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Black Rhythm Revolution! Is the first solo album from the jazz-funk legend Idris Muhammad, a New Orleans-bred rhythm king who successfully made the leap from the finest soulful jazz records of the ’60s to the nastiest fusion funk of the ’70s. Here we catch him literally on the cusp of the two in 1970, with one good foot in the get-down of “Express Yourself” and “Super Bad,” and the other in his own heady excursions into modal rhythm and melody, accompanied by virtuosos Kenny Barron, Ron Carter, …
American Vibraphonist Dave Pike may not be as well-known as contemporaries Gary Burton and Bobby Hutcherson, but recordings with Bill Evans, Herbie Mann, and Paul Bley evince Pike’s pedigree. His MPS albums from 1969 through the early 70s have become minor classics.
Underpinned by funk and fusion, Infra-Red ventures into country rock on Suspicious Child and trips through fractured iridescent landscapes on Attack of the Green Misers. Raga Jeeva Swara is a rock meditation and Send Me the Yellow Gu…
‘Anima Latina', Lucio Battisti's ninth studio album. It is considered one of the most beautiful and important records in the history of Italian music.
The album was conceived after a trip to Latin America and marks a clear break from previous production.
Released in 1971, it is Lucio Battisti's first album composed entirely of unreleased tracks. The record is a concept album that explores the concept of love seen from multiple angles. Among the musicians who participated in the recordings are members of the future Premiata Forneria Marconi.
Audio remastered at 24Bit/192kHz from the original tapes. White vinyl mix red 180 gr.
Original soundtrack for the Nippon Television drama "Matsuribayashi ga Kikoeru" starring Kenichi Hagiwara (Shoken) aired in 1977. The album features two theme songs, "Dream Racer" and "Stranger", arranged in various arrangements.
Written and arranged by Katsuo Ohno, who has worked with The Spiders, PYG, Takayuki Inoue Band, and has provided music for "Taiyo ni Hoero!", "Kizudarake no Tenshi", and the popular anime "Meitantei Conan" which began in 1996. The music is performed by George Yanagi an…
The long-awaited analog reissue of 'Jataka,' a pioneering 1978 album by synthesizer virtuoso Osamu Shoji (also known as Osamu Tokairin), is finally here! Jataka stands as an ambient to experimental synthesizer masterpiece from the late 70s, showcasing Osamu Shoji's prowess as a composer, arranger, and synthesizer player. The album features a total of 8 tracks, with highlights including "Pyramid Yon," where cosmic synth elements shine.
The anticipation for this reissue is palpable, as the album h…
This is the first ‘lost’ album Jazz In Britain has discovered. We’ve released albums that were only previously released on vinyl, or even cassette tape, ie never on CD, or albums produced from sessions by groups that never made a record, or we’ve included unreleased tracks that never made it only albums… but this is a real first for us. In 1979 Tony Coe and Bob Cornford composed pieces for an unusual, and unrepeated, combination of a six-piece jazz ensemble (two reeds, bass trombone, piano, perc…
2025 Repress. Meitei (冥丁) is a Japanese artist from Hiroshima, who started out as a freelance composer, making various kinds of music across genres. Having done it for eight years, his goal was to eventually release his own original music as an artist. Living in Kyoto for the past two years has deeply influenced his current sound, which is a focus on musically crafting a “Japanese mood” called Meitei (冥丁 (thus, his name). Rich in history, Meitei wanted to borrow this lost “Japanese mood” and inc…
Matte laminate and embossed sleeve, with insert card and fold out poster + vinyl sticker (20cm long). Recorded in 1996, Merzbow's The Prosperity Of Vice, The Misfortune Of Virtue is one of a series of unique editions from his vast catalogue that reveals a side of his practice often under represented. During the late 1980s and into the 1990s, Masami Akita was sometimes working on film and theatre music. In this space he created a series of recordings that capture the full scope of his sound world…
After Chick Corea’s Piano Improvisations, and Keith Jarrett’s Facing You, Paul Bley’s Open, To Love was the third fabulous chapter in ECM’s quietly revolutionary solo piano manifesto, whose impact endures and continues to influence improvisers today. In the liner notes to this Luminessence vinyl edition, Bley biographer Greg Buium writes, “After more than fifty years, Open, To Love remains an imperishable gem, lodged forever in the present tense, and among the great masterpieces in ECM’s vast c…
“Graced with a moody cover uncharacteristic of its time, with the band largely hidden in shadows, the album is a nice time capsule of the 60s dream turning perhaps a bit darker…” – Plastic Crimewave
*2025 stock. LP-Style Miniature Sleeve CD reissue with OBI strip.* Lighthouse, though not a typical late-60s rock band, captured the era's free-spirited and complex ethos. Founded by Skip Prokop, who envisioned blending jazz horns, strings, and rock, the band quickly gained traction. Skip, previously with The Paupers, teamed up with Paul Hoffert and guitarist Ralph Cole to form Lighthouse.
