New Arrivals
Murmurios
TONARTENSEMBLE: Georgia Ch Hoppe (clarinet, mandolin, objects), Nicola Kruse (violin), Ernesto RODRIGUES (viola), Robert Klammer (zither, electronics, analog synthesizer), Heiner Metzger (soundtable), Helmuth Neuman (trumpet, waldhorn), Thomas Niese (double bass), Thomas Österheld (bass clarinet), Krischa Weber (cello) and Hannes Wiennert (soprano saxophone, trompsax, sheng). Recorded December 2009 in Hamburg.
Lithp
Improvised music group originating from Haifa, Israel. Ofer Bymel (drums), Adi Snir (soprano & tenor saxophone saxophone, clarinet), Michel Mayer (guitar), Ronni Benner (guitar). A clean, sophisticated minimalist style and a sound that fits snuggly into the soft abstract current European scene.
Grass
Eyvind Kang’s newest CD collects quiet new compositions spanning the past five years, which he considers to be among his truly breakthrough works. Music for solo piano, string quintet and more take the unique sonic environments of Morton Feldman to an entirely new place via the metaphors of agricultural poetry, Chinese medicine, sweatlodge and Ikat weaving. Mesmerizing work from the elusive and ever-stimulating mind of Eyvind Kang!
Grand Electronic Suite
Recorded at the Roundhouse 1972, during the ICES Festival."For this show we rehearsed a week in a small village in the south of Holland. The repertoire of the first part was a kind of "frozen improvisation". We made some written plans about the form and structures and then rehearsed it for the whole week. So during these rehearsals things moved from improvisation into fixed form, just by remembering what we have played, and polishing it. This is a working concept that …
Watashi-dake
Much needed reissue of the first solo Haino from 1980. The extreme personal depth that every Haino release exudes. This CD adds previously unreleased track of 28 minutes!
Minimal studies
It all began with Study Ten. After releasing his 4th Static album, which included ten songs, about 15 musicians and which took almost 6 years till its release, Hanno Leichtmann had the wish to record an album in one go, without endless recording and mixing sessions. While experimenting with his modular system he discovered a method to compose that, what he later called Minimal Studies. A modular sample player which can be controlled manually, by a sequencer, LFO or any CV source would mak…
The ethnic project
Improvisations incorporating ethnic aereophones and contemporary contrabass sounds. Vinny Golia, ethnic woodwinds, duets with double-bassists Barre Phillips, Joëlle Leandre, Bert Turetzky, Lisa Mezzacappa.
Trax to Trax
Here comes Gianluca Becuzzi’s fourth release on Silentes. This electronic / electro-acoustic composer and sound-artist boast an enviable curriculum: active since the first half of the ‘80s as founder of the historic Darkwave / Industrial project Limbo, since 1999 his artistic production is characterized by a strong experimental imprint and by a clear tendency toward abstract aesthetic forms and micro/macro noises/sounds. Among his recent artistic production - in addition to what he has pu…
5
Back in stock. Helge Sten, aka Deathprod, sat through over 30 hours of live material to compile this 70 minute collection - widely regarded as Supersilent's most subdued work. Often compared to the fusion aesthetic favoured by Miles Davis in the early 70's and the post-modern compositional structure of Stockhausen, the result here is once again surprising and breahtaking, new sounds unearthed around every corner, you get the feeling that the ground beneath you is about to collapse with the sheer…
Un Coeur Simple
Stephan Mathieu's latest work transforms music made for Gustav Flaubert's titular play. First published as part of the book Trois Contes (Three Tales) in 1877 and translating to 'A Simple Heart', the text, a modern rereading of an old tale, makes for a neat analog to Mathieu's sonic practice - augmenting recordings of obsolete formats - wax cylinders, 78s - and early instruments by computer processes. Using pieces written by early renaissance composer Guillaume Dufay (1400-1474) and performed in…
Orchestral Works
Beautiful boxet with 5 CDs "It would be an understatement to say that Iannis Xenakis, who passed away nearly ten years ago, marked the whole second half of the 20th century. Whether or not assisted by computer, he built vast musical architectures, which diverge resolutely from what was being done at the time and is still being done: another world of sounds, combined according to a different, but never gratuitous, approach resulting in something magical. The listener is surrounded by sound, immer…
13 13
'First reedition. Recorded in 1981. Originally released in 1982. Lydia Lunch: vocals, piano. Dix Denney: guitar. Greg Williams: bass. Cliff Martinez: drums, percussion. Digipack.'
