We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Reissues

Live independence
Another previously unreleased archive release from Takayanagi, the premier Japanese free-guitar stylist. Recorded live in 1970, waves of trademark feedback abound, but also some more serene segments with flute, freedom atmospherics, etc. Not as overwhelmingly brain-bombing as his previous release on the label (PSF 41), but definitely another important piece in the crucial documentation of Takayanagi's career.
Call in the question
Takayanagi is the premier free-guitarist legend in the Japanese underground story. This CD features unreleased material by the master, from 1970. The sound is heavy improv, with Takayangi's explosive feedback wail in prominent display. As fine an introduction to his music as you could hope for (most of his albums from the '60s & '70s are impossible to track down)
Eclipse
Originally released in 1975 as an LP on Iskra Records (ISKRA-001). 'First session 1: Gradually Projection'. 'First session 2: Gradually Projection'. 'Second session: Mass Projection'. New Direction Unit are Masayuki Takayanagi: electric guitar. Kenji Mori: alto saxophone, flute, recorder. Nobuyoshi Ino: bass. Hiroshi Yamazaki: drums, percussion. Recorded by Mikio Aoki in Tokyo, March 14, 1975. Includes liner notes in English by Alan Cummings.
Axis another revolvable thing. Vol.2
Originally released in 1976 as an LP on Offbeat Records (ORLP-1009). Masayuki takayanagi New Direction Unit. Masayuki takayanagi: guitar. Kenji Mori: reeds. Nobuyoshi Ino: bass, cello. Hiroshi Yamazaki: percussion. Recorded live at Yasuda Seimei Hall, Tokyo, September 5, 1975. Remastered by Tsutomu Suto. 'Fragment I: Gradually Projection'. 'Fragment IV: Mass Projection'. 'Fragment V: Mass Projection'. All compositions by Masayuki takayanagi. Includes liner notes by Teruto Soejima in Japanese an…
Axis another revolvable thing
restocked! Originally released in 1975 as an LP on Offbeat Records (ORLP-1005). 'Fragment II: Gradually Projection'. 'Fragment III: Percussion Solo'. 'Fragment VI: Mass Projection'. All compositions by Masayuki takayanagi. Masayuki takayanagi New Direction Unit: Masayuki takayanagi: guitar. Kenji Mori: reeds. Nobuyoshi Ino: bass, cello. Hiroshi Yamazaki: percussion. Recorded live at Yasuda Seimei Hall, Tokyo, September 5, 1975. Remastered by Tsutomu Suto. 'One begins to see--and hear--each sound…
Cartridge Music, Cifre, Four Systems
Works performed and arranged by Italian composer and Nuova Consonanza member Mario Bertoncini in 1970. Includes pieces by Cage ("Cartridge Music" for amplified "small sounds"), Earl Brown ("Four Systems" for prepared piano), and Bertoncini ("Cifre" for two or more pianos).
Erratum musical
the principle of musical erratum is simple: you choose a keyboard - any keyboard - you draw each note at random - no note can be struck twice, but all are struck - the resulting whole is played without any particular modulation, "a uniformity de rhythm, anaccentuation" says Duchamp.tThe premises of minimal and aleatory art are thus expressed in "the green box", published in 1934 (although the writings date back to 1912-15). to do this, we chose to use a piano (a bösendorfer)7 VARIATIONS ON A DRA…
The seasons: Vermont
The Seasons: Vermont is a soundscape of Vermont as charted through the changes of its yearly soundings. It is a composition in four parts (Summer, Autumn, Winter, Spring) for magnetic tape collage with an unspecified live instrumental/vocal ensemble. Though the actual composing of the music was completed between 1980 and 1982, it is the realization of a ten-year composition project. Goldstein listened closely and became attuned to what was the particular sound quality of each season in Vermont. …
Live With The Birds
The ensemble (4 of them) performs on an aluminium strip suspended from a rubber band (for subtle pitch shifting). As with Stockausen's Mikrophonie 1 this single source is bowed, scraped, beaten, tapped, stroked and so on. The Kanary Grand band comprises some 40 birds of various breeds who, sing along. N sum, varieties of interesting gong like drones with realtime fully interactive birds. A must. 3-way gatefold digipack, 12pp booklet with thoughtful essay. Limited art edition of 1000 copies.
