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Oscillatorial Binnage's "Agitations: Post-Electronic Sounds" is an 11-track album of post-digital, post-electronic music. The recordings are deeply acoustic - no electronic processing features anywhere. The sounds are produced by the experimental manipulation of repurposed recycled objects subjected to electromagnetic force fields. The 'infinite world of the real' offers up richly unpredictable effects, with fields of vibration producing psychoacoustic flourishes, along with spontaneous, arbitra…
Faitiche presents Jan Jelinek’s album "Tierbeoachtungen" in a limited pressing on vinyl for the first time. Originally released on Scape in 2006 as a CD, the album’s six tracks took their cues from Jelinek’s live concerts of that period: dense, slowly unfolding loop improvisations made with a laptop, various effect pedals and miniature synthesizers. It is music that floats in a semi-conscious state between dream and awakening, always slightly mysterious, leaving traces that lead directly to the …
Tip! File next to Andrew Pekler's Tristes Tropiques, highly recommended. **100 copies** "After four years of silence that have elapsed since the release of Ode To The Sea LP back in 2016, Muscut is bringing out Nikolaienko’s next collaboration, a duo with Arthur Mine, a Kyiv-based keyboard maestro and an ex-member of the Blacklazer band.Nostalgia Por Mesozóica is an exploration of "experimental exotica" consisted of synthesized tropical attributes — an artificial landscape isolated behind the g…
A native of Poznan, the multi-instrumentalist composer / producer Waclaw Zimpel has steadily been gaining recognition as one of the most singular and original talents to have emerged from Poland in contemporary times. His second solo album Massive Oscillations is his first for the Amsterdam-based label Ongehoord. At various points Waclaw deploys bass clarinet, alto clarinet, electronics, prepared upright piano and Yuri Landman guitar object. Wojciech Traczyk adds double bass and Holly Hock provi…
Earn is Matthew Sullivan, known to some already as Privy Seals, his extremely harsh noise project, collaborator with underground ambient artist Sean McCann, owner of the cassette label Ekhein, one half of the group 1958-2009 and former member of the legendary Deep Jew. A prolific gentleman with an ear for blissful engulfing tones and radiance that go beyond ambient or shoe gaze. His project Earn stands as a testament at his ability to use minimalism as an approach to guitar playing to find sound…
Merzbow (メルツバウ) is the main recording name of the Japanese noise musician Masami Akita (秋田 昌美, Akita Masami) Since 1979 he has released in excess of 350 recordings. The name "Merzbow" comes from German artist Kurt Schwitters' artwork, "Merzbau". This was chosen to reflect Akita's dada influence and junk art aesthetic. In addition to this, Akita has cited a wide range of influences from progressive rock, free jazz, modern classical and musique concrète to BDSM and Japanese bondage. Recently he h…
Italian sound artist Giulio Aldinucci returns with his third album on Karlrecords: "Shards of Distant Times" is again a truly masterfully composed and sound-designed ambient masterpiece and a more than worthy follow-up to the critically acclaimed "Borders and Ruins" (2017) and "Disappearing in a Mirror" (2018) which both made it onto several year's best lists.
