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Revoada is the anticipated solo album by Mauricio Fleury, blending traditional Brazilian musical heritage with jazz, electronic, and global influences. Singles like “Briluz” and “Kadıköy” showcase Fleury’s ability to traverse styles, drawing on the spirit of artists such as Gal Costa, Joao Donato, and his work in the Afrobeat collective Bixiga 70. With organic grooves, nuanced arrangements, and sonic references to both Brazilian and Turkish musical history, the album is a celebration of migratio…
277 pages. 196 x 268 mm. Open NOW JAZZ NOW and you're not just looking at a book - you're entering the minds of three lifelong obsessives. Byron Coley (music writer and critic), Mats Gustafsson (saxophonist, The Thing, Fire!), and Thurston Moore (Sonic Youth founder, solo artist) have spent decades accumulating, discussing, debating, and above all listening to free jazz and free improvisation. This book is the result of that shared mania. What they've created isn't a conventional history or a ra…
Faust left Wümme's anarchic freedom for The Manor's professional constraints. Virgin wanted a hit. Faust IV was the answer: their most paradoxical album, accessible yet destabilizing, part studio work, part salvage. The sessions stretched, the budget vanished, the result endures—uneven, restless, compelling. Fifty years later: still mid-sentence, still profound, gloriously incomplete.
CD Digipack. Wümme, Lower Saxony. 1972. A converted schoolhouse. Inside: a tangle of cables, reel-to-reel machines, custom electronics soldered together by hands that refused manuals. This was not a professional recording studio. This was Faust's laboratory—and So Far was the experiment that proved you could rewire rock music's circuitry without killing the patient. Six months earlier, Faust had released their self-titled debut—a savage dismantling of what a rock album could be. Tape edits slice…
Uranian Void by Jessika Kenney is a radiant synthesis of voice, mystic poetry, and Javanese gamelan textures. Recorded in Los Angeles and produced by Kou Records, the album entwines Persian and Indonesian texts in a transcendent meditation on annihilation, devotion, and rebirth, revealing Kenney’s voice as both ritual conduit and cosmic instrument.
Tulpa by Charmaine Lee transforms voice, electronics, and feedback into a vivid organism of noise, song, and silence. Produced by Randall Dunn and released on her label Kou Records, the album bends improvised vocal gestures into sculptural form—an intimate encounter between body and circuitry that questions where identity begins and resonance ends.
Riparian by Eyvind Kang is a two-part, 37-minute suite for viola and ensemble that meditates on the meeting point of water and land. Produced by Randall Dunn for Kou Records, the album explores blurred musical boundaries and organic flow, using Kang’s signature blend of experimental chamber forms and subtle, textural improvisation to evoke riparian landscapes.
Ratsnake by Chloe Kim is a daring solo percussion suite that channels years of improvisational research into a visceral, highly personal language. Produced by Randall Dunn after Kim’s formative New York sojourn, the album fuses jazz-rooted control with exploratory vulnerability, establishing Kim as a bold new voice in solo drumset music.
The concert version of Einstein on the Beach by Ictus, Suzanne Vega, and Collegium Vocale Gent distills Philip Glass’s pioneering minimalism into a mesmerizing sound ritual. Stripped of Robert Wilson’s grand staging, Vega’s measured narration weaves through the ensemble’s crystalline precision, revealing the raw musical architecture of this modernist epic.
**Marbled Black Smoke Vinyl & Inlay, issued to 230 copies. Cover and Inlay artwork done by Steven Stapleton.** The Circle Music proudly presents: Cadaverous Condition – Destroying The Night Sky. Many years ago Death Metal band Cadaverous Condition invited a stellar line up of experimental artists to completely dismember, rearrange and reconstruct songs of their “To The Night Sky” album. The result being “Destroying The Night Sky”, one of the weirdest collaborative albums ever assembled. Extreme …
Misha Panfilov Septet is an Estonian ensemble led by composer, producer, and multi-instrumentalist Misha Panfilov. Known for their evocative blend of psychedelic jazz, electronic lounge, and ambient exotica, the septet features a rich palette of timbres and improvisational interplay, distinctively shaped by Panfilov's lap steel guitar and space-conscious compositions. The group includes Artur Leppik (alto/baritone sax, percussion), Sasha Petrov (tenor sax, percussion), Ilja Gussarov (flute, perc…
A new release from Fox & His Friends Records, Chapters (Screen & Stage Dancefloor Jazz from Yugoslavia 1971-1984) by Ozren Depolo brings to light a trove of previously unreleased music spanning more than a decade of his work in film, theater and television. This gatefold audiophile 180g LP, including a 12-page booklet with archival photos and detailed liner notes, offers for the first time a full album composed exclusively of Depolo's own authorship, drawn from master tapes held in private and i…
The album delivers masterful arrangements, inventive rhythms, rich harmonies, and a perfect balance of flute and saxophone interplay. Funk, Jazz, Gospel, Afro, and traditional elements all merge seamlessly into something unique and timeless.Joshua Sithole (1947–1999) was a self-taught multi-instrumentalist and vocalist from South Africa who first started busking with the Kwela kids in 1959 and then went solo in 1978. He became popular in the 80’s, performing widely in Durban and Cape Town.
Origi…
Favorite Recordings is proud to announce the release of Endless – Universal Cosmic Sounds, a visionary compilation celebrating a decade of musical archaeology and a special milestone: the thirteenth release curated by Charles Maurice since his debut in 2015. Endless is an immersive journey through cosmic soundscapes, where jazz-funk, pioneering electronics, and ambient experimentation merge into a unique listening experience. The collection features 10 rare recordings, meticulously selected from…
Patrick Cowley’s Hard Ware is a ten-track time capsule from the late disco era, weaving together raw synth grooves, industrial textures, and playful electronic vamps. The album is expansive, sensual, and just a touch sardonic, showcasing Cowley’s boundary-pushing imagination and pioneering electronic production sensibility.
Jon Porras’s Achlys unfolds a meditative narrative across eight drone-based pieces: fragmented guitar melodies and modular synths swirl through dense atmospheres, echoing elemental habitats and ambiguous emotional states. The album rewards careful listening for its textures, cyclical patterns, and subtle resonance, inviting reflection on impermanence and change.
Ebbing Ice Lines is Pablo Diserens’s attentive fieldwork voyage across the Arctic’s melting frontiers—a collection of sonic essays mapping disappearing ice through the sounds of water, animal life, and shifting glacial surfaces, bringing listeners into intimate proximity with an environment in flux.
Luurankolauluja is Uusi Aika’s deep dive into spiritual fusion, where Nordic folk, modal jazz, and raga-like improvisations meet. Rooted in forest myth and cosmic calm, the album’s six compositions form a slow-burning suite of luminous, contemplative beauty.
Belgium’s avant-rock legends explore their prehistory in a special archival project. Retrieved from long-forgotten reel-to-reel tapes and cassettes, this collection of previously-unreleased tracks unveils some of the meanders which eventually led to the inception of Aksak Maboul in 1977. These 17 tracks and 80 minutes of music will take us for a stroll through moments of free rock, improv, quasi-kraut, modular & ambient electronics, and various experiments. Out on November 21 on digital, limited…
Simultaneous reveals Pamela Z’s fascination with the intersection of speech and music, blending voice, electronics, chamber ensemble, and video into an immersive, multi-layered exploration. Through looping, gesture control, and narrative fragments, the piece meditates on simultaneity—how overlapping events and speech form new harmonies and meaning.