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This French group started out under the spelling of Maajun and their debut album from 1971 is supposed to be a bit of a classic in a mixture of early underground styles. It's not on CD however. They changed the spelling of the name and a released a couple of albums for Saravah in '73/'74 and then this last album in 1977 (on Gratte Ciel). There's a post-Zappa influence involved and they supposedly "melded Arab, Free, and folk influences, doling out derision through satirical lyrics and music whic…
A virtuoso pianist and composer of seminal works in early electronic and experimental classical music, Jocy de Oliveira’s musical output has had a great influence within Brazil and abroad. Her sole contribution to Brazilian popular music, her 1959-recorded album, ‘A Música Século XX de Jocy’ in many ways stands apart from the rest of her artistic oeuvre. The original vinyl release marketed the record as adding to Brazil’s samba heritage with a ‘simple and original dialectic’, naming its style ‘…
**300 copies** Abstract Forms is a selection of rare as yet unreleased in any physical format Sandro Brugnolini recordings from the late '80s and early '90s. The sixteen electronic tracks were produced for television background use or synchronization and, thanks to their great intensity and suspense, are still perfect to be scored in any number of thriller sequences, connecting smooth jazz memoirs filtered with machines overplayed on videogame sounding backgrounds. The majority of these experime…
This 1971 darkly evocative and eerie music of Third Ear Band fitted perfectly with Roman Polanski’s cinematic vision of the acclaimed Shakespearian drama
Black Truffle present the premier recordings of two recent works by legendary American experimental composer Alvin Lucier. Lucier has been crafting elegant explorations of the behavior of sound in physical space since the 1960s and is perhaps best known for his 1970 piece I Am Sitting In a Room (LCD 1013CD). He has written a remarkable catalog of instrumental works that focus on phenomena produced by the interference between closely tuned pitches, often using pure electronic tones produced by os…
LP version. We Release Jazz present a reissue from Geneva's Boillat Thérace Quintet, the My Greatest Love album, featuring bebop and hard-bop legend Benny Bailey and available for the first time since 1975. Galvanized by the creation of the Montreux Jazz Festival in the late '60s and lively local scenes, jazz music was healthy and booming in Switzerland in the 1970s. One band that beautifully captured this energy was Jean-François Boillat and RaymondThérace's Boillat Thérace Quintet whose self-t…
LP version. We Release Jazz present its sixth release, a reissue of Boillat Thérace Quintet's self-titled album, available for the first time since its original limited private pressing in 1974. Full of prolific and inspired local clusters and boosted by the recently launched Montreux Jazz Festival, the Swiss jazz scene was vibrant and inventive in the 1970s, notably in the region surrounding Lake Geneva. This is precisely where jazz activist and brilliant pianist Jean-François Boillat and wind …
Reissue. Originally released in 1981. "A two-LP set on Theresa, Rejoice features Pharoah Sanders in excellent form in 1981. Sanders sounds much more mellow than he had a decade earlier, often improvising in a style similar to late-'50s John Coltrane, particularly on 'When Lights Are Low,' 'Moments Notice,' and 'Central Park West.' The personnel changes on many of the selections and includes such top players as pianists Joe Bonner and John Hicks, bassist Art Davis, drummers Elvin Jones and Billy …
Room40 present a reissue of Phill Niblock's G2,44+/X2, originally released in 2002. Matte laminate embossed sleeve; includes insert card and 24-page book with liner notes from Bill Meyer, interview, and photos. Design by Traianos Pakioufakis.
