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** 2022 Repress ** "I wonder if my fascination for clouds (without being an obsession) may have risen at the end of the '80s as, whilst composing 'Micro-climat', I would regularly wander between the Vercors mountains and the high plateaus of the Monts du Forez discovering, through my eyes, body, breath, active observation and walk, that natural forms when constantly changing and yet swollen with a unity of matter (in this instance, water) open one up to a deep, fundamental breath and a clear fie…
One of the milestones of electroacoustic music: Iannis Xenakis’ mindblowing 54-minutes oeuvre “Persepolis”, mixed from the original 8 track tapes by Martin Wurmnest“Persepolis” is the longest electroacoustic composition by Iannis Xenakis (1922-2001) who ranks among the most influential 20th century avantgarde composers. Commissioned by the Persian Shah, the piece was part of a multimedia performance – Iannis Xenakis' so-called “polytopes” – which premiered in 1971 in Shiraz-Persepolis (Iran) as …
Iannis Xenakis's early electroacoustic works define already the compositional space he is using later in his mature, almost one-hour long works like Persepolis or La Légende d'Er. After arriving in Paris as a Greek refuge in 1947, Xenakis quickly found a work as construction engineer with the architect Le Corbusier. He tried in vain for several years to become a member of the Groupe De Musique Concrète (GRM) and thus to gain access to the electroacoustic studios at the French radio. Pierre Schae…
Iannis Xenakis's late electroacoustic music became electronic: all sounds are synthetic "explicit computer music" as Peter Hoffmann called it. The music presented here shows Xenakis's way back from spatialized immersive music and multimedia spectacle to simple loudspeaker music. The sound does not move anymore, there are no synchronized visuals: nothing remains but structured noise. Xenakis used two inventions he had already presented in the context of the Polytopes: sounds created by stochastic…
Tip! ** Full colour 6 page dvd-type embossed digipak. 300 copies. In Terry Fox's own words: "For the exhibition "Sonambiente", I will produce a new audio work for compact disc. The title of this work will be "Labyrinth of the inner ear" and it will be recorded in Berlin on the 14th and 15th of April 2006. The compact disc will be produced directly after the recording process and presented, during sonambiente, in a room of the former polish embassy. This will be a kind of "drone" work consisting …
*2022 stock* Recorded in 1973, “Morning Flight” by trombonist Hiroshi Fukumura is a stunning modal and spiritual jazz album! Genius work from Japanese trombonist Hiroshi Fukumura – working here at the helm of a twin-trombone group that also features the talents of Shigeharu Mukai – in a style that's filled with soul and free-thinking imagination! The two players work together beautifully here – avoiding any of the cliches of trombone-heavy groups from the past – and instead, using the open-ended…
*2022 stock* Sublime release from Masaru Imada Trio. Imada's got a way of letting a tune really find its way organically – almost as if the songs here are little flowers opening up in his fingers on the keyboard of the piano – although never in a style that's "flowery" at all, because Imada's a master of finding just the right notes at the right moment – never embellishing things just to show off. Instead, his imagination finds all the best paths forwards, especially on his original tunes on the…
*2022 stock* "A lyrical duo work that was created during the legendary Czech-American jazz bass player, composer, also occasional saxophonist George Mraz's tight schedule. Imada's original, light "Blue Road" and romantic "Blue Rain" will make you intoxicated." - Koki Hanawa
Early and mostly previously unreleased recordings from Dundedin's The Strange Girls, a band that initially consisted of Clayton Noone, Kaaterama "Motty" Morehu and Jon Arcus. The Strange Girls existed on and off from 1999 up until Motty's passing in 2019 and left behind a peculiar trail of gems scattered around on a myriad of limited lathe cuts, cassettes and CDrs. It's OK To Be Happy focuses on the trio era - Jon Arcus left the band in 2002 - and starts at the very beginning with 'Satan', the f…
Second limited edition of 30.* Ya Cha Ban is a hill to the north of Lijia Village, a village in South China, where Li Jianhong grew up. On one side of the hill lies a woodland graveyard where the village ancestors are buried, the other hillside, facing the sun, used to be local kids’ secret playground, it also buries Li Jianghong’s own sweet childhood memories. Li Jianhong left the village in 1994 for Hangzhou, the capital city of the province, he would move on to establish a career as a versati…
