Skylogue
Following the ambitious all-analog explorations of “Imperfect Space Journeys” (1988) and “Live Electronic Music” (1989), Jeff Carney was determined to push further into new sonic territories and to continue to strive for even more originality while not yielding to the prevailing trend towards digital synthesis. And so, in 1990, Jeff Carney recorded some of his most ambitious analog electronic music. Those recordings were once thought to be lost — rumors about their existence made the rounds — bu…
Damaged Future
**Edition of 100** Unlike the electro-acoustic suite “Combustion” which inaugurated the catalog of Anomala Soundscapes in the split album together with Daniele Pecorelli, Mark Schaub’s new work develops on various levels articulating between very dissimilar styles and sounds. The trait d’union between these short compositions is the attempt to recreate the apocalyptic scenarios of Ballard in music, an author so dear to a certain industrial culture that here once again he returns to the center of…
Ash Tapes
**Edition of 50** Transcendent sound that floats in the ether, dragging with it memories, affections and all the resulting emotional load. Rarefied music, characterized by an impression of impalpable lightness, which in the placid undulations of "Mare Tranquillitatis" and the crystalline transparencies of "Rain People" effectively amalgamates loops, drones and guitar reverberations. On the second of the two CDs, the sound material opens up to new colors and in "Everyone" welcomes echoes of moder…
&
Tip, last few copies! **Edition of 100** Debut LP for the new label Anomala Soundscapes, the split album “&” creates an ideal sound bridge between two composers based in Rome and, active in the field of research, Daniele Pecorelli and Mark Schaub. The first, through the gradual expansion of the sound material contained in the "Who’ll Frame My Memories in Ash" suite, works by metaphors, ideally and effectively representing the idea of death, the dispersion of vital energy, and the persistence of …
Vaco
Tip! **100 numbered copies in black 'disco bag' cover with sticker, 180g audiophile vinyl** Active on the scene for more than two decades, Maath is the moniker of Marco Ramassotto, who briefly came to note during the early 2000s as a member of the ritualistic, musical excursions of Biasthon, as well as working under the pseudonym of Mark Schaub. Despite Maath’s many years of activity, Ramassotto has only produced a tiny number of releases under that guise, most notably “No Survivors for the New …
Impressioni Organizzate di Ansie Liquide
Huuuge Tip! **100 numbered copies in poster cover with printed inner sleeve, 180g audiophile vinyl** Since its launch roughly five years ago, the Rome based imprint, Anomala Soundscapes, has quietly mined Italy’s rich context of experimental electronic and electroacoustic music, focusing their energies toward the densities of meaning and possibility activated by these practices and territories of sound, via releases by artists like Mark Schaub, Daniele Pecorelli, and Rumore Austero. The label’s …
Every Dog Has His Day
The two works which comprise this retrospective release project - "Plan for Sleep” (1984) and "Every Dog Has His Day” (1985) - are collaborations between Yamanaka and Furuhashi which were foundational to the music development of Dumb Type's aural legacy and intermedia innovations at large. Their early stage music possessed a unique charm and innovation, serving as an essential element at the core of their art. Through this project, the legacy of these works is to be re-evaluated, and the essence…
Plan For Sleep
In the performance of this work, "Plan for Sleep" (1986), created simultaneously with “Every Dog Has His Day” (1985), Yamanaka took on the role of sound operation. The performance begins with a minimal piece where the tones of the electronic organ and striking phrases from the piano and saxophone race forward in syncopation. Following this, various sound fragments drift over a deafening industrial beat reminiscent of machine noises. There are also pieces that transform the typing sounds of a typ…
Go 'Swish
*50 copies limited edition* Goldsmiths graduate, visual artist and composer Maz Gilkes - aka Mazy Day - untethers a debut of simmering organ improvisations and disembodied pop, with Go 'Swish. Working from organ recordings made in a Cornish church, Mazy can be heard toying with familiar structures, as popular music forms and progressions are delicately pulled apart and held up to the bliss and crackle of electroacoustic light.