Liner notes from Bill Meyer: "In 2001, Phill Niblock wrote, 'You should play the music very loud. If the neighbors don't complain, it's probably not loud enough.' In 2019, Niblock can no longer host his annual six hour-long solstice concert at the Experimen…
For a performance at Yale University in New Haven, Connecticut, in spring of 1966, percussionist Milford Graves invited pianist Don Pullen to play duets. The two musicians had worked together in a band fronted by saxophonist and clarinetist Giusseppi Logan, with whom they had recorded two LPs in 1965 for ESP-Disk'. Graves was already a daunting presence in free music. One step at a time, he was busy transforming the role of drumming in jazz, introducing a new way of dealing with unmetered time a…
Corbett Vs. Dempsey present a reissue of Alexander von Schlippenbach Trio's Three Nails Left, originally released in 1975. One of the all-time great records of improvised music from Europe. Period. Blisteringly hot. Uncompromisingly inventive. Staggeringly beautiful. And insanely rare. Originally issued in the mid '70s on FMP, at its core Three Nails Left features the legendary Schlippenbach Trio -- British saxophonist Evan Parker, and German percussionist Paul Lovens joining the German pianist …
Bureau B present a reissue of Conrad Schnitzler's Con, originally released in 1978. Conrad Schnitzler: In the electric garden by Wolfgang Seidel, May 2020: "... Whilst on shore leave in Düsseldorf, Conrad Schnitzler heard about a professor at the School of Art (Kunstschule) who also accepted students into his class without high school diplomas. Conrad Schnitzler became one of them. The spirit of a fundamental new beginning bonded this generation of artists together, with Karlheinz Stockhausen an…
Black Editions present a reissue of Toho Sara's self-titled album, originally released in 1995. A mystifying work of Japanese avant-garde shamanism, Toho Sara's 1995 debut introduced a radical new sound from Asahito Nanjo (High Rise), Makoto Kawabata (Acid Mothers Temple), and Hisashi Yasuda - playing an array of ancient instruments including tabla, piri, harmonium, biwa, shakujo, and hansho the group evokes an otherworldly ritual music, meditative and haunting. Originally released on CD by P.S.…
Black Editions present a reissue of Kazuo Imai's far and wee, originally released in 2004. Kazuo Imai is one of the few artists to traverse both Japan's early avant-garde and free jazz movements. Though he began performing in the 1970s, his 2004 P.S.F. album far and wee was only the second under his name. In a series of thrilling acoustic guitar improvisations -- Imai's playing crackles with dynamic tension and physicality as well as a subtlety and nuance that reveals him as one of the instrumen…
Black Editions present a reissue of Musica Transonic's self-titled release, originally released in 1995. Musica Transonic was comprised of three of the most crucial artists to emerge from the 1990s Japanese underground: Nanjo Asahito of High Rise, Makoto Kawabata of Acid Mothers Temple and Tatsuya Yoshida of Ruins. The group's music was a supercharged combination of complex rhythms, blistering guitar attacks, and enormously deep bass momentum. Pushing the rock power trio to its miasmic, overdriv…
"Why would we reissue a record that is reputed to be the second worst-selling release in the history of Columbia Records? (Legend has it that it was undersold only by a yoga instructional album.) Well, because in the 47-some years since its release, the Hampton Grease Band's Music To Eat has steadily ascended the list of Greatest Cult Records of All Time so that now it resides at the tippety-top. Indeed, modern-day jam bands genuflect at the sight of the trippy cover art alone (Col. Bruce Hampto…
Funk is the magic word on this record here. Puccio Roelens (1919 – 1985) was an Italian composer, orchestra leader and pianist active from the mid 1940s to the time of his passing in 1985. You can easily place him in the “library music” category with his heavily rhythmical instrumental funk with a jazz / fusion edge. Layers upon layers of different rhythm patterns get shifted here and your body moves at full throttle to the sensual, steaming hot grooves. Signore Roelens moves through a bunch of …
Mort Garson was the master of the moog and a pioneer in electronic music from the late 60s and 70s where he participated in some unforgotten projects such as Lucifer, The Zodiac, Ataraxia and Plantasia. The following review centers on his album “Electronic Hair pieces” from 1969 on which he tickles your senses with instrumental adaptions of the songs from the musical “Hair”. He performs all the tunes on a contemporary moog synthesizer system even with electronic percussion. Since you might recog…
In stock now!! Okay, as the title already suggests, this compilation is made entirely of early 70s library music which was recorded for so called music libraries from whose stores, movie makers and TV producers could license certain titles for their productions. In most cases the compositions were a conglomerate of popular music genres such as funk, psychedelic, rock and soul. I have experienced a few French productions of that kind before, but now it is time for some Italian stuff. I am quite p…
There are synthesizers, there are guitars, bass guitars, real drums and vocals in the first song. Components of rock and pop unite here in this lone 1977 effort and make way for elements of dark slow funk and soul that take you a couple of years back to the early seventies. The garment of swirling synthesizers keep it all together. The atmosphere can be soft and gentle like the touch of a lover’s hand but it can also become more and more mysterious and gloomy generating a feeling of paranoia as …