Super Tip! 3LP Set. The rediscovery of J D Emmanuel by critics and audience in the early 2010s and Emmanuel's comeback to the underground scene were crucial in reweaving the development of electronic music in the early '80s. This deluxe three-LP set casts new light on Emmanuel's first activity of composing and performing electronic music in 1979-'83, collecting experiments never before released on vinyl, some of which are previously unreleased in any form. Certainly seminal minimal works such as…
Fire Music was composed by Reynols in 2002 with fire recordings made at Tigre (Río Capitán) and different locations in Buenos Aires city and around. With some of this material, a CD EP appeared in Japan in 2002 through the Digital Narcis label, however the complete version of this piece remained unreleased for decades. In a recent research the masters of the whole work were found and rescued from the group's archives. So twenty years later, finally the full version of this piece is now ready to …
** Much needed reissue ** Don't let the name mislead you! The enigmatic M. Zalla is one of the numerous aliases of the italian maestro Piero Umiliani who, during his period of fascination for psychedelic and electronic atmospheres, started to compose a good number of musical portraits dedicated, as the title reveals, to the problems of his time. In the early '70s, Italians were worried about the mafia, terrorism, and social conflicts; and one can sense that the music represents these anxieties i…
"Urubamba by the Italian duo The Tropicals is the perfect foil to Nino Nardini’s and Roger Roger’s Jungle Obsession (1971). Both albums are released a few months apart, are made by Italians and Frenchmen, intermix field recordings and sound libraries with cavalcades of drums, flutes and Funk Exotica and simply entrap that European version of epidemical funkiness of the time which can be rightfully ridiculed, but equally enjoyed. The Tropicals are Giancarlo Barigozzi alias Ginazzi, a Jazz saxopho…
Super Tip! Reissue of a traditional French Experimental/Folk rarity. Be ready for a spaced out trip through French medieval times. Ancient instruments, musique concrète, spoken word, old Occitan dialect minstrel songs, drone, from dark ambient and minimal percussive tracks to Middle Ages fuzz delirium. Includes a 4-pages insert with original liner notes by Gérard Le Vot and Thierry Lancino. As stated in the brilliant Dustygroove review: A weird and wonderful little record – one that combines noi…
Founded in Southport in the North West of England in 1979, Bourbonese Qualk operated on the experimental fringes. Their early output merged primitive industrial forays with oblique social commentary, while later albums took in everything from EBM and dub to experimental jazz and gamelan. On their eponymous 1987 album, freshly reissued by Mannequin Records, the group is at the crossroads between these two destinations. Julian Gilbert had left the previous year after the release of The Spike (anot…
So Long Sam (1945-2006) is a two disc compilation by The Residents, containing a live recording and a collection of demos from their 2010 one-off live show of the same name (itself an early version of the one-man show Sam's Enchanted Evening, later performed by lead singer Randy Rose in Berkeley, California in 2011 and 2012). It was released by Austrian label Klanggalerie on September 19th 2022.
Four songs from this performance were previously issued as a four-track EP in June 2010 through the g…
A special delicacy for all you Severed Heads fans: In th 1980s the cassette was a much desired format. They were cheap, inexpensive to buy, easy to duplicate and manageable for less technically skilled people, too. The sound was raw and hissy, encouraging raw and hissy ideas. If you couldn't afford to have a vinyl LP pressed, you could still get heard. It was the most DIY product ever. Terse Tapes was one the first cassette labels in Australia ever, although the label started with two vinyl rele…
Mannequin Records present Atelier du Mal's Noblesse Oblige, originally self-released on cassette in 1984. A brilliant comet of the Italian new wave scene, Atelier du Mal were formed in Florence in 1983 by Lapo Pistelli (synths, electronic drums), Iacopo Ficai Veltroni (bass, synth), and Ignazio Matteini (drum programming, percussions). Recorded in 1984, Noblesse Oblige was the first, and subsequently the only, demo tape by the group, using classic gear like Korg Ms-20, Roland Tr-606, Roland Tr-8…
Early pioneers of the UK industrial music scene, Zahgurim were formed in 1983 by Paul Ackerley and William Vince and were associated with the iconic Temple Ov Psychick Youth. Recorded on October 24th and 25th, 1984, Moral Rearmament was the first and subsequently only vinyl release by the group, and was released on the same year by the legendary Berlin record label Atonal Records. The album was produced and mixed by Paul Ackerley and William Vince with Simon Crabtree and Julian Gilbert (both of …