City of Straw
On their seventh studio album, Sightings don’t make any radical breaks from their past. Instead, Richard Hoffman, Jonathan Lockie and Mark Morgan continue the slow evolution of their vision, a sort of "industrialization" of rock. On 2007’s Through the Panama, the trio achieved their best amalgamation yet. City of Straw doesn’t really up the ante, but it stays right there. These 39 minutes run the gamut from chittering electronics to punk chaos. When saying "industrial" in reference to …
Experiments \'80-\'82
self-issued cd collecting two early 80s cassette-only releases (“quiz party” & “life in video city”) by richard bone, both tipped by the mutant sounds crew a few years back resulting in something of a renewed interest in this otherwise obscure figure in the 70s / 80s “minimal synth” wave - jumping back & forth between noisy, arpeggiated sequences & more atemporal modes (i can certainly hear the tod dockstader influence throughout the “quiz party” pieces) this is in many ways the perfect disc for…
Gaycre (2)
Xavier Charles : clarinet, Michel Doneda : saxophone, Jean Pallandre : microphones. Following the first meeting in 1997, they went back to the same places to record again an incredible meeting of soundscape !
The Wraiths Of Flying A
A three-way collaboration by Chicago based sound artist and renowned researcher in the field of Electronic Voice Phenomena Michael Esposito, Hamburg based operator of the Fragment Factory label Michael Muennich and long-time conceptual/performance artist, filmmaker, writer and core member of The Haters GX Jupitter-Larsen from Los Angeles. The origin of this project was a field investigation conducted by Esposito at American Film Studios, Santa Barbara, CA, additional sounds recorded by Michael M…
at Oto
The first meeting of two masters of improvised music. Concentrated solo pieces from each before an uncompromising duo.When Matthew Shipp was invited to London's Cafe Oto for a residency in 2010 he immediately asked to play with John Butcher, perhaps not the most obvious choice of collaborator but one that proved inspired. Although they generally work in very different areas of improvised music, both players share an intensity of focus and pugnacious individualism that heightened rather than hind…
Fotheringay
Fledg'ling's 2004 reissue of one of the highest-regarded British folk-rock albums, featuring Sandy Denny. Originally issued by Island in 1970 (previous Hannibal CD long o/p). With additional artwork and bonus tracks. Fotheringay's beautiful debut album was recorded in 1970, and has long been regarded as one of the greatest achievements of British folk-rock. Sandy Denny, Trevor Lucas, Jerry Donahue, Pat Donaldson and Gerry Conway created a magical ensemble sound and one of the finest albums of…
Somethingtobesaid
Specially written for the John Butcher Group, this is the first full performance of somethingtobesaid - recorded live at the Huddersfield Contemporary Music festival in November 2008. Chris Burn (piano), John Butcher (saxophones & pre-recordings), Gino Robair (percussion), John Edwards (bass), Thomas Lehn (synth), Dieb 13 (turntables), Clare Cooper (harp-guzheng), Adam Linson (bass & electronic processing).
Anro
A narrow path of safety extending through the gloom, its edges bleeding into the fearful zones of disorder and formlessness that enclose it. Paths create borders, they limn the known from the unknown, the clean from the unclean, the citizen from the exile, the present from the past. But while paths create boundaries, they themselves are ambivalent, neither here nor there, neither now nor then. The act of making a path where none existed always involves the subjugation of the unknown and f…