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Purple vinyl, 500 hand-numbered copies in a reverse card cover with printed inner sleeve. Clay Pipe is pleased to welcome back the Tinderstick’s keyboard player David Boulter to the label. Since his Yarmouth LP in 2020, and the spoken word-based Lovers Walk the following year, Boulter has concentrated on his soundtrack work. He has produced scores for documentary maker Volkan Üce’s Displaced – and Tinnitus, a visually striking film by Brazilian director Gregorio Graziosi. He has also released a …
Triple LP edition, packaged in thick PVC cover with a foldable double sided poster and download card. Celebrating the 20 year anniversary of highly revered Jazz collective, Build An Ark from Los Angeles, California. Formed in 2003 and releasing albums between 2004 and 2010, the Carlos Niño co-ordinated project included contributions from luminaries such Phil Ranelin, Big Black, Miguel Atwood-Ferguson, Adam Rudolph, Derf Reklaw, Dexter Story, Dwight Trible, Gaby Hernandez, Mia Doi Todd, Munyungo …
“Losing The War Inside Our Heads” is the 17th official album by The Flying Luttenbachers. It is a desolate, bracing collection of music showcasing five varied new tracks of intense, composed modernism. The previous release “Terror Iridescence” (2022) was an abstract horrorscape of alienated dissonance marking founding member Weasel Walter’s transition back to the original base of operations, Chicago. Following four albums with New York based personnel since reviving the Flying Luttenbachers in 2…
For this brand new chapter in the highly acclaimed Wamono series, DJ Chintam goes digging into the vaults of one of the most revered Japanese labels, Trio Records, and unearths some killer drum breaks, dope bass lines and funky horns, for an essential selection of jazz funk fusion and rare groove vibes produced on Trio between 1973 and 1981!
Recorded in 1968 and intended as a tribute to her late husband, Alice Coltrane is supported in her first solo outing by Pharoah Sanders, Jimmy Garrison and Rashied Ali — all members of John Coltrane’s last quintet. While initial reviews to the album were lukewarm upon release, looking at it in the context of her larger body of work, A Monastic Trio serves as a delightful foreshadowing of what was to come. This Verve By Request title is pressed on 180-gram vinyl at Third Man in Detroit.As the lat…
Compilation of tracks originally recorded for DSS side projects Opus Vix Inchoatum and A Secret Person during the early 1990s.
All sounds generated with an Ensoniq EPS
Cover photos and artwork by Paolo Beltrame
We are delighted that Kosmoloko 3 becomes a reality on Galakthorrö’s 30th birthday. The concept hasn’t changed: Kosmoloko 3 is still a label sampler. Like its predecessors, it features only artists from the Galakthorrö label. No leftovers, no duplicates, no rehashes, ten tracks of exclusive material, no title has been released in any form before. Karl Runau’s contribution comes as a surprise after countless years with no signs of life. As a colleague from the early days of Galakthorrö, his contr…
The debut EP Kelc’h-Lizher is now followed by Mode In Gliany’s first full-length album Amer Armor on Galakthorrö. The unique synth wave of Boris Völt is freed from all exhilarating characteristics. The minimal wave pleasures of the early days are making way for that melancholy that is inherent in the music of Mode In Gliany anyway. Nourished by Boris Völt’s deep connection to his home on the north coast of Brittany. Instead of blood, the cool water of the seas flows through his veins, cold wave,…
The third album by Da-Sein fits seamlessly into the duo’s previous sphere of work. A gloom-ridden sound panorama, packed full of pulsating bass frequencies, swathes of feverish synths and noise-rhythms, spreads itself out before us. The voice of Kas Visions combines the manifold creative streams of Da-Sein to a cohesive whole. No matter how cold and unemotional the voice is, on this album it’s often the last human signal before the blackness absorbs the listener’s soul. Power electronics violenc…
Sühne Mensch has no musical past history. This is seldom in times when a trace is left behind early, even if it is merely digital. But this debut album is in no way the work of a beginner. The brain behind Sühne Mensch has collected many experiences even if primarily from other musical fields. Now he impressively channels all his knowledge into this very different music. Schmerzportrait is incredibly rounded and mature, complex yet compact, fitting in perfectly with the Galakthorrö style, but po…
Keiji Haino is, without question, one of the truly iconic artists to rise beyond the dusk of the 20th century. An artist focused singularly of the beautiful visceral promise of music, his practice is a many headed beast taking in movements from the gentlest of guitar play, through free improvisation and noise. As divergent as the work might be, it is held tightly by his unique way in sound, one that exists moment to moment with a force like no other. 20 years since its first release, Black Blues…
The first LP by the Taj Mahal Travellers was recorded at Sogetsu Hall in Tokyo on July 15, 1972, which became the title of the work and was released the same year by CBS Sony Records. A live performance celebrating the 50th anniversary of this album was held on July 15, 2022. The only original members of the Taj Mahal Travellers who attended were myself and Seiji Nagai. This is because two of the six members passed away, two are religiously active and they can not play music according to their b…
I stayed in Iwate, where I was born, for a few days and created some sound materials using limited materials and old media. Over ten years ago, Iwate was devastated by the Great East Japan earthquake. Many old things that remained in my memory became rubble, dismantled, and new scenery was there. I bounced every song from “1982” straight onto an old tape recorder.