20 Jahre Inventionen V - live electronic
The live electronics that Nono worked with for the first time in the early 1980?s at the Freiburg Experimental Studio also serves the musical displacement: the music moves away from clear spatial and timbral assignations. Due to electronic processing, the sonic characteristics of both instruments, bass flute and cello, can hardly be recognized. Tones and gestures are lengthened into seeming infinity and move in space
A Carlo Scarpa · A Pierre · Guai Ai Gelidi Mostri
** Original 1990 edition LP, comes with a black and white 12-page booklet ** Edition RZ’s vinyl edition of three works by Luigi Nono - a pivotal figure of the Italian avant-garde - all composed and recorded in the mid ‘80s. A lesson in fine-tuning acoustic perceptions, meant for focussed reception in keeping with Nono’s concept of “new listenings”: "This no longer means revolutionizing the entire linguistic system ie. a subversive attack on the institution of music; rather it means progressively…
Acousmatrix 7
Seventh volume in the Acousmatrix series. "In 1955, Luciano Berio and Bruno Maderna founded a Studio di Fonologia at a Milan radio station; it was the first electronic music studio in Italy. Berio became very active there, organizing concerts and also publishing a new music journal, both under the name Incontri Musicali. Berio explored the frontiers of sound, particularly vocal sound, thanks to his association with Cathy Berberian. She was willing and able to produce a remarkable variety of exte…
Didascalies
The idea of bringing together Rencontres fortuites, Didascalies and Tautologos III - two recent works for piano, viola and electronics, and one open-ended work - imposed itself at a concert at the Boendael Chapel in Brussels, where Collard-Neven and Royer performed Didascalies, with Ferrari attending. A few months later, we found ourselves in the legendary Brème studios, having to deal with the waiting, the Tonmeister's mood swings, and Luc, sick, having a hard time with long commutes and schedu…
Tautologos and other early electronic works
Luc Ferrari is among the best known of the early electronic music pioneers. He was director of the Groupe de Recherches Musicales from 1959 to 1960, working closely with Pierre Schaeffer, and his music played a decisive role in defining the range of musique concrète. But he went further to become one of the most radical composers of his time, and this CD, with its incisive character and exceptional sounds, marks the starting point for his artistic evolution. The compositions include 'Etudes aux …
Acousmatrix 3
Third volume in the Acousmatrix series. "A lovely work of electro-acoustic music by one of the French pioneers of musique concrete, Petite Symphonie Intuitive Pour un Paysage de Printemps ('Little Intuitive Symphony for a Spring Landscape') recreates the composer's experiences during a climb toward sunset on the Causse Mejean, a high plateau in the Massif Central, including his recollection of a shepherd's flute and its reverberations across the landscape. The flute sounds and multiple echoes co…
Cycle des souvenirs
2023 restock. First ever release of a large scale electroacoustic piece five years in the making that revisits numerous periods from Luc Ferrari's five decades of work. From the composer's liner notes: "I have been composing a new series of works under the general title Exploitation des Concepts. The point is to take concepts I have been experimenting with throughout my entire life as a composer, and to put them to use in every possible direction: in instrumental as well as electroacoustic music…
Interrupteur/Tautologos 3
Luc Ferrari -- along with Pierre Schaeffer, Pierre Henry, François Bayle, and others -- is one of the pioneers of the particular style of tape music known as 'musique concrète'. More significantly, he must be counted as one of the most complexly, most idiosyncratically compelling of post-War composers. Ferrari has time and again ranged far afield of musique concrète, and Interrupteur/Tautologos 3 is one such foray into instrumental music. But what a setting-forth! Mon dieu! These particular real…
Lost Aaraaf
Haino's first group, live recorded in '71! Bizarre voice + piano + drums. Incredible & historical recordings.
Night through. Singles and collected works, 1976-2004
Reissue. Essential 3xCD collection of Singles by New York City guitarist Loren (nee MazzaCane) Connors, one of America's most unique and challenging voices. Night through.spans four decades of Connors' recordings from the earliest acoustic session and first solo 7 - Ribbon o' Blues on St. Joan - to rare Singles issued by Table of the Elements, Road Cone, Father Yod, Menlo Park, Gyttja, Union Pole, and others, to his late 90s band Haunted House and recent acoustic recordings. Overall, three and h…
Spectral soprano
This retrospective double CD gives examples of Coxhill's early to recent work involving elements of improvisation including R & B, formally structured jazz, electronics, spontaneous music, an open rendition of an old play, and the odd bit of singing. An enormous variety of music ranging from straight-ahead jazz, to a concerto performance with the London Improvisers Orchestra, to an underwater slide saxophone solo recorded using a microphone in a condom. 135 minutes -- mostly previously unissued.