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Recollection GRM, a label within the Editions Mego family of labels, offers a third selection from the vast archives of Groupe De Recherches Musicales (GRM). The main idea behind the Traces series is to excavate short, forgotten or ignored pieces of music from the GRM Archives. This third volume, gathering pieces from before 1980, features the works of four composers from very different geographical and musical backgrounds. In addition to echoing the extraordinary vitality of musical experim…
"Latest excursion/exploration into the genius of the late great Angus Maclise that will throw you back into that insomnia haze you truly enjoyed, if you’re old enough. Stripped back focus on the artist and his compositions, some of which are the last things he ever recorded. In the 70s, Angus’s interest in tape music, noise, and the extreme gradualisms of music had reached its apex, and these pieces were born. Nowhere else will you hear Angus shredding apart the circuits of an arp synthesizer, o…
Published and sold on an audiocassette by Ulises Carrìon (recently rediscovered thanks to an important Alga Marghen retrospective LP) , who in 1975 "created" the legendary Amsterdam bookshop-gallery "Other Books & So," the first space dedicated exclusively to artists' publications such as artists' records, books, magazines, postcards, etc.. only 12 cassettes were actually sold. Reissue of a cassette from 1978, a collection of sound poems and concrete poetry by G.J. de Rook, Michael Gibbs, Greta …
**CD edition** Awesome library, remastered from the original master tapes with superior sound quality, replica of the original RCA LP (with bonus CD) in a limited edition of 500 copies. Sweet keyboards galore‚ a wonderful sound library set from the Italian scene of the '70s‚ filled with Fender Rhodes throughout! The tunes are a mix of funky and mellower numbers, but all sport these really great keyboard lines up top‚ always rhythmic, even when moving slow‚ and with this sexy sparkle that's right…
An incredible energy took over Brussels at the onset of the Eighties. It is a strange and rare feeling when you tell yourself that something is happening. And it always happens through an accumulation of very small facts. Then, suddenly, it is there. This collection basically attempts to capture this emerging will. But before that, there was punk rock. In Brussels, it was a handful of venues, improvised concerts, a few dozens of people recognizing each other, and a festival that gathers everyone…
LP version. Cafe OTO\'s tenth Otoroku release sees a return to the group that kick-started the label -- the veteran German reedsman and free-jazz pioneer Peter Brötzmann with the long-running London bass/drums partnership of John Edwards and Steve Noble. After the release of The Worse The Better, that group went on to play a series of devastating shows in Europe and to emerge as one of Brötzmann\'s finest working groups. Over the same period, Peter was developing a deep rapport with Jason A…
Mindblowing!!!!!! Even Clean Hands Damage the Work is the new LP from UK-based artist John Chantler. Following on from The Luminous Ground, his critically-acclaimed album from 2011, Even Clean Hands Damage the Work sees Chantler delve ever deeper into the inner zones of audible electricity. Like its predecessor, this is an album generous in texture and dimension, but moreover it is a record of incendiary dynamic force; shifting and arcing with a relentless ferocity. Recorded across a range o…
An amazing re-issue of three extremely rare and highly sought-after CDRs only made available during exhibitions curated by Ursula Block's Gelbe MUSIK shop & gallery in Berlin, Germany: Akio Suzuki: '75.6.30. Akio Suzuki: Suzuki-Type Glass Harmonica "De Koolmees". Akio Suzuki: Tanabata. Because it has since been discovered that one of the discs was given a title based on a mistaken performance date ('75.6.30) and another was copied from an incorrect audio master (Tanabata) in addition to th…
Last copies! Awesome double LP compiling Richard Maxfield early electronic pieces, ultra limited edition of just 185 copies. Writing in his book Ocean of Sound some years ago, David Toop observed: "If Richard Maxfield had not committed suicide in 1969, and if his electronic music pieces were not so difficult to find or to hear, then our idea of how music has changed and opened out during the past thirty-five years might be very different." Toop penned those remarks back in 1994; and, even at thi…
