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Latest release in this series is strictly in 10" vinyls, as the early century 78 rpm. It will host mainly split records. The split features: SCARNELLA - Sometimes a trip can produce more than a few photos, a good story, and a souvenir t-shirt. Songwriter/vocalist Carla Bozulich (Evangelista) and guitarist Nels Cline (Wilco) took a two-week trip through the Pacific Northwest and got an album out of it. Scarnella (1998, Smells Like Records), the name of both the group that Bozulich and Cline forme…
Handmade Electronic Music: The Art of Hardware Hacking provides a long-needed, practical, and engaging introduction to the craft of making--as well as creatively cannibalizing--electronic circuits for artistic purposes. With a sense of adventure and no prior knowledge, the reader can subvert the intentions designed into devices such as radios and toys to discover a new sonic world. At a time when computers dominate music production, this book offers a rare glimpse into the core technology of ear…
Widely credited as one of the greatest artistic achievements of the 20th century, this rarely performed work launched its director Robert Wilson and composer Philip Glass to international success when it was first produced in Avignon, France in 1976, with subsequent performances in Europe and in New York at the Metropolitan Opera. It is still recognized as one of their greatest masterpieces. Now, nearly four decades after it was first performed and twenty years since its last production, Einstei…
Though classically trained Arthur Russell's major contributions to the music world is in the dance genre. Despite the fact that his pioneering work in the late '70s and on through the '80s was only quietly acknowledged at the time, his long term impact is best described as formidable. Russell's innovative; left field dance records flew way ahead of what people were used to hearing at the time, due in part, to his involvement in New York's downtown avant-garde music scene. He scored severa…
Barcelona Chronicles N°02. Derek Bailey (solo electric guitar). A solo concert filmed in July 2004 on a hot summer afternoon on a rooftop of a private apartment somewhere in the narrow streets of the Ribera district. Directed by Andy Davies. DVD - PAL Format - All Zones - Worldwide Play. Running time 23:03.
Following his two previous 7“s with ‘acoustic solo percussion’ (see Vital Weekly 687 and 706), here is the third volume. Like before it’s hard to believe its percussion music. But this time we get a detailed notes on the proceedings: side E has ‘two cymbals bowed together with one cello bow’ and side F has ‘a snare drum rubbed with a ring of styropor and two cymbals bowed together with a cello bow’ (and made me wonder how many hands Wolfarth has?). Oh, did I mention ‘no overdubs, electronics and…
this threesome with ex top model Kim Peers stretches a pregnancy longer than elephants do, the primates circle around for a-rhythmic styles, broken english and heroïc guitar glue! primitive drum set up, blinding strobe lights, tall female coldness and kapotte punkriffs, happy to see a full band again in antwerp, instead of solo madness behind a table full of noise pedals. limited to 150 copies, comes in a photocopied on glossyness cover of all abused photo's from Kim Peers' modelling carreer…
Benjamin Bondonneau (clarinet) and Fabrice Charles (trombone). This double CD has been recorded in 2006 near the river called Dordogne. The two musicians are really integrated into the landscape, and they even manage to make it becoming the third musician. A great release limited to 1000 copies with a nice cover.
Limited friends edition of 50 copies in black box with silver embossement. Tape recordings from 1980-82 including Kleine Krieg (originally packaged with a model kit of a tank or an airplane, intended to be assembled while listening to the music), Chemical Playschool Vols. 1 and 2 (the original cassette edition of which had 24 copies), outtakes, and Live in Cologne 1983.
West coast ghost squad stalk back into the deadlights w/ a fresh vinyl single. Pure nightprowler music: quaking bass, grime-jazz keys, dusty drums, witch choirs floating through the smog & into sleeping homes w/ the power lines cut. The sound of crime to come. The dreamer's dream turned dark. Ltd to 345
next to his prolific work as an electronic composer, improviser and producer, "rule of inference" once more features schmickler's as yet less known yet marvelous work as a composer and arranger for classical instrumental settings. similar to his widely regarded album "param" (2001), the album is a collection of various settings, all of them recorded over the course of the last years. "rule of inference" unveils a conception that marks various departures along the history of music: the alb…
'I started recording sounds when I was 17 years old, in 1984 when by chance someone gave me a K7 tape recorder with 2 diverse speeds... I discovered recording sounds was already a full and poetic act which was able to be used for the experimental music which i was dreaming of. In 1987, after one month of hard work in a summer camp restaurant I bought a 4-track stereo tape recorder and I started a lot of experiments in my little flat in Lyon (France) : via an old Radiola radio from the 50's, my h…
Former drummer of enigmatic LA synthpunk outfit NEW COLLAPSE, RICH BITCH (aka FRANK ALPINE) has been privately sharing his solo work with friends over the last few years on cassette. Dais is proud to announce the first vinyl release of these original cassette recordings of Alpine’s dark ambient / coldwave excursions. Limited edition of 300 hand-numbered copies.
Dogs in English Porcelain (Vanessa Rossetto's fourth solo album on the label) is a composition for electronics, field recordings, viola, violin, cello and acoustic turntable. It was created with many layers of very quiet elements that advance and recede, forming the episodic structure of the piece. The overlapping of electronic and environmental sounds with extended technique and traditional playing disturbs the boundaries separating the natural and artificial, the intentional and the incidental…
Jean-Claude Jones (electro acoustic bass, live electronics). This solo bass album is a distillation of my language, the articulation of my voice on my instrument. It is free improvised music, focused on energy and the moment. This project incorporates electro-acoustic sounds and noises, groovy rhythmical games and sporadic forays into melody.
" Plastic Box is a a 'metal box' fascinating companion, plotting the evolution and subsequent degradation of the experimental impulse that saw its apex in 1979. Tracks like “Albatross” have always been passed off as autobiographical by Pistols-watchers who believed that Lydon could only ever refer to Lydon, but the power of Metal Box lies in Lydon’s ability to forget: himself, his past, and so to move around the landscape like a ghost, to be free of his own history in order to fully invest…
Kippenberger unplugged! Martin Kippenberger skipped out on this world after just 44 years -- in 1997, the art world's flamboyant enfant terrible, one of Germany's most famous painters best known for his biting provocations and prolific output, died of the consequences of his equally prolific alcohol consumption. In 1978, Kippenberger moved to Berlin, launched Kippenberger's Büro (together with his future gallerist Gisela Capitain) and became the managing director of Kreuzberg's seminal ve…
Great follow-up to the Swiss percussionist's first single. It has one side of music created by disturbing the skin of a drum head and another with a kind of spidery almost drumming. There is definitely the sense of a drum head being struck by something, but the touch is so light it really sounds more like rain on the roof of a metal building. Tup !’ - Byron Coley, The Wire, 2010’Here's the second volume of a projected series of four seven-inchers featuring Swiss improvising percussionist Christi…
Amazing experimental film with music by Jim Thirwell (Foetus). J.G. Ballard once said that the Atrocity Exhibition had been considered his only ‘unfilmable’ novel. Until Jonathan Weiss' feature adaptation of this infamous work of experimental fiction, a film which Ballard calls, ‘a poetic masterpiece’. Of all the films made of Ballard's fiction, only The Atrocity Exhibition contains a full length DVD commentary by the author himself. Less a commentary than a philosophical discourse on the nature…