Reissues
Spree Coast Jazz
This is the first presentation of a lost jazz concert from the Helmut Brandt estate, recorded March 1963 at SFB Sendesaal/ Haus des Rundfunks in West Berlin. That evening the Helmut Brandt Orchestra consisted of eleven soloists from the Berlin radio orchestras of RIAS and SFB, including Benny Bailey, Herb Geller, Nat Peck and Ack van Rooyen. They played a one-off concert of mostly unknown compositions, taped by producer Hans Gertberg for inclusion in the huge archive of NDR Jazz Workshop recor…
Jazz At Auditorium
Today it is well known that Austrian pianist and composer Friedrich Gulda was at home in two different worlds: classical music and jazz. He once mentioned “There are so many great musicians alive, but none of them was able to tear down the border that was created by the music industry, which is the border between classical music and popular music. Jazz is still considered to be something deserving less respect.” Gulda was one of the few who tried to cross that border, working in both realms, wit…
Discussions
Referred to an as 'American Iconoclast' by the New York Times, Roscoe Mitchell is an internationally recognized saxophonist, composer, and founder of the Art Ensemble of Chicago. Discussions Orchestra is derived from several musical improvisations found on Roscoe Mitchell's Conversations with Kikanju Baku and Craig Taborn. The songs have been transcribed and performed by a twenty piece orchestra.
Derek Bailey & Han Bennink
**small repress available** Honest Jon's Records present a reissue of Derek Bailey & Han Bennink, originally released in 1972. The third release in a series of collaborations between Honest Jon's Records and Incus: three double-LPs of the legendary free-improvising guitarist Derek Bailey, solo (HJR 200LP) and in duos with Anthony Braxton (HJR 201LP) and Han Bennink, augmenting the original releases with marvelous, previously unissued music. The tussling vegetables in Mal Dean's cover-sketch some…
Muntzers Stern, Solo II
Jakob Ullmann has made the orchestral work "steine, feuer, sterne" (stones, fire, stars) based on a modular structure, such that individual sections can be played outside of a complete performance, solo or in predetermined combinations; this album presents one section for solo bassoon titled "Muntzers stern" performed by Dafne Vicente-Sandoval.From the liner notes by Hans-Peter Schulz; Translation by Peter Gebert: Solo II is part of a group of works with the title Buch der Stille 1 ('Book of Sil…
London Is The Place For Me 3
2018 repress. Ambrose Campbell was acclaimed by Fela Kuti's generation -- by Fela himself -- as the founder of modern Nigerian music. Several of his recordings lit up London Is the Place for Me 2 (HJR 016LP, 2006), and Volume Three is devoted to his music, drawing on the 78s he cut in London over ten years from 1949. Nearly all the tracks assembled here come from recordings made for the Melodisc label and originally released as 10" 78 rpm singles. People who bought these records at the time can …
More Moondog
Dating back to 1957, The Story Of Moondog followed up the previous year's More Moondog LP, setting its course for adventurous new sounds and homemade percussion meditations.The music is never a slave to any one fixed agenda and much of the material here sounds as if its gathered from some undiscovered culture - it's all-but impossible to compare this with anything else from the era, but when the longer-form pieces arrive they augment the more primal, outsider aesthetics with visceral, jazzy arra…
The Story Of Moondog
Dating back to 1957, The Story Of Moondog followed up the previous year's More Moondog LP, setting its course for adventurous new sounds and homemade percussion meditations.The music is never a slave to any one fixed agenda and much of the material here sounds as if its gathered from some undiscovered culture - it's all-but impossible to compare this with anything else from the era, but when the longer-form pieces arrive they augment the more primal, outsider aesthetics with visceral, jazzy arra…
Genes and Spirits
When pianist and composer Moses Taiwa Molelekwa died in February 2001, fans and fellow musicians alike were swept away by grief. He was so young – not yet 30 – and had shown such musical promise.Genes and Spirits was his second album, released a year before his death. While the composer’s voice and pianist’s touch are instantly recognisable from his debut, Finding One’s Self, the ideas underlying the music mark a conscious step into the unknown: what he called “finding a range of rhythmic altern…
Buy
Another newly reissued album included infamous and influential NWW list. An angular & brilliant mix of free jazz & post-punk funk, this seminal 1979 album is the quintessential No Wave release & the spark for much of what has come out of the Downtown New York music scene. Although James Chances Contortions had already appeared on Brian Enos legendary No New York compilation in 1978, Buy was the groups first full-length LP. An angular and brilliant mix of free jazz and post-punk funk, this semina…
Bload Stations * Syntax Error
Vinilisssimo present a reissue of Polonio's Bload Stations * Syntax Error, originally released in 1987. Eduardo Polonio has been one of the key names of Spanish music since the late 1960s, especially as a pioneer in the field of electroacoustic music. He was a member, with Luis de Pablo and Horacio Vaggione, of Grupo Alea Electrónica Libre (1970-1972), the first Spanish group of live electronic music; and he was one of the main figures of Barcelona's Laboratorio Phonos since 1976. He was also a …
Hardscore
C.P. reproduction of this obscure early 80s affair between the GRM-aligned French Composer Michel Redolfi and venerable Free Sax proponent André Jaume. Featuring easily the worst cover imaginable (hence its appearance in the maligned 199.x serié) this two-part suite is actually a hidden gem of rogue Acoustic-Electronic interplay & tight, blocky Concrète moves, heavily featuring Redolfi's Synclavier interjections.