Produced in the twilight of the '80s in London and originally released on white-label LP with homemade rubber stamp impression, Witch is the mysterious and powerful debut from poet, artist, and musician Leslie Winer. It's an infectious patchwork of dub beats, tasteful samples and Winer's sultry blend of spoken word with cool, folksy lullabies that later became popularized by acts such as massive attack and tricky. Even though Witch predates those artists' breakthroughs by a year or more, Winer q…
**Green Vinyl** The group's fourth album, from 1972, originally issued by United Artists. "The follow-up to Tago Mago is only lesser in terms of being shorter; otherwise the Can collective delivers its expected musical recombination act with the usual power and ability. Liebezeit, at once minimalist and utterly funky, provides another base of key beat action for everyone to go off on -- from the buried, lengthy solos by Karoli on 'Pinch' to the rhythm box/keyboard action on 'Spoon'. Liebezeit an…
Are we there yet? After 25 years of critical reappraisal and at least 15 years of indie and post-rock bands flaunting their influence, has Can finally gotten their just desserts? I don't think so. Not just yet. Can still seem just a little bit ahead of the curve. They really were "post-rock," as opposed to just futuristic. Can's music anticipated both the musical trend toward decontextualization via electronics, post-production, and editing, and the cultural trend toward collective experience an…
Soundtracks is a compilation album, first released in 1970, consisting of tracks written for film. The album marks the departure of the band's original vocalist Malcolm Mooney, who sings on two tracks, to be replaced by new member Damo Suzuki. "She Brings the Rain", originally appearing in the 1969 film Bottom – Ein großer, graublauer Vogel by Thomas Schamoni, was later featured in Wim Wenders' 1994 film Lisbon Story, the 2000 Oskar Roehler film Die Unberührbare and Tran Anh Hung's film Norwegia…
Sub Rosa presents another release as a part of their early electronic series. Drone-based experiments from Angus MacLise (notably with Tony Conrad extremely present on the album, and John Cale), and purely electronic compositions -- a path (almost) nobody knew MacLise had explored. Miraculously salvaged by Gerard Malanga, these archives provided a new perspective on the artist's whole body of work and considerably expanded his artistic palette. And so Sub Rosa is able to present a whole recor…
Black vinyl edition You couldn't do much better than beginning with 1971's Tago Mago, freshly reissued in vinyl format. It's a colossus of an album, the product of a band that was thinking huge, pushing itself to its limits, and devoted to breaking open its own understanding of what rock music could be. The core of Can was four German musicians from wildly different backgrounds-- when they initially came together in 1968, two of them had studied with composer Karlheinz Stockhausen, one had play…
*Expanded gatefold reissue of Loop's head-burning 2nd album* The band's 1989 LP was their second album proper, following on from their 1987 debut Heaven's End and The World In Your Eyes compilation released in 1988. By this point the band's line-up was all-but unrecognisable from its original roster, with both bassist Glen Ray and drummer Bex having been replaced, and yet the music policy remained very much on course for Fade Out. A variety of studio tricks heighten the sense of experimentation …
The involvement in the improbable challenge of a collaboration with another musical entity takes on its full meaning when the two characters have radically different personalities ! In 2001, the merger of Brume with the American project Bastard Noise could have seem surreal ! One works in the field of Musique concrete, and the others in what we can call Power electronics, making their own sound generators (DIY). The first album of this association materialised with a very successful CD! 2012… po…
**200 numbered copies on purple vinyl** Quality reissue of a private LP, issued in edition of 300 copies in 1982; a skeletal extremist project that will then transform into the \'soundtrack\' of a movie with the same title, edited and directed by Paul Hurst. It\'s the setting of the griable pre-apocalyptic fossilization, the supreme lapidation of the meanness which creates the myth. There are actual melodies present -- dense and dark that mutate into harsh electronic outbursts.
\"In order to cre…
The first ever career-spanning collection of the music of legendary electronic mystic, Laraaji. Featuring rare early tape works, plus collaborations with Brian Eno, Bill Laswell and Blues Control, this triple vinyl edition houses each LP in its own printed inner bag and is presented in a specially made kraft board printed sleeve. 'Celestial Music' is a long overdue career retrospective documenting the highlights from over 30 years of spiritual music by Edward Larry Gordon aka Laraaji. Like many …