The album reads like a crumpled collection of charcoal rubbings; melo…
Blickwinkel
Tip! CD version. After dipping into the archive to deliver a series of essential reissues, Bureau B continue to encourage the chaotic brilliance of Faust with an LP of brand-new music curated by originator Zappi Diermaier and a band of musical friends, including fellow founder Gunther Wüsthoff. Over the years Faust has become many things, each as separate as the fingers, but as together as the hand which makes up their eponymous fist. From 1971 to 1974 the Hamburg band blazed a bold sonic trail,…
Terra Incognita
*200 copies limited edition* Former Pulled Apart By Horses guitarist James Adrian Brown has been tirelessly sculpting his new sonic identity since early 2021. After making the transition from fuzz-soaked guitars to swarming synthesizers, Brown has been regularly releasing singles, remixes, collaborations and composing scores over the past three years. July 19th marks the release of his first EP titled “Terra Incognita.”
This expansive and cinematic journey, comprising six tracks, represents a me…
Twin Color (vol. I)
Twin Color - Vol 1 marks the grand return of Murcof to producing a full-length album in all its glory and generosity, nearly two decades after the release of Cosmos in 2007. Celebrated for his classical, minimalist textures and unique soundscapes, Murcof has established himself as a master of modern ambient music alongside Tim Hecker, Alva Noto, and Johann Johannsson. With this new album, Murcof takes a bold step forward, embracing a distinctly cinematic and dystopian narrative influenced by the…
Kuma Cove
“Music is my forever cove,” writes Portland, Oregon’s Luke Wyland of the ideas that give shape to Kuma Cove, his latest album under his own name. Though named after a real place on the Oregon coast, Kuma Cove casts its gaze far beyond the sightseer’s line of vision. Recorded live in the studio and blurring obvious lines between computer-based composition and electro-acoustic instrumentation, it is an album about flow, borders, transitory states, and shelter. Composed of discontinuous ripples and…
Oxide Manifesto
"Oxide Manifesto is intended as an audio sketchbook, which explores a particular method of creating music. It aims to link obsolete machines and experimental composition. In recording it, I embraced as many techniques of working with magnetic tape as possible. I gave myself the freedom to lean into the perceived flaws of tape as a recording format. Often we hear ‘it’s not about the equipment’. But on this album the equipment is in equal focus to the music. Wow, flutter, wonky pitch, abrupt edits…
Only Good Dreams For Me
On “Love2,” the second track on Zaumne’s 'Only Good Dreams For Me', Natalia Panzer’s voice emerges from a hazy smear of a pop-song chorus: “I am touching the cold window,” she intones. “I am touching the spinning walls. It’s a way to remember what’s mine is yours, and back again.” 'Only Good Dreams For Me', Zaumne’s first release with Warm Winters Ltd., embraces such direct contact as it cycles through states, from dread to hope. The heavy air that lingered on Zaumne’s previous releases, like hu…
The Magic Place
Julianna Barwick's The Magic Place, is a nine-piece full-length album of magic and solace, bursting joy and healing tones. Julianna's mostly-a-capella music is built from her voice multi-tracked through a loop station. There's more backing instrumentation on this one than on previous albums but it's the vocals—soaring high in reverb-drenched, wordless harmonies—that matter most here. It's the layered fragments and pieces that become an intricate pattern through technology; it's the sound of a ri…
Jade
zakè (aka Zach Frizzell) and Tyresta (aka Nick Turner) follow their recent ambient treasury, The Worlds We Leave Behind, with Jade, a surprise companion album that teases out several themes from previous works into three long-form sonic vessels, offering some of their most affecting work across nearly an hour of reflective bliss. In the process of allowing their individual instincts to further entwine, they have created a uniquely generative kind of collaboration, where every deep drone and deli…
The Worlds We Leave Behind
The Worlds We Leave Behind is the second full-length from the duo of zakè (aka Zach Frizzell) and Tyresta (aka Nick Turner)
“Building on both quotidian and profound contrasts, ‘The Worlds We Leave Behind’ by zakè and Tyresta continues the theme from the pair’s earlier collaborative efforts, that of personal strife and experiential wisdom, which colour the impressions we derive from our environments. Being a “spiritual sequel” to the pair’s first album Drift (2023), the album educes long, heavy-s…