Super Sale 2024
Distortion Hue
** Edition of 300 ** For more than a decade, the Los Angeles based musical and composer, Byron Westbrook, has woven a progressively intricate tapestry in sound, bridging the worlds of sound art, avant-garde electronic music, and synthesis. He is an artist of rigorous detail, for whom the creation of hyper specific environmental contexts is a means to deconstruct what is presumed or imposed upon a given spectrum of sound. Extending from and beyond the ground covered by his 2017 LP, Body Consonanc…
Eleven Pieces For Synthesizer
**330 copies** Umor Rex presents Eleven Pieces for Synthesizer, a collection of synth instrumentals by German composer Carl Oesterhelt. Oesterhelt has been recording a mixture of straddling kosmische and classical traditions for years on his own reel tape machine, overdubbing stacks of analogue gear to create a compelling body of work that brings fresh emotional depth and rhythmic experimentation to the syntax of the modern synthesizer. Born in Munich in 1968, Carl Oesterhelt has worked in a var…
Funeral Cargo
** Edition of 300 copies pressed on clear vinyl. Mastered by Veronica Vasicka ** A weight of history flows through Ann Margaret Hogan’s keys with a stark intimacy, beautifully illuminated by naturally effortless, quietly grand songwriting. It’s a direct continuation of the landscaped themes and atavism of 2020’s ‘Honeysuckle Burials’ and the ‘Reversing Into Tomorrow’ collaboration with Karl O’Connor, vividly capturing the slow passage of time in a way that has quite literally compelled us to sto…
Böser Herbst
For Böser Herbst, Thomas Fehlmann returns to the sediment of ages, drawing from a similar lexicon of sounds to that used on 2018’s ‘1929 – Das Jahr Babylon’. Like that album, Böser Herbst was produced as the soundtrack to a documentary made by Matthias Luthardt, ‘Herbst 1929, Schatten Über Babylon’, which offers historical insight to the third season of the television series Babylon Berlin. It adds yet another string to the bow of this most forward-thinking and creative artist, whose history tak…
Vinterstrossel
Taco Bells has been playing their own music since 2006 and mostly with various friends as addition to the trio. Also the previous LP Vadelma / Hawaii (Ikuisuus 2009) came up from the first meeting of the Finnish master Pekko Käppi and Taco Bells in Helsinki 2007. Taco Bells doesn't play too much at private rehearsal places for themselves. Usually there's always at least tiny audience following the situation. Galleries, tours, weddings, bars, cellars… Recordings of Vinterströssel were made in a t…
The Unstruck Sound Centre
Edition of 250 copies. "Premiere loop-age and analogue slurping from Brighton’s F.Ampism. Put simply this record is a jitterbug in a bubbling pond, coz this collection of nine fine sound pieces are all about fluid movement and itchy digit fidgets. Songs like ‘The Loosest Caduceus’ ripple like time waves, setting off yeasty fireworks behind my eyes. ‘Sand/Blood/Glass’ becomes a relic from my formication nightmare. And ‘Absolute Beyond Ill’ drives gravity back into a wood-lined barrel. Oh yeah Amp…
Mineral Kingdom
The Parels is a duo of Jim Goodall and Eddie Ruscha from L.A. This LP is their second release after their self titled tape on Lal Lal Lal. Inside the grooves of this record they continue their strange exotica mission through the jungle and towards the mysterious grottos of the Mineral Kingdom. The trip is listened through a kaleidoscope: Small details and miniature symphonies change places and blend together, enchanting scenes morph into others. Limited edition of 300. Co-release with Ikuisuus.