Their 1969 debut, recorded after a surprise MGM signing, set the stage for a whirlwind career. Despite earl…
*2025 stock. LP-Style Miniature Sleeve CD reissue with OBI strip* The thirteen piece rock 'n' roll band Lighthouse was formed in 1968 by jazz composer Paul Hoffert and rock drummer Skip Prokop. Their fusion of rock, jazz and classical influences made them quite popular in Canada. Lighthouse's second album Suite Feeling, released in 1969, has a version of The Band's "Chest Fever" as the opening track. Not the world's greatest version - the group's four string players do the Garth intro (think ELO…
Beggars Arkive have announced the release of Seefeel - Quique (Redux), a remaster and first ever vinyl pressing of the redux edition of the groundbreaking 1993 album, originally released on Too Pure. Seefeel's Quique emerged in 1993 on the Too Pure label, blending elements of shoegaze, ambient, and electronic music into an innovative and genre-defying sound. The record’s complex textures, pulsating rhythms, and ethereal melodies create an immersive listening experience, with tracks like “Climact…
Four pieces by Estonian composer Arvo Pärt, a pioneer of “holy minimalism.” The album centers around a never-before-released rendition of “Silentium,” the second movement of Pärt’s most famous concerto, Tabula Rasa, performed by Boston-based chamber orchestra A Far Cry. The group plays “Silentium” at nearly half the speed of the best-known version, released on ECM in 1984. The piece, known for its healing properties for the dying and often used in palliative care facilities (one patient famously…
In 1977, for Brian Eno’s Obscure Records, I made a version of Irma. These notes arise from that experience and explore how the piece can be performed. Irma is an unusual score—printed on a single 50cm x 50cm sheet. Its notation consists of verbal fragments from Tom Phillips' A Humument, referencing “libretto,” “decor and mise-en-scène,” or “sounds.” These categories are arranged separately, with stave notation at the bottom. At first glance, it appears indeterminate—requiring preparation before …
The Machines, created between 1967-1972, mark a shift from the traditional narrative style of Gavin Bryars other works. »I define a machine as a structured process that governs musical actions within a specific sound world, shaping how listeners perceive it. For example, Welsh Rarebit is a Machine that manipulates how bread and cheese are heard.« »Autumn Countdown Machine« features six pairs of bass melody instruments, conducted by percussionists who adjust a bell-metronome's timing, creating in…
*2025 stock* The first release in 24 year from Korea's foremost artist in jazz-tinged experimental / ambient music, Kim Byoung Duk!’
Kim Byong-duk is a Korean experimental / ambient musician who has paved his own artistic path by drawing on various musical styles as well as his roots in jazz and modern music. The 2018 anthology, "Experiment No. X", reaffirmed Kim’s status as one of the most progressive and unique musicians in Korea’s experimental music scene. After 24 since his 4th album "New T…