This album that comes out of my interest in sonic "degradation and rebuilding". I treated the guitar and synthesiser in a lot of new …
I was waiting for the bus to arrive at the stop when the rain started pouring. I quickly escaped into a chapel nearby, and that’s where the idea of this album came to be. Inside the chapel, I was reminded of the scent of Mauritius, where my father was from, and the pillars of dampen woods mixed with the ritualistic frankincense. The rain continued to hit violently on the metallic church roof as the road outside grew overwhelmed with angry drivers, honking their way through, their frustrations ec…
Characteristically invisible and inaudible, the wind is made manifest solely by its agency and performance on objects: huge waves crash to shore, sand dunes edge forward over millennia (rumbling as they go), cyclones uproot trees and houses, intergalactic winds confound the planets. On a more modest scale, I’ve been building aeolian instruments since 1979, part of my investigation into the innumerable aspects of the vibrating string. I designed the two recent aeolian instruments heard on this al…
Tip! This compilation offers a first overview of the early works of electronic and tape music created by Peruvians between 1964 and 1984. This period marks a technical and aesthetic evolution that allows us to understand the development of electronic music in the Peruvian context, from an initially internationalist model to a more situaded one. The first phase occurs in the 1960s, when many composers migrated outside Peru in search of advanced training and access to knowledge and infrastructure …
Billy Bultheel's debut solo album is an ambitious distillation of the composer's,' sprawling litany of influences and his unique approach to site-specific composition. A compilation of pieces created between 2016 and 2023, the album is a forceful testament to Bultheel's expansive performance practice and collaborations with cutting-edge visual artists like Anne Imhof and James Richards. Drawing inspiration from industrial music and metal as well as medieval and baroque polyphony, Bultheel devise…
Recorded at Dreamland, a historic church converted into a studio just a few miles from Woodstock, NY, August Light captures the organic and spiritual essence of its unique setting. Owned by acclaimed drummer Jerry Marrota, Dreamland’s sensational acoustics and vibrant wood surfaces provided the perfect backdrop for Richard Carr’s collaborative explorations. Joining him on this musical outing are cellist Clarice Jensen and violist Caleb Burhans, both shining lights of the new music scene. Togethe…
Pianist Eunmi Ko’s latest double album, 12 Views on Life, offers a profound musical reflection on the tumultuous years of 2020 and 2021. Through two major projects, SPAM! for solo piano (and other objects she could find around her house) and Project GŪT for ensemble, Ko, alongside the Contemporary Art Music Project [CAMP], delve deep into the existential questions posed by the global pandemic and personal struggles with identity and creativity. Conceived for livestreaming from home, SPAM!, embra…
Mohammad Syfkhan is a Kurdish/Syrian Singer and Bouzouki player. He began playing music in 1980 while he was in college studying nursing. When he got his degree in 1983, Mohammad moved to the city of Raqqa, Syria where hebegan working as a professional singer and started his own band, The Al-Rabie Band which played concerts, parties, weddings and festivals all over Syria. The Al-Rabie Band were a much sought-after group. Their live sets included Kurdish, Arabic, Turkish and some Western songs as…