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**Die cut cover, limited color edition** From their beginnings in 1992, Cologne native Jan St. Werner and Dusseldorfer Andi Toma have consistently challenged electronic music's paradigm in often surprising and always intriguing ways. Idiology is the duo's seventh album and is no exception to this rule, as Mouse on Mars surround themselves with strings, woodwinds, brass and the band's own heavily modified fleet of machines in the St. Martin's Tonstudio. Fans should once again brace themselves for…
Lifeblood of the cultural diaspora of Apartheid, Dyani left South Africa with the Blue Notes in 1964. His amazing discography includes crucial collaborations with Don Cherry, Steve Lacy, Dollar Brand, the Brotherhood Of Breath and Derek Bailey.Here he is performing solo at a jazz festival in Switzerland in 1978, testing the compositions which would comprise his monumental LP African Bass, out two years later. Double bass, gongs, piano and singing. Knockabout, mystical roots — spell-binding and e…
Edition of 300 copies, newly remastered for optimal sound.The meeting of Masahiko Sato with Albert Mangelsdorff in a recording studio was planned in summer ‘71. Sato, Japan’s leading pianist, had recorded with Wolfgang Dauner, Attila Zoller, Jean-Luc Ponty, Gary Peacock and Charles Mingus. He wanted to play on a record with Albert Mangelsdorff and as both were invited for the Berlin Jazz Festival 1971 there was a good opportunity to record them there. This – first released as an original ENJA pr…
1000 pictures and documents from the work and life of Charlemagne Palestine explode from the pages of the book, superimposed in ‘strumming’ layers, weaving the historical & present, works & performance, private & public into a tightly knit sschmmettrroobookk. Texts by Michel Baudson and Xavier Garcia Bardón.In 1974, the Belgian cartoonist Hergé, a great admirer of American avant-garde art, and Karel Geirlandt, the new director of the Centre for Fine Arts, invited Charlemagne Palestine to perform…
For a label that wasn't around long, Strata East achieved the same sort of label recognition that Impulse! or Blue Note managed to build. In other words, you knew what you were getting when you bought a record on the label, even if you didn't know the names on the outside of the cover. "Don't Look Back" is an album led by American saxophonist Harold Vick recorded in 1974 and released in the wake of Harold Vick's recovery from a heart attack, which may partially explain the passion with which he …
2017 release. Most of the musicians who gathered to record this fantastic spiritual jazz record for the Strata-East label on May 24th, 1974 had crossed each other's paths in various musical pairings over the preceding few years. Husband and wife team Dee Dee Bridgewater (vocals) and Cecil Bridgewater (trumpet) had been working together on albums like Frank Foster's "Loud Minority", and Roy Ayers' "Coffy" and "Virgo Red". Ten weeks before the "Freedom Of Speech" session, the couple had been joine…
One of the most unique albums on the Strata East label – and that's saying a heck of a lot, given the creative energies flowing through that legendary jazz outlet! Descendents Of Mike & Phoebe is a righteous little project put together by Spike Lee's father, Bill Lee, and his brothers and sisters (Cliff Lee, Grace Lee Mims, and Consuela Lee Moorhead) – working here in a group named after their slave ancestors, who are paid tribute in a beautifully flowing batch of tunes! Lee's round, warm bass t…
Edition of 500. Swordfish proudly continue its reissue programme of classic vintage Arthur Brown recordings with Kingdom Come. The self-titled second album is the last recording of the original ‘Galactic Zoo Dossier’ line-up and sees the band developing even further the elements of Prog and Psychedelia played on the first album and stretching out into an almost Zappa-esque orbit. It also features two of Arthur’s most poignant recordings in ‘Love is a Spirit that will Never Die’ and ‘The Whirlpoo…
Instant Music is the trio of Bernd Schöll (Bass, Vocals, Rhythm), Mike Hauer (Guitar, Synth, Percussion) and Marion Siekmann (Vocals) from Munich, Germany. They formed in 1980 after meeting through mutual friends attending the local art and graphic design school. The trio were dissatisfied with their surrounding musical environment. Inspired by the Velvet Underground, Kraftwerk, and Giorgio Moroder, they set out to create their own brand of Neue Deutsche Welle fusing Dada, disco and Krautrock.Ov…
Megaphone and Knock Em' Dead present a reissue of Guigou Chenevier and Sophie Jausserand's A l'Abri Des Micro-Climats, originally released on RecRec Music in 1984. Guigou Chenevier was the drummer of Etron Fou Leloublan, a band that was barely like any other. To describe them in words could only take a mind so far to the reality of what they were like -- Eccentric, absurd, whimsical, and distinct are words that come to mind. Every member was a big part of their distinction. Guigou played extreme…
