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UK version. First album from the legendary Japanese rockers fronted by Yuya Uchida. Although an album consisting mainly of cover versions, Anywhere still exhibited many of the musical traits that were to come to the fore on the bands next release, the classic Satori, an album of original material delivered with panache by the increasingly confident Uchida. An album made memorable by its risque cover as well as its ground-breaking approach to Western rock music.
2026 stock. Fylkingen Records in collaboration with the Swedish Radio released a series of LP records with text-sound compositions between the years of 1968-77. All of these were documentations of the international festival Text-Sound Compositions. A Stockholm Festival, which Fylkingen presented in Stockholm several times during these years. Most of the LPs were only pressed in batches of about 400-500 records, and most of the LPs sold out during the festivals. A re-release had long been planne…
Original LP from 1982. "Since 1979, the Swedish Radio Company and the Stockholm Electronic Music Studio (EMS) have arranged an annual 3-day Stockholm Electonic Musik Festival. It's purpose is to present a sample of the electronic music being composed in different parts of the world. This record contains four works from the 1980 festival - two are Swedish and two are international; two are for tape and two combine tape with live performance." Lars-Gunnar Bodin: Epilogue; rhapsodie de la seconde r…
Definitive remastered edition with extensive liner notes* 'In C' is one of Terry Riley's best-known and loved compositions, and essentially the first ever "minimalist" composition. It's a semi-aleatoric work - basically open-ended - written by Riley in 1964, and here performed in 1967 by the composer, and leader on saxophone, with members of the Center of the Creative and Performing Arts in the State University of New York at Buffalo, featuring Jon Hassell and Margaret among other notables in th…
Recorded on 11 May 1974 without interrupting the course of the music. Features two long brooding electronic pieces that reminds early Kluster, with doning voices add some uniqueness on first track, while the 2nd has some nice touch guitar amongst the usual dark electronic moods. Composed by Gregor Cürten & Anselm Rogmans.Initially released in 1974 as a private press LP, this is the first official reissue of Planes, produced in close collaboration with Gregor Cürten. Remastered from the original …
This release then of three short pieces under ten minutes by the Pole; Autograph (1980), Rondo (1984) and Zertstreutes Hinausschauen (1971) clearly holds some emotional resonance for Tilbury as he reflects on the music of his deceased old friend, and he then adds a fourth track here, a thirteen minute long improvisation in Sikorski's memory. The composed pieces here are each a nice listen, with the opening Autograph possibly the pick, as small flurries of melodic fragment are rotated, so …
A serie of duet with André Jaume and another musician, recorded in 1980 and 1983 by Jean Roché, Jean-Marc Foussat, Daniel Deshays. Raymond Boni, electric guitar. Hervé Bourde, flute. André Jaume, saxophones, bass clarinet. Jean-Marc Montera, acoustic guitare. François Mechali, doublebass. Fred Ramanonjiarisoa, piano. Gérard Siracusa, percussions.
Limited to 300 copies. All music by Will Long and Danielle Baquet-Long. Recorded in 2005-2006 at home in Huntington Beach, California. Originally self-released as a limited, handmade edition. new master by m.a.tolosa, Madrid 2011.
De Brassers are one of the most notorious bands in the Belgian new wave/punk history. With their no nonsense attitude they scared the shit out of the local catholic community of Hamont. De Brassers were a local mixture of the Sex Pistols (in the lowest gear) and Joy Division (they always performed a cover version of Joy Division’s Shadowplay), combining a criticism of bureaucracy and politics with experiences of psychological and existential tensions. The doomed sound they produced tells a lo…
Composed in 1979 and edited on LP in 1984 by Amaryllis. Reissue on cd by Oral, 2008. Contrary to an electronic music delighting itself in soaring above reality in self abstraction, the concrete music of Bernard Bonnier has a down on earth hearing, and a dancing too, altough now and then out of beat. Bernard Bonnier has defined chameleon-music as: '...a mime* trying to beat its parth through the puzzle (casse-tête: literally 'head-breaker') of soliciting madness, sundowns, violence, science, love…
In the landscape of early electronic music, few projects operated with the conceptual rigor and interdisciplinary ambition of Monoton. Founded in 1979 by hypermedia pioneer Konrad Becker, this Vienna-based collective emerged not as a band in any conventional sense but as an ongoing investigation into what they termed "bionic psycho-active automat music"—compositions derived from mathematical structures and natural constants rather than traditional melodic intuition.
Eight Lost Tracks documents M…
Hans-Joachim Roedelius and Christopher Chaplin first met in 2010 at the "Gugginger Irritationen 2" festival near Vienna, dedicated to Art Brut. In 2011, Roedelius was invited to play a live piano set for the BBC, which would be recorded and remixed by a musician of his choice, but with whom he had never worked before. Roedelius chose Christopher Chaplin for the task. The result was broadcast on BBC Radio 3's "Late Junction Sessions" program in June 2011. Roedelius then asked Christopher t…
37 solo text-pieces, phonetic poems and poetry duets (with Monika Lichtenfeld) written and composed between 1952 and 2010. Recorded 2011 at Piethopraxis Tonstudio, Cologne by Marcus Schmickler. Comes with 24 page booklet with liner notes by Gerhard Rühm in english & german.You can listen here to "Gebet" (Prayer), 1954, is an example of vocal constellation. The succession of vowels "a, e, i, o, u" repeated in this order is wrapped up in consonants to the point of producing syllabic coordinations.…
More than 30 years ago ‘Bizarre Unit’ released their timeless and highly collected classic single ‘Dancing/Away from the Screaming Car’. Now for the first time ever, Bizarre Unit and VOD-Records have uncovered the lost treasure trove of their surviving recordings. These unique recordings have been digitally transferred, edited and carefully restored from the ¼-Reel-Recordings and Cassettes. Embedded crackling and background noise from the original surviving Acetates have been careful…
This 10Lp-Set in a black varnished and silkscreened wooden Box is a comprehensive Anthology of the „Godfather of Noise“ early works, carefully selected and mastered by Merzbow himself. Is there anything left to say about Mastermind Masami Akita alias Merzbow that hasn’t been told or known. Does he still need any introduction or explanations? Merzbow has been actively recording 'Noise-Music' since late 1979. You can not talk about the Genre „Noise“ without eventually leading to him as one of th…
Sun Ra was an extremely prolific artist and while hundreds of recordings exist of Sun Ra, there are only a handful where he can be heard playing solo. This amazing and rare solo performance recorded live in 1977 at the world-famous La Fenice opera house in Venice, and featuring Sun Ra playing a mix of standards as well as his own material on piano, is a rewarding journey into the repertoire of one of the most controversial and unorthodox musicians in the history of jazz.
"This novelty album, released in 1966 during the height of the Batman & Robin craze, was initially credited to the 'The Sensational Guitars of Dan and Dale' and featured an album full of tracks based on the popular TV show like 'The Batman Theme Song', 'The Penguin Chase', and 'The Batcave'. The album is entirely instrumental, except for someone singing 'Batmaaaan!' in the theme song. But the interesting thing about this album, and what makes it an absolute cult gem, are the musicians who…
This album is made up of one long jam session recorded live-in-studio at Inner Space in Cologne during the 1973 Future Days sessions. More ambient than their previous efforts, Future Days was also singer Damo Suzuki's final album with Can. Members of Can had first encountered the self-defined '20th century nomad,' Kenji 'Damo' Suzuki, a few years earlier on the streets of Cologne. It was shortly after original Can vocalist Malcolm Mooney had left the band and they were left without a singer…