The A-Side's Jaume-led suite features a quartet w/ Jean-Marc Montera on gui…
Kavafis Songs, Antiphonies
ncredible, unheralded set of music by Νικηφόρος Ρώτας (Nikiforos Rotas), incorporating Electronic & Experimental modes into mid-70s Éntekhno & Sound-Poetry forms.The first record, "Τραγούδια Καβάφη" (Kavafis Songs) sets works by early 20th Century Alexandrian poet Constantine P. Cavafy to music. Much in the vein of "Works of Electronic Music" contributor Thanos Mikroutsikos' experiments formulating a more Avant-Garde strain of Éntekhno from the mid-70s onwards, Rotas' use of non-musical sounds, …
Smog, Musique Electroacoustique
Despite the all-time top-ten C.P. GOAT title "Greek Electronic Music-1" & it's counterpart "Works of Electronic Music", the series has seen precious little Greek Early Electronic Music. Attempts to secure copies of key Nikiforos Rotas, Nikos Mamagakis, & Dragatakis Koutouki sides have been futile for some time, until one of the key C.P. cabal struck gold in the form of this epic double-LP Tape Music suite by Greek Composer Kyriakos Sfetsas, released alongside the two Roland Hollinger LPs on the …
Electronic Etudes (Op 18) Songs For Synthesized Soprano (Op 19)
Issued on the Composer's Private Doria imprint in 1982 & featuring two side-length suites of music; "Electronic Etudes (Op. 18)" & "Songs For Synthesized Soprano (Op. 19)" this debut LP of music by American Composer & Improvising Thereminist Eric Ross was well off of my radar until one of the core C.P. Cabal brought it to light.Featuring a salacious bevy of instrumentation: Buchla 200, Serge Modular, Moog III, Moog 10, Brewer Custom Synthesizer, Theremin, etc. this set transposes & processes aco…
The First See + Hear, Oh See Can You Say
Amazingly well-timed compendium of See/Hear 1 & 2, both released exactly 49 years ago this month (well, going on 50 actually, in September 1968; this one's been in the works for a few months, mainly due to the insanely effort-oriented reproduction of all of the printed ephemera present in the inner pocket of "The First See + Hear" - all recreated here in perfect 5/12 scale in the form of ten separate inserts grouped into four "folios") &, other than Bill Bissett & Th Mandan Massacre's canonic "A…
Noite Que Brincou De Lua
Far Out Recordings present the first official vinyl reissue of Edu Passeto and Gui Tavares's Noite Que Brincou De Lua: a super rare and largely unheard masterwork of MPB, originally released in 1981. Disciples of the Clube da Esquina movement, pioneered by Milton Nascimento and Lô Borges, Edu and Gui mixed psychedelic folk, jazz, bossa, and rock for an album of soulful, dreamy Brazilian pop, with stunning arrangements and lush vocal harmonies. Having first met performing on the music festi…
Primitivo
Second release in Buh's "Sounds Essentials Collection," documenting the history of Experimental Music in Peru. Miguel Flores is, alongside musicians such as Arturo Ruiz del Pozo, Luis David Aguilar or Manongo Mujica, one of the most important representatives of that period that spans from mid 70s to mid 80s, when experimenting musically in Peru united modern composing techniques of avant garde music and the search of the sounds of mother land. Miguel Flores’ Primitivo is as mind-blowing as they …
Composiciones Nativas
Subtitled "Music for Native Peruvian Instruments and Magnetophonic Tape (1978)" this is a wonderful collection of pieces composed between 1976 & 1978 at the Royal College's EMS by Peruvian composer Arturo Ruiz del Pozo. Ranging from extended tape-loop meditations to application of mystical folk instrumentation & enharmonic percussion sonorities, this is an incredibly eye-opening survey of the work of a composer of whose work I was completely unfamiliar prior to this issue.Like many countries in …
Songs of Pat Ament
In 1971, at the age of 25, Pat Ament self-released his debut album, Songs By Pat Ament, in a very limited run for friends and local shops. The album is sparse and moody, conjuring a space not unlike the one that Songs Of Leonard Cohen occupies, featuring Ament on Wurlitzer with a jazz drummer and a guitarist alternating between acoustic and electric. It’s dark and at times forlorn, with meditations on yearning and loss and love. It’s ideal long-night-of-the-soul music. The lyricism evokes …