ECM Summer Campaign
Big Vicious
Charismatic trumpeter Avishai Cohen launched his exuberant, home-grown band Big Vicious six years ago, after relocating from the US to his native Israel, rounding up players to shape the music from the ground up, and co-authoring much of its newest material together with them. The group is an association of old friends. “We’re all coming from jazz, but some of us left it earlier”, Avishai says, summing up the stylistic reach of his cohorts. “Everyone’s bringing in their backgrounds, and that be…
Romaria
*2024 stock* Andy Sheppard’s quartet extends the musical explorations begun on the 2015 release Surrounded By Sea, an album praised by Télérama for its “poignant serenity.” In this new programme of compositions by Sheppard (plus the title track by Brazilian singer-songwriter Renato Teixeira), the drones and washes of Eivind Aarset’s guitar and electronics – aided by the generous acoustics of Lugano’s Auditorio Stelio Molo RSI – help to establish a climate in which improvisation can take place. T…
Alien
Original 1985 LP edition. This one is a bit of an outlier. More a showcase for keyboardist Don Preston’s (The Mothers Of Invention) array of 1980s synthesizers and drum machines than a jazz album. As the story goes composer Michael Mantler wrote this music for a conventional orchestra with the solo trumpet part, but then decided to transpose orchestral partitions to Preston’s gadgetry. It is not known if this move was informed by the budgetary constraint or perhaps creative or even financial inc…
Antenna
Antenna showcases David Virelles’ mastery in fusing Afro-Cuban spirituality with avant-garde innovation. This reissue highlights its hypnotic rhythms and spectral harmonies.
Pat Metheny Group
The self‑titled Pat Metheny Group album is the moment an idea becomes a band. Emerging in the late 1970s, Pat Metheny Group arrive with a sound that feels fully sketched yet still buzzing with first‑chapter urgency. Pat Metheny’s guitar speaks in a clear, ringing voice that draws as much from Midwestern folk and rock radio as from bebop lineage, while the writing leans into expansive song forms rather than head‑solo‑head orthodoxy. The result is a music that sounds like it grew up on wide horizo…
Za Górami
Vocalist and violinist Alice Zawadzki makes her ECM leader debut with Za Górami ("beyond the mountains"), a luminous and deeply personal song-cycle that gathers melodies from across the folk traditions of Central and Eastern Europe, the Sephardic and Yiddish diaspora, Ladino balladry and her own original writing. Sung in a remarkable range of languages, the album feels less like a recital than a series of half-remembered lullabies and incantations, carried on Zawadzki's pure, weightless voice an…
Blue Maqams
On Blue Maqams, oud master Anouar Brahem brings his instrument into the very heart of the modern jazz tradition, recording in New York with a band of genuine giants. Bassist Dave Holland, drummer Jack DeJohnette and pianist Django Bates meet Brahem's Arabic maqam vocabulary on its own terms, translating its modal subtleties into the elastic swing, deep groove and open interplay of the highest level of jazz. Holland and DeJohnette, who have decades of shared history, provide a foundation that is …
Touch of Time
Norwegian trumpeter Arve Henriksen and pianist Harmen Fraanje in a duo of whispers: fragile melodies, ghostly vocals, electronic shadows and open silence. Ambient, melancholy and deeply atmospheric.
In Praise of Dreams
Jan Garbarek crafts a brooding, electronic-tinged song without words, with violist Kim Kashkashian and drummer Manu Katché. Spacious, hypnotic and cinematic; ambient chamber music, unmistakably ECM.
Places
A cornerstone of the early Nordic ECM sound: Jan Garbarek's keening saxophone over shifting, atmospheric backdrops, with John Taylor, Bill Connors and Jack DeJohnette. Glacial, majestic, carved from northern light.
Swallow Tales
Guitarist John Scofield offers a warm and affectionate tribute to a lifelong friend and mentor on Swallow Tales, an album devoted entirely to the compositions of the great electric bassist Steve Swallow. Joined by Swallow himself and by longtime drummer Bill Stewart, Scofield revisits a songbook he has known intimately for half a century, having first studied with Swallow as a young musician. The trio recorded the whole set in a single relaxed day, and that spontaneity is audible in every track:…
Carl Philipp Emanuel Bach
On this absorbing recording Keith Jarrett steps away from jazz entirely to interpret the Württemberg Sonatas of Carl Philipp Emanuel Bach, performed on clavichord. Best known for his groundbreaking improvised concerts and his luminous jazz quartets and trios, Jarrett has long maintained a parallel life as a serious interpreter of notated keyboard music, and here he turns to one of the most adventurous composers of the eighteenth century. C.P.E. Bach's writing is famously restless and expressive,…
Facing You
Where it all began: Keith Jarrett's first ECM solo piano album (1971). Spontaneous compositions of startling melodic and rhythmic invention that foreshadow The Köln Concert. A cornerstone of jazz piano.
The Melody At Night, With You
Keith Jarrett's most tender solo album, taped at home during recovery from illness as a gift to his wife. Standards and folk songs played with disarming simplicity. Hushed, fragile and deeply moving.
Last Dance
Intimate duo standards from pianist Keith Jarrett and bassist Charlie Haden, from the Jasmine sessions. Unhurried and conversational, two old friends; a poignant and beautiful farewell.
My Song
My Song is the beloved high point of the so-called "European" or "Belonging" quartet led by pianist Keith Jarrett, and one of the most cherished albums in the ECM catalogue. Recorded in 1977, it unites Jarrett with three of Scandinavia's finest musicians: saxophonist Jan Garbarek, bassist Palle Danielsson and drummer Jon Christensen, a band whose chemistry was extraordinary. Where Jarrett's contemporaneous American quartet leaned toward fire and abstraction, the European group cultivated a more …
Unfolding
French clarinet master Louis Sclavis and pianist Benjamin Moussay in a spare, searching duo. Composition meets free improvisation in delicate, chamber-like dialogues. European improvised music at its most refined.
Awase
Swiss pianist Nik Bärtsch and his band Ronin deliver hypnotic 'ritual groove music': interlocking minimal patterns, funk-tinged grooves and Zen-like repetition. Precise, physical and mesmerizing.
American Garage
The Pat Metheny Group at a joyous peak, with Lyle Mays, Mark Egan and Dan Gottlieb. Bright, anthemic and melodic, led by the soaring '(Cross the) Heartland.' One of ECM's most popular records.
Offramp
Offramp marks a bold and pivotal step forward for the Pat Metheny Group, the album on which the band significantly expanded its sonic palette while deepening its emotional reach. The great innovation here is Pat Metheny's embrace of the Roland guitar synthesizer, whose vocal, brass-like timbres opened up entirely new textural possibilities and would become a signature element of his sound for years to come. Equally important is the arrival of the Argentine vocalist and multi-instrumentalist Pedr…