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Following the breathtaking Airs, another gem from Loren MazzaCane Connors "story of shadowed miniatures; flickering electronic guitar poems,” the 14-track album was originally burned to CD-R in an edition of 100, but is now being remastered from the original tapes, with Loren’s recent artwork included as a 6”x9” insert reaches vinyl on Sean McCann’s Recital imprint. Lullabies renders Connors at his most sublime, wistfully sanguine, swaddled in tape distortion and gentle reverbs with a barely the…
The mid 70s presented mature, fertile grounding for maestro Piero Uimiliani’s Sound Workshop Studio, exploring side ways explorations in to gravitational soundscapes and beyond.... Released in 1975 via his prolific Omicron imprint, Genti e Paesi Del Mondo (‘Peoples and Countries of the World’) is a return to the ethnic flavours so beloved of Umiliani’s zeitgeist.
Umiliani turns anti-clockwise launching a left field mental audio pad to uncharted territories. On Genti e Paesi Del Mondo spa…
Maestro Piero Umiliani returns in the alter ego guise of M. Zalla for the 1974 compositional library piece Mondo Inquieto (‘Restless World’) via his far reaching, experimentalist imprint Sound Work Shop. Ambient tensions are represented via a dramatic cross fertilisation of orchestral strings, layered synths and primeval percussion with the Maestro on moody, reflective compositional duties. Stand out cut Strategia (‘Strategy’) harnesses the dopest Wu Tang Beats alongside swathes of high end …
The comparable Piero Umiliani (under his mysterious Moggi moniker) weighs in with another AWOL library gem of 1979. Maestro goes resolutely left field and off track with an intra-personal exploration of the disturbed inner psyche within the human condition. Distressed electro beacons are unleashed as de-tuned predatory Carpenter-esque synth patterns come to the fore (check Clavinet Suspence for primal audio blastings to a lost unnamed 80’s slasher movie).
With the electric eighties buzzing on …
** 2016 restock ** A masterpiece, tiny edition of 200 copies only. Following on from his astonishing "Miseri Lares" on Pan, here we have an uncompromising, poetic and unexpected culmination of Valerio Tricoli tireless experimentation over the past few years. Valerio Tricoli is one of the first name that springs to mind when the talk turns to current analogue synth, reel-to-reel tape fetishism and electronics. And somehow he led the way in transforming the nowadays experiments in sound manipulati…
Harry Bertoia's Complete Sonambient Collection features all 11 of Bertoia's original records newly restored from their master tapes and housed in replica jackets. A heavy duty box, printed with metallic inks, holds the 11 discs as well as a 100-page book containing a lengthy historical essay, an interview with Harry Bertoia from the Smithsonian Archives of American Art, exclusive Sonambient-era material from the Bertoia archive, modern and archival photos of the Bertoia barn, and reflections on …
After decades of languishing in the cryptic haze of shabby bootlegs, the soundtrack to Roger Watkins’ sleazy horror magnum opus ‘Last House on Dead End Street’ (1977) is finally achieving the grand debut it deserves. Comprised entirely of tracks from the legendary KPM Music Library, the soundtrack is a unique blend of haunting experimental terror electronics – the pure atmospheric embodiment of the film’s oppressive ominous vibe. Since none of the music is credited in the film, it has taken year…
Recorded at NHK-604-Studio on Nov & Dec 1991 Musicians: Akira Sakata,Tamai Toyooka,Asuka Kaneko, Kyoko Kuroda,Hiroshi Yoshino,Yu Fujii Kiyohiko Semba,Atuy,Fusae Doi, Mishio Ogawa,Shigeri Kitsu,Norihiko Yamanuki.
