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Brazilian avant-jazz vanguardists Grupo Um celebrate their 50th anniversary, sharing a second previously lost 1970s album from the vaults. Nineteen Seventy Seven (titled after the year it was recorded) is another rip-roaring instrumental fusion treasure from the band which spawned from within Hermeto Pascoal’s famed mid-1970s São Paulo collective.
Like their debut album Starting Point, Grupo Um’s Nineteen Seventy Seven was recorded when Brazil's military dictatorship was at its most repressive. …
Bayeté Umbra Zindiko’s Seeking Other Beauty is a visionary statement from keyboardist and composer Bayeté, also known as Todd Cochran, newly available in a definitive all‑analog reissue that brings its futuristic spiritual jazz into sharp contemporary focus.
Recorded in 1973 for Prestige, Seeking Other Beauty channels the electricity of early‑70s Miles Davis while drawing on the cosmic funk of Parliament‑Funkadelic and the astral explorations of Lonnie Liston Smith—only with a fuzzed‑out clavine…
The Awakening’s debut album Hear, Sense and Feel is a landmark spiritual jazz statement that captures the restless, creative energy of early‑1970s Chicago and the vanguard of the Black Jazz Records catalog. Recorded in 1972 at Streeterville Studios and newly available again after years as a coveted collector’s item, the album finds the group balancing deep groove, free improvisation, and Afrocentric consciousness in a way that feels timeless and urgently contemporary.
Hear, Sense and Feel was t…
The only 'group' on the Black Jazz roster, The Awakening today should be heralded as one of the great bands in early '70s jazz. That they're not is the result of the Black Jazz label's distribution woes; witness the fact that original copies of both of their records for the imprint command prices in the hundreds of dollars if you can find them at all. Mirage is their second (1973) album, the last one they made together; it boasts the same Chicago-based, AACM-centric line-up as the first, with th…
Discover the essence of Brazilian music with the LP "Jards Macalé" by the renowned artist Jards Macalé. Released by Polysom, this vinyl record is a true treasure for music lovers. Recorded in Brazil, the album captures the innovation and creativity that Jards Macalé brings to his compositions, offering a unique listening experience. Perfect for collectors and vinyl enthusiasts, this LP is an indispensable piece for those who wish to explore the rich musical diversity of Brazil.
Ten years after Marcos Valle’s debut long player (Samba Demais) introduced Brazilian music lovers to the immense talents of the Valle brothers, a new direction and backing band helped the singer expand his musical palette. Showcasing a groovy funk and jazz-fusion influence with help from then current backing band Azimuth (later known as Azymuth), synthesizers, Fender Rhodes, and electronic sounds took Valle’s samba, bossa nova, baião (a rhythmic beat from the rural northeast of Brazil), along wi…
Pedro Santo's psychedelic soul masterpiece is one of the most in-demand Brazilian records. Santos was a percussion virtuoso driven by the spiritual realm, and this record features a unique blend of rhythm and lyrics that touch on morality, perception and existence. Unlike many rare records, it also has strikingly beautiful artwork. Unsurprisingly, Krishnanda has a strong following among diggers like Gilles Peterson and DJ Nuts.
At that time, the musician was studying philosophy and theology, particularly the works of Thomas Aquinas, which are referenced in several tracks. Among these are the absolute classic “Os Alquimistas Estão Chegando os Alquimistas,” “Hermes Trimegisto e sua Celeste Tábua de Esmeralda,” and “Errare Humanum Est.” Always preaching happiness and peace of mind in his lyrics and irresistible grooves, the artist brings his soulful singing and playful swing to other gems of the album, such as “O Homem da…
A landmark recording that is one of Jorge Ben's best albums ever! The album is a perfect realization of the way that Jorge mixes Brazilian rhythms with choppy Afro grooves - and the result is a masterpiece that yeilded some of his biggest tracks ever.
Father of Brazilian soul music, Tim Maia needs no introduction, as he is one of the greatest artists in Brazilian music. From his debut album, self-titled and released in 1970, it was clear he was destined to become a legend. Considered one of the 100 best albums in the national discography, the record returns to shelves just like the original, as part of the “Classics on Vinyl” collection from Polysom, licensed by Universal.
Fifty-five years ago, Tim Maia released his second album, self-titled. As impactful as his debut album, “Tim Maia” (1970), this was the continuation of one of the brightest careers in national music. Considered one of the 100 best albums in the national discography by Rolling Stone magazine, the album returns to shelves this year on 180-gram vinyl as part of the “Classics on Vinyl” collection from Polysom, licensed by Universal.
Vesuvius was a 1970's musical group with Northwest Indiana roots. The band incorporated elements of prog/rock and psychedelia, combining the theatrics of Gabriel era Genesis and the psychedelic lighting effects of Hawkwind but on a bargain budget. First time on vinyl! do not miss this psych-prog gem!
Originally released in 1970 on the short-lived Truth Records label, Bandolero by Bandolero emerges once again as one of the most unbridled and mysterious artifacts of Puerto Rico’s underground rock scene. Long out of circulation and shrouded in legend, the album is finally making a triumphant return—restored and ready to ignite a new generation of listeners.
Across eleven original tracks, Bandolero fuses searing fuzz guitars, swirling organ lines, and a propulsive Latin rhythmic core to create…
Originally released in the early 1970s, Investigation No. 1 by Carl Sherlock Holmes Investigation stands as an obscure but compelling chapter in the story of experimental jazz-funk. Blending the spiritual depth of jazz with the rhythmic pulse of funk and a distinctly Afrocentric consciousness, the album reflects a transformative period when musicians used groove and improvisation as tools for both artistic discovery and social expression.
Musically, Investigation No. 1 sits at the crossroads o…
On John Zorn’s Olympiad Vol. 4 – Curling, John Zorn exhumes one of his rarest 1970s game pieces, a slow‑burn study in sustained tones, handing it to ROVA Saxophone Quartet and the William Winant Percussion Group, who turn its minimalist rules into 45 minutes of hovering, hypnotic sound.
On John Zorn’s Bagatelles Vol. 6, John Zorn hands a fresh batch of his angular miniatures to the Brian Marsella Trio, who render them as a volatile, deeply melodic piano‑trio songbook where Monkish heads, free detonations and elusive “exotic” moods feel entirely at home.
On John Zorn’s Bagatelles Vol. 5, John Zorn hands eight spiky miniatures to the Kris Davis Quartet, who turn his angular “weirdo tunes” into a fierce, lyrical piano‑guitar quartet set where structure, swing and free combustion constantly collide.
On Exotica, Sun Ra is recast as an unlikely lounge visionary, folding the lush fantasy worlds of Les Baxter and Hollywood mood music into raw, off‑kilter Saturn tapes that turn easy listening into uneasy, Afrofuturist escape.
First issued in 1971 on BYG Records’ Actuel series, Black Suite stands as a defining statement of diasporic jazz and political consciousness. Recorded in Paris in 1969, the album brings together a transatlantic ensemble led by Jacques Coursil, uniting figures from the American avant-garde and postcolonial Europe, including Anthony Braxton, Arthur Jones, Burton Greene, Beb Guérin and Claude Delcloo.
Structured around two extended, meditative movements, Black Suite reframes jazz as a philosophical…