The Newest Historic Site
Bersabea is a collaboration between Niko-Matti Ahti and Birgir Örn Jónsson. The music follows an open-ended inquiry. Improvisations, samples, voices, field recordings and other aural flotsam gets collaged into bite-size pop donuts, and vice versa. Niko-Matti and Birgir live in different countries in the northern hemisphere. The music is stitched together somewhere in between. Nothing is premeditated, nothing is arbitrary. Everything is playful, joy and terror abound. The Newest Historic Site is …
Motor For An Unknown Vehicle
** 2021 Stock. Edition of 300. Includes signed and numbered insert. ** "Motor" is the second part in a trilogy, preceded by "Das Baank" (Fragment Factory/Rekem Records) in 2016. The Motor started a long time ago with small basic fragments used for different steps (phases) like installations and performances. Those fragments were put together over the years into a longer piece presented on this LP. Motor is now a 32 minutes long continuous piece of sounding matter. Autonomous and free in itself. …
Dia-Logos
** 2021 Stock. Edition of 300 ** For nearly two decades Oliver Peters has been working as Evapori, with releases on Entr'acte, Walter Ulbricht Schallfolien, 1000füssler as well on his own now defunct Antiinformation imprint he used to run with his close collaborator Nicolas Wiese since the early 2000's. Following his highly acclaimed Kárka LP (Walter Ulbricht, 2018), Dia-Logos... marks Evapori's 4th full-length album, on which Peters explores and busts the boundaries between concrete music, soun…
Musique Inconcrète
** 2021 Stock. Edition of 300 ** After the quickly sold out »Ggràn« cassette, released on Fragment Factory in 2016, we are very happy to welcome back the Italian sound artist Mauro Diciocia aka Torba for his 2nd contribution to the FF label catalogue. »Musique Inconcrète« is the follow-up to »Musica Conventionale«, released earlier this year on his own Edizioni Aaltra imprint, and marks the second installment in a trilogy of related recordings, informally named »Le Musiche«. While being active i…
Stasi
** Edition of 500 ** Being in opposition to the speed of our lives and, consequently, the speed in music, is the starting point of Populous's new work “Stasi” (english translation: stasis), which will be out on 11th June for La Tempesta Dischi. “Stasi” is, therefore, a record inspired by slow rhythms and by the hypnosis that repetitive sounds can induce. "Stasi” has been written and produced in a silent and static Salento, a suspended and meditative atmosphere, which has hijacked the direction o…
Pat Thomas Introduces Marijata
Pat Thomas career began in 1969 with the Broadway Dance Band, leaving a year later to join the Uhuru Dance Band. He then played with Ebo Taylor’s Blue Monks and finally formed the Sweet Beans in 1973 where he really made his name. The group released False Lover in 1974, split and then reformed as Marijata, releasing Marijata (also available on Mr Bongo) and this album, Pat Thomas Introduces Marijata. Thomas career spans more than 50 years and he still tours regularly across the world.
Electronic, Absolutely
Remastered from two private tapes (1990 "Absolutely Electronic" and 1992 "Memories From Times To Come") that Michel Nolet - the one man band - used to share in the 90's with other music collectors and hometapers from Canada, England and Germany only.
Misterios Cosmográficos
1980's: Chile was a place where very little space was given for artistic
creation, sometimes it was forbidden to create. However, with a
determined inner strength, José Ignacio Valdés decided to take this project
forward self-producing his own tape cassettes (DIY culture). He wanted
to show the young people, his friends and family that the Chilean could
create music at the best level in the world. This LP includes "Misterios
Cosmográficos" remastered album, originally released in 1983, plu…
Assim na Terra Como no Ceu
** 2021 Stock ** Extremely rare album compiling Waltel Branco's finest incidental TV soundtrack works - Spaghetti Western to deep funk to psyched-orchestral. Originally released on Fermata (Brazil) in 1970, this brilliant - incredibly lengthy titled album - album contains incidental songs from three soap opera’s; ‘Assim na Terra Como No Céu’, ‘Passo dos Ventos’ and the most well known ‘Irmãos Coragem’. The album contains elements not dissimilar to Incredible Bongo Band, Nico Gomez, classic Blaxp…
Lazzaro
Spellbinding electro-acoustic constructions born from stringed instruments, percussive onslaughts and emotionally charged song craft. Maselli's uncanny skill to create non-conformist drama recalls the wind swept post-rock oblivion of Set Fire to Flames at their most layered and dense, The Haxan Cloaks doom-ridden worlds of grain and texture and the edge blurring of instrument and electronics so expertly honed by Emptyset. “There’s no solitude in art, since it truly only exists in the light of th…
Inactive Parts
"Inactive Parts" was a December 2014 installation at The Trunk Space in Phoenix, AZ consisting of paintings, screen printed xerox pieces, lathe cut 7" records and two sets of two single-sided acetate LPs which used for a sound installation that could also function has "instruments" for a live performance. Two performances occurred: 12/05/14 (the opening reception, duration: 4 hours), 12/20/14 (for the Gilgongo Records 10 year anniversary event with Sissy Spacek, Stephen Steinbrink, Cherie Cherie…
On Metal Shore
The idea for "On Metal Shore" goes back to the 2008 collaboration "Vista" with Boston artist Asher. The genesis of this piece was early morning recordings I made on the shores of the Lake of Zurich in 2007, where I played some very resonant steel railings with my hands. There was something magical for me about being down by the water an hour or so before sunrise. My hands were freezing and as I played a flock of birds in a tree nearby would fly away from my noise (even though I wasn't playing ve…
For Always
For Hyperdelia’s newest release, Andreas Dzialocha has created an enchanting ghost music. Animated by his solo bass playing and haunted by aleatoric acoustics, the record unearthes the instrument’s low end harmonics. A spectral music that sits somewhere between the timbral finesse of Julia Reidy, Tim Hecker’s noise gestures and the spaced out reclusivess à la Arthur Russell.