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"Resume the Cosmos" finds the unclassifiable Virginian band Rake performing some of their most diverting and accessible work to date. The five nameless tracks that make up the disc were culled from many hours of studio improvisation, not only on a range of atmospheric instrumentation, but also with studio space and "silence" itself. The elusive membership of Rake play out like reconstructed indie rock fans with fistfuls of Sun Ra/Coltrane/70s Miles/Art Ensemble of Chicago/Henry Cow scattered thr…
"Formed in the summer of 1964, although the New York Art Quartet existed for barely a year and a half, great interest remains in their work. They consisted of co-leaders John Tchicai (alto sax), who participated in John Coltrane's ground-breaking Ascension album and Roswell Rudd (trombone), considered to be the first free-jazz trombonist, along with bassist Don Moore and drummer Milford Graves. The band participated in the legendary 'October Revolution in Jazz', which journalist Bill Shoemaker c…
The first ‘proper’ widely-available album from Portugese composer and pianist Tiago Sousa, ‘Walden Pond’s Monk’ balances itself on the idealism and revolutionary spirit of Henry David Thoreau. While this might be initially hard to hear in an album of mostly solo piano, as the songs seep into the soul it becomes easier and easier to decode Sousa’s messages. There is a mourning, but hopefulness to these compositions, and in contrast to solo piano records from Gonzales or Goldmund it feels like an …
More than seventy years since his death in 1937, Ustad Abdul Karim Khan retains his reputation as one of the greatest singers India ever produced. Possessed of an elastic, honied voice that poured out like mercury, he influenced generations of singers including Mohammed Rafi, Pandit Bhimsen Joshi, and Pandit Pran Nath. Born at the end of the 19th century to a family of musicians that extended back in time for centuries, his art was formed in the culture of the courts of the maharajas under Briti…
Format: Glass-mastered CD. Packaging: Recycled Chipboard Sleeve. 33 bays was recorded in October 2009 in Kyoto, during a Japan tour by the duo of Tim Olive and Alfredo Costa Monteiro. Recorded live in the studio with no overdubs, the two untitled tracks were chosen from a number of pieces captured over several days, showcasing the duo's attunement and dramatic sense of structure. Olive (one-string electric guitar) and Costa Monteiro (electro-acoustic devices) produce a rough, feral music …
In 1995 Steve Peters and Steve Roden toured as a trio with singer Anna Homler; sometimes they would vocalize behind her, and they liked the way their voices blended together. They then spent about 15 years saying that “someday” they should record a voice-based project together. Aside from the physical distance between them, the problem was always: What would we sing? Neither wanted to write or sing lyrics.Inspiration came in the form of a book of Japanese jisei – poems allegedly written by monks…
Brooklyn, NY’s Liturgy deal in a style of black metal steeped in the genre’s most basic foundations of buzzing, dissonant guitars and whirlwind percussion, and yet they demonstrate an acute ability to make the sound firmly their own, both modern and ancient. Liturgy’s unique take on the genre only slightly recalls their NYC friends Krallice and the earlier works of the Norwegian wolves Ulver (particularly their 3rd LP masterwork Nattens Madrigal). In some sense Liturgy represents the seeping of …
"Somnambulance" is a reworking of an album of odd and obscure tracks that was released in a microscopic edition on CD-R before. For this CD, Mr. Liles has provided his funniest and possibly most controversial artwork as of yet. You get an hour of music of many different styles: Andrew Liles' trademark of eerie and spooky sounds is there; also electronics and a whole range of instruments are placed in between sketches and longer tracks. And if all this weren't enough, you get three bonus tracks t…
A kind of different album from A. Baker (Nadja) as it leans more into shoegazery and drone-pop songs. “Green & Cold” is the strength of strings proved by A. Baker. His soft lyrics suffuse weightlessly into a humming cloud of perfumed guitar scour. Yes, when gazed upon, these patent leather shoes really do reflect up. However, “G&C” is accomplishes much more than throwing Loveless lights back up to Heaven. An ass-load or so of previous avant-garde releases has developed in Baker a skill-se…