"Very Ltd. Edition 12"EP on this highly intriguing label. Musical, captivating and a more than a bit nuts. Big tip! Hailing from the Ruhrgebiet and now based in Cologne, sound enthusiast and percussionist Tulips is cofounder of the free-wheeling improv kraut group Nasssau, plays together with TRJJ (of Belgium’s Stroom crew) in the duo P.Vee, and is part of Cologne’s dub-minded jam hounds Montel Palmer.Produced in his bedroom, the sonic palette for this EP derives from primitive key improvisation…
**CD version** "Window In is Michael Vallera’s third full length offering on Denovali, following All Perfect Days (2018) and Vivid Flu (2017). The four tracks that compose Window In are an exercise in density, movement, and space. Raw studio recordings of electric guitar were taken as the foundation, then heavily altered and manipulated through sampling, erasing the trace back to origin of the sound. The result is a series of vignettes that are unattached to a particular source but instead exist…
**300 copies, orange vinyl** "After inaugurating Sferic with the Synthetic Space LP in 2017, Echium now leads the way with a remarkably refined, even meticulous grasp of sound design steering away from purely “synthetic space” to imaginary spaces that smudge the listener’s perceptions of artificial and organic texture, tone and spatial dynamics.Like the best of its contemporary field, from Vladislav Delay to Uon and Heith, the meticulous technical physics of Disruptions of Form provides the fram…
**200 copies, transparent green vinyl** "Slow Machines brings together veteran Stephen Vitiello and 12k newcomer Michael Grigoni, whose debut Mount Carmel (12k1090, 2019) made an impression for its merging of the pedal and lap steel guitars with a hushed, ambient sound. With both calling the southern mid-Atlantic region of the United States home, the two met up and discussed a collaboration in which Grigoni would provide the guitars and Stephen the electronics and processing with a goal of combi…
**60 copies** All music by Sindre Bjerga and Frans de Waard. Recorded February 2019 at Worm Studio, Rotterdam. Mastering by Claus Poulsen, Design by Red Bol.
**200 copies** "Francisco Meirino's work in my humble opinion speaks for itself. I'm just incredibly honored to be able to put this out for him and help promote it. If you really need a description to go on though, here is my brief thoughts on it. Masterful pacing and layering of eurorack textures, vertigo inducing frequencies, immersive field recordings, broken electronics and reel-to-reel tape. Francisco has a technique that I like to call "slow cuts" where he will make you zone out on a certa…
**CD version** "Before his prolific activity in the field of music therapy, Agostino Nirodh Fortini also embarked on his own path in electronic music. In the early eighties he was a close collaborator of Walter Maioli and Fred Gales, at the time of the pioneering label Sound Reporters.Suoni Immaginari, released only privately on cassette in 1988, contains a wide range of keyboards and lots of ethnic field recordings assembled with an absolutely modern praxis ahead of its time. Nirodh imagines hi…
"In his philosophical ideas, René Descartes supports the concept of automatism, referring to the mechanical reactions generated by stimuli from our friends in the animal kingdom. To illustrate: “If I press a dog’s paw, he systematically barks.” Yes, systematically, yes.Here we are in the presence of another system from outre-Quiévrain named Raymonde (what a strange name for an electronic group - why not Simone or Josiane?) coming from the gastronomic capital of France, Lyon.Ideologically, he doe…
ISAN’s Robin Saville speaks to the salubrious qualities of a good mooch in a very sweet album inspired by what he sees and feels during his daily perambulations and incorporating field recordings, drones and acoustic instrumentation.
Slow Reels combines Ian Hawgood's love of reel-to-reel tape machines and vintage synthesizers with James Murray's melodicism and richly textured digital sound design. Their Morr Music debut, "Farewell Islands", is an arresting, fluorescing album that blends full-frequency dronescaping with a slow-burning ambient minimalism.
Born in Milan, Fabio Selvafiorita is a composer of instrumental and electro-acoustic music. "The Fall" is his first full-length solo release. Selvafiorita’s acousmatic music investigates the complexities between in-formal abstractions and Pathos in sound manifestations.
* Limited edition of 300 * Los Angeles based artist Evan Caminiti returns with the follow up to 2017’s Toxic City Music. Living in the wrong timeline, dreaming of possible utopias; Varispeed Hydra beams in like a collection of broken transmissions, terrestrial sounds melting into the abstract and rising again as vaporous specters. Three years in the making, the album was recorded utilizing a variety of electroacoustic processes and honed in live performances ranging from the sound art setting of…
**Finally repressed on cream coloured vinyl, now includes a 12-page booklet!** Meitei considers himself an old soul, often preoccupied with the customs and rituals of the past. Recently Meitei lost his beloved 99-year-old grandmother, a woman who he considered to be one of the last remaining people to have experience and understanding of traditional Japanese ambience. His music and art is driven by a desire to cast light on an era and aesthetic that he believes is drifting out of the collective …