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Molly Raben's In the Kingdom of Flowers arrives as one of the year's most revelatory debuts - a breathtaking collection of solo organ improvisations that reimagines one of music's most ancient instruments through the lens of contemporary experimental practice. Released by Pennsylvania's Love's Devotee label in a limited edition of 300 copies, this remarkable album showcases Raben's extraordinary technical prowess alongside her deep understanding of the organ's mechanics, history, and social cont…
This bundle includes the latest Blume releases, two groundbreaking archival discoveries that illuminate the hidden connections between American experimental music's founding generation and contemporary European avant-garde. Doris Dennison's Earth Interval (1956) emerges from seven decades of obscurity - a pioneering percussion composition by John Cage's forgotten collaborator, brilliantly realized by Third Coast Percussion.
Swiss composer Jürg Frey's first LP presents his crystalline Wandelweise…
After forty years, the enigmatic Italian collective Capricorni Pneumatici's lost opus, Über Artaud, finally emerges complete. Originally conceived in 1987 as an electronic sonorization of Antonin Artaud's censored 1947 radio work "Pour En finir avec le Jugement de Dieu", this mysterious project showcases masterful use of FM synthesis via the iconic Yamaha DX7 synthesizer, creating dark ritualistic soundscapes akin to Throbbing Gristle and Nurse With Wound.
Reese and the Smooth Ones was captured during the same revolutionary Paris session as Message to Our Folks, but stands apart as a two-part, 40-minute odyssey of unchained invention.
From the always remarkable hands of Blank Forms come two new stunning LPs from the Stockholm based composer Ellen Arkbro: “Nightclouds”, comprising five minimalist improvisations for solo organ, and “How do I know if my cat likes me?”, made within a trio comprising Hanne Lippard and Hampus Lindwall, interweaving wry conceptualism and topical humor with poetics, voice, texture, and tone. Each absolutely brilliant and distinct, they stand as some of the most exciting works we've encountered from A…
Juho Toivonen's third album navigates memory's fluid terrain through off-key piano, tape loops, and spectral melodies. Featuring Ramo Sinnemäki's trumpet, this Nordic ambient masterwork recalls Basinski while exploring childhood fragments and imagined futures. Pure Scandinavian melancholy—essential contemporary ambient.
*150 copies limited edition* Richard Youngs is neither a stranger to Fourth Dimension Records or creating music from a disparate array of sources that then fall somewhere near that space where immersive drones converge with something altogether more frayed, ravaged or disquiet. 'Zerkelus', named after an imaginary Babylonian king, comprises two lengthy side-long parts, with the first being akin to something of an extended orchestral tune-up utilising voice, oboe and indiscernible sources to crea…
Inspired by minimalistic icon La Monte Young and guitarist Allan Holdsworth, Nightclouds is a powerful collection of jazz pieces for solo pipe organ. Over long improvisation and shorter compositions, Swedish composer and installation artist Ellen Arkbro employs her usually epic chord structures and adds in a more self-reflective tone than previously.
Inspired by minimalistic icon La Monte Young and guitarist Allan Holdsworth, Nightclouds is a powerful collection of jazz pieces for solo pipe organ. Over long improvisation and shorter compositions, Swedish composer and installation artist Ellen Arkbro employs her usually epic chord structures and adds in a more self-reflective tone than previously.
Lost for a decade, John Surman and Karin Krog's “Electric Element” emerges from a failed theatre project as a “wonderfully weird vocal and electronic experiments”. On the album the duo abandon traditional jazz for visceral explorations featuring wind synth, processed vocals, and granular synthesis. An “enigmatic time slip” bridging Kosmische, Industrial, and futuristic electronics.
Lost 1977 electronic score by Soft Machine's Mike Ratledge, crafted with enigmatic Denys Irving on modified Moog/ARP synthesizers delivering ten hypnotic sequences of minimalist repetition. Transferred from BFI archives after master tapes vanished, this new 300-copy reissue follows the long out-of-print 2016 edition. Essential Riddles Of The Sphinx finally unearthed.
A devastating cry for Palestine, nearly five decades later, this radical 1977 masterpiece returns to vinyl via Black Sweat Records. Demetrio Stratos, Gaetano Liguori, and Giulio Stocchi created a powerful sonic testament to the 1976 Tall el Zaatar massacre - a devastating blend of free jazz, experimental vocals, and Mediterranean traditions. More than music, it's unflinching historical testimony that remains painfully relevant today.
Bomb! *100 copies limited edition* Aftershock marks the fierce vinyl debut of Finnish trio The Fuckings, a privately issued LP (edition of 100) capturing four slabs of unrelenting, high-intensity free improvisation. Recorded in Helsinki in November 2024 and released in April 2025, the album is a visceral tribute to the legacy of boundary-pushing sonic violence. Composed of Janne Martinkauppi (saxophone), Ilkka Vekka (guitar), and Petri Pirtilä (drums), the group channels a storm of raw interplay…
A trance-inducing journey into Morocco’s Ait Bouguemez valley: multi-instrumentalist J.H. Burch joins the all-female Troupe Asnimer to revive Amazigh oral traditions. Their hypnotic choral songs, enriched with global instrumentation, bridge ancestral ritual and contemporary sound.
Visionary Walter Maioli and electronic innovator John Zandijik’s 1980s late-night sessions fuse ancient flutes and cutting-edge technology, creating a cosmic soundscape that bridges ethnomusicology, psychedelia, and electronic experimentation.
Easing further into 2025, following an amazing year that’s seen the release of killer LPs by Roberto Laneri, Lay Llamas, Zia Mohiuddin Dagar & Zia Fariduddin Dagar, David Edren, Klaus Wiese, and others, the always incredible Black Sweat returns with two absolute stunners: “Star Rover”, a never before issued, double LP archival recording made by Walter Maioli and John Zandijka sometime around 1984, and a stunning self-titled from JH Burch, made in collaboration with Troupe Asnimer, a Moroccan all…