An epic concept album narrated and performed by Akira Sakata, Heike Monogatari ("Tale of the Heike") is the most disturbing entry so far in the DoubtMusic catalogue. This work is an expression of the philosophy of impermanence. It's also a vision of Hell. Woodwinds signify madness. Bells accentuate silence. And Sakata's voice unleashes a phantasmagoric torrent of shomyo (Japanese Tantric Buddhist chanting), death metal growls, and pure pandemonium. Is he serious? Or not? One thing is cert…
Trying to put the last 15 years of music into context, you’d be hard pressed to get anyone to agree on a single thing. If anything, this period has been a collective convergence of all things cool-sounding: naïve experimentalism, academic composition, art-rock synthesis, electronic nihilism/flagellation, and, well, everything else. Mark McGuire could muddy anyones interpretation of the contemporary canon with his buddies in the triadic mega-unit, Emeralds, his collaborative outings in Sun Wa…
A beautiful set of compositions from saxophonist Roscoe Mitchell, presenting works recorded in the 2000s with performers including Thomas Buckner, Stephen Rush, Nils Bultman, William Winant, &c - "In the 45 years since he recorded Sound, Roscoe Mitchell's music has steadily evolved and diversified, making the idea of a comprehensive one-disc survey an impossibility. However, as much as any album, the both/and nature of Roscoe Mitchell's music is vividly represented on Numbers." -Bill Shoemaker, …
Wolfgang Rihm sets poems from Heiner Müller, Hermann Lenz and Rainer Maria Rilke to music. Listen to a living document about one of the most important lied composers of our time.Wolfgang Rihm’s confrontations with the written word hold a special place among the more than 400 compositions he has written in the course of his long career. The composer, highly versed in reflecting on his own approaches and techniques, expands the textual material instead of labeling it, adding additional levels of m…
The second volume in a planned series of David S. Ware solo recordings, presenting two entire concert performances on sopranino and tenor sax at Park Slope and at Unmbrella Music Festival in Chicago. Each David S. Ware solo concert performance is a rare and magisterial happening. There were two such events in 2010, and both concerts are presented here in their entirety. The first took place in March at an intimate, invite-only event in Brooklyn; the second took place at the Umbrella Music …
2004 release ** "12k presents Every Action, the 3rd full-length release from the UK’s Motion (Chris Coode) and the follow-up to 2002’s critically acclaimed Dust (12k1019). In addition to his work with 12k (Dust, as well as a collaboration with Doron Sadja on 12k’s recent Two Point Two compilation, and an MP3 only release on 12k’s term. series) Coode has worked with Fat Cat and also released the debut Motion cd Pictures (now out of print) on his own imprint. The work on Every ActionPictures was p…
A veritable tour de force of 'inside' prepared piano playing - preppiano extensif. The whole of a solo set performed at Les Instants Chavirés near Paris. Sophie Agnel's preparations, neither static nor fixed, evolve during the course of her playing as she adds, moves or removes an object, or replaces one artefact with another. These preparations include disposable water cups, nylon fishing-line, bouncing balls, aluminium ashtrays, aluminium foil, industrial nylon, inner-tube rubber and polished …
One straight track, no over dubbing or editing. Recorded on July 2007, at H&H Production studio, Easton, PA. Recorded by Tatsuya Nakatani. Mastering by Johan Vandermaelen. Alongside NY percussion improviser Sean Meehan, Tatsuya Nakatani's approach to percussion uses alternative methods of interacting with traditional percussive instruments. The sounds here are subtle, resonant, introspective, and always interesting. (metamkine.com)
This release then of three short pieces under ten minutes by the Pole; Autograph (1980), Rondo (1984) and Zertstreutes Hinausschauen (1971) clearly holds some emotional resonance for Tilbury as he reflects on the music of his deceased old friend, and he then adds a fourth track here, a thirteen minute long improvisation in Sikorski's memory. The composed pieces here are each a nice listen, with the opening Autograph possibly the pick, as small flurries of melodic fragment are rotated, so …
After the concert in Prague last year in may, we followed the proposalof friends to play some acoustic instruments spontaneously on top ofthe hill, in Troja, into a circle of stones installations.Zithers, Tubes, Bells, Rattle and Shells, Flutes..the sessions wereinspired from the special place and the spring's vibes in the wind. Therecordings that are a blueprint of the spirit of that day, were editedin studio by Alio Die, then Mathias Grassow added his electronic dronesto expand the poin…