘dissenso’, il ritorno della melodia, il rapporto tra suono e spazio, le poetiche della frammentazione, della decadenza, della memoria."Scultori di suono" comprises a number of paths thro…
This book introduces a subject that will be new to many: sonic arts. The application of sound to other media (such as film or video) is well known and the idea of sound as a medium in its own right (such as radio) is also widely accepted. However, the idea that sound could also be a distinct art form by itself is less well established and often misunderstood. "The Fundamentals of Sonic Arts & Sound Design" introduces, describes and begins the process of defining this new subject and to pr…
Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde. While it provi…
the twelve issue in a series of monthly magazines collecting activities and changes in general, this issue is enetirely made of photobooth portrait photos
Tracce, percorsi e geografie del nuovo rumore USA: All’alba dei 2000, l’universo delle musiche indipendenti americane è stato invaso da un’inattesa, temibile generazione di estremisti sonici. Nomi come Black Dice, Wolf Eyes, Lightning Bolt, sono solo la punta dell’iceberg di un movimento ramificato all’inverosimile, tra discografie in cdr, festival, fumetti, performance, concerti negli scantinati e inattese canonizzazioni mainstream. In queste pagine si raccontano le storie, i protagonisti, i lu…