Some of the most mysterious and meditative pieces by the legendary John Cage’s (1912-1992) performed by The Barton Workshop, an Amsterdam-based ensemble founded by the legendary American composer-trombonist James Fulkerson. Number Pieces, fortyeight in all, belong to the final six years of his life. They are so called because their titles, plus the actual construction of each composition, are based on numbers. They were created with the aid of software designed by Andrew Culver who had worked w…
BE! JAZZ is happy to come up with a limited edition (500 copies) of a true “holy” modern/free jazz gems of the late 1960s. The original double LP was issued by Meno Liechtenstein’s CB Records – he was also the organizer of the “International Holy Hill Jazz Meeting” in Heidelberg/Germany. The sound quality on the original album was not really bad – but it certainly was not really good as well. We spent a lot of work on a proper restoration of the live tapes. The result is truly amazing – after al…
Landmark work from the Finnish scene of the 60s – one of those ultra-rare European jazz records that collectors have dug for decades! The set's got a stark, modern sort of feel – but also a nice soulful swing, too – a balance that few of the other Scandinavians hit so well at the time – as they were either hanging between farther-out progressions, or more inside, tightly arranged jazz! Drummer Christian Schwindt's vision here is exceptional – full of rich feeling, deep tone, and careful…
Considered to be one of Australia’s most iconic modern recordings, Eastern Horizons is the result of several jazz workshop sessions recorded in the mid 1960s Sydney. A pioneering exploration of eastern influenced modern jazz that represents one of earliest prototypes of the genre, arguably predating other more widely acknowledged international eastern influenced and indo jazz recordings of the late 60s and early 70s. Following in the footsteps of early 60s Coltrane and the exotic jazz of Yusef L…
Outstanding!!! A huge document of this incredible year in jazz in Germany – a time when free styles were breaking out all over, alongside some of the groovier styles of the MPS scene as well! This beautiful box documents the 12th German Jazz Festival in three different concerts – amazing music that really shows the transformation that was taking place at the time – and which is still revolutionary all these many years later – making for a listening experience that makes us feel like we're hearin…
Recorded live at the cave at Balve, West Germany, July 27/28, 1974 and May 31/June 1, 1975. Box Set with 11 CDs featuring the best of the New Jazz Scene from Europe and the USA in 1974/75. 32-page booklet with concert pictures, posters, flyers and newspaper clippings (in German and English). Includes complete performances and improvisations by Peter Brötzmann, Jasper van’t Hof, John Surman (with the legendary Trio Surman-Osborne-Skidmore) Misha Mengelberg, Han Bennink and many more!
RECORDED li…
**CD version** Piero Umiliani’s rich and diverse discography got us used to bold experimentalism, to excursions into popular music as into avantgarde. Nonetheless, while “The Folk Group” makes no surprise, it still represents a peculiar work within Umiliani’s seemingly endless career. Originally published under the name of M. Zalla, an alias he especially used for those albums that were difficult to classify – and among which we must mention the extraordinary “Mondo Inquieto” and “Problemi d’ogg…
**CD version** “Questo sporco mondo meraviglioso” is one of the numerous collaborations between the director Luigi Scattini and Piero Umiliani, and one of the most interesting and varied soundtracks within the composer’s repertoire. Produced in collaboration with Piero Loy, the picture falls into the Mondo Movies genre, documentaries dedicated to controversial and shocking topics (without aspiring to be journalistic or adhering to scientific evidence). In this case, Scattini’s direction focuses …
“La ragazza dalla pelle di luna” is the first chapter of Piero Scattini’s acclaimed movie trilogy,completed by “La ragazza fuoristrada” (1973) and “Il corpo” (1974), whose soundtracks were all entrusted into Piero Umiliani’s expert hands. With a title taking inspiration from the fame of Seychelles’ indigenous beauties (a myth later dismissed by Scattini himself) the film found its protagonist thanks to a casual encounter between the director and the beautiful model Zeudi Araya, the first element…
Everything But the Girl band member Ben Watt was strongly influenced in his first steps by mentor Robert Wyatt. This LP starts with Summer Into Winter, the legendary 1982 EP written and performed together by the duo of Watt and Wyatt, and continues with the English folk milestone North Marine Drive, originally released in 1983. Including a rare gem cover of Dylan's "You're Gonna Make Me Lonesome When You Go," this album is a must for all fans of Nick Drake. Pressed on virgin white vinyl; limited…
First with his band The Bunnys and later with The Blue Jeans, guitarist Takeshi "Terry" Terauchi covered many popular genres in the '60s and '70s, from garage, frat rock, and surf guitar instrumentals to sentimental ballads via his own inimitable take on the popular classics. Japan's premier guitar hero, her remains little known in the US. His style could be described as neo-surf, blending traditional surf sounds with fuzz guitar, acid organ, and impetuous drums. In 1972 the instrumental album R…
Repressed. Les Rallizes Dénudés are one of the earliest and most revolutionary Japanese psychedelic rock bands, and existed off and on through four decades. The band formed in November of 1967 at Kyoto University, inspired by Exploding Plastic Inevitable-era Velvet Underground as well as the over-amplified rock of Blue Cheer and Mario Schifano's avant-garde ensemble Le Stelle. By 1968 they were gigging live and even began a regular collaboration with an avant-garde theater troupe, which ended th…