These are the definitive re-releases. Each album is presented as an 80-page hardback book -- the size of a 7-inch, but obviously much thicker. After a special introduction by Jon Savage, Graham Duff provides insight into each track. These texts include recording details, brand-new interviews with band members, and lyrics. The original album is presented on its own CD, accompanied by discs that feature relevant extra tracks: singles; B-sides; demos; and many previously unreleased songs. All audio…
Presented as an 80-page hardback book -- the size of a 7-inch, but obviously much thicker. 1979's 154 represented the final tableau in Wire's Harvest released '70s tripych and was the first Wire album to be released to a universal set of 5 star reviews from the British Rock Weeklies thus it represented the point when the British 'pop culture establishment' publicly recognised Wire's primacy. "154 makes 95 percent of the competition look feeble" wrote Nick Kent in the NME; "Wire are achieving a l…
Presented as an 80-page hardback book -- the size of a 7-inch, but obviously much thicker. If Pink Flag proposed an almost cut and paste approach to deconstructing rock history, the Wire's Chairs Missing proposed something more radical, a definite futurism with much less influence from its antecedents. Chairs Missingwas at once more stark and more lush than its predecessor and has exerted its own influence on the course of cultural history, having laid down one of the earliest (if not the earlie…
This year has been an incredible period for avant-garde, Minimalist, New Age, ambient, and electronic reissues. One after another, many of the most coveted and rare LPs from these movements have emerged from the shadows. While each of these movements had a tendency to avoid easy categorization, the reissue market has largely veered toward those whose location can be easily understood, offering less attention to those members whose work fell into the spaces between. With their fourth release sinc…
Small repress available, in process of stocking. Includes a facsimile of the original lyric sheet, liner notes, a letterpresses bookmark and an instant download.Buchla synth supremo Todd Barton’s hyperstitious soundtrack to Always Coming Home, an ‘80s American sci-fi novel by author Ursula K. Le Guin, is yet another ingenious recording dug out for reappraisal by Pete Swanson and Jed Middleman’s Freedom to Spend label - a division of RVNG Intl. Expect alien folk songs in made-up language, set to …
2018 small repress. Ideologic Organ present Unfold, brand-new recordings from The Necks, the legendary Australian trio who excel in bypassing musical cliche whilst exploring and extending the practices embedded within improvisation, jazz, post rock, ambient, minimal, and textural, "sound based" music. The latest document from this long-running ensemble presents itself as a double LP, with four side-length tracks. A deliberate absence of numbered sides hands a substantial swatch of participation …
CD version. Unreleased archival recordings as performed by dhrupad master Zia Mohiuddin Dagar. Around ten years ago, deep into a cozy and hazy night following a concert with my sound brothers Daniel O'Sullivan and Kristoffer Rygg in London (as Æthenor), they graciously introduced me to a recording of rudra veena (a kind of noble deeper bass relative to the sitar, in a way) as performed by dhrupad master Zia Mohiuddin Dagar. Dhrupad, for those who do not know, is a branch of Hindustani classical …
CD version. Unreleased archival recordings as performed by dhrupad master Zia Mohiuddin Dagar. Around ten years ago, deep into a cozy and hazy night following a concert with my sound brothers Daniel O'Sullivan and Kristoffer Rygg in London (as Æthenor), they graciously introduced me to a recording of rudra veena (a kind of noble deeper bass relative to the sitar, in a way) as performed by dhrupad master Zia Mohiuddin Dagar. Dhrupad, for those who do not know, is a branch of Hindustani classical …
Restocked, reduced price Signed and numbered box, limited to 80 copies. Comes with inserts and and a photo of exhibition in 1974. “Number of Sheep Who Jumped over the Fence” by Fumio Takamizawa was originally presented in 1974. Throughout the history of Japanese art, there has been artists that filled museums, galleries, studios and other public spaces with all sorts of sounds. In most cases, however, once the sound faded, it couldn't be heard again. Within Japanese art history, which has been …
Edition of 50 copies, Special Edition, Carboard box with 17 sheets Graphic Scores. This edition is published on the occasion of Alan Courtis’s exhibition, “Graphic Scores” on March 2-10, 2018.