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* Edition of 200 * Joel Gilardini is an experimental guitarist and sound designer, based in Zurich (Switzerland). His solo ambient oriented works are often based on the use of live‐looping and instant composition techniques. It’s a very unique biosphere of ambient, drone, dub, doom elements and morphing soundscapes. Joel Gilardini opens at Montags for Nik Bärtsch’s Ronin/Mobile on regular basis at Exil club (Zurich/CH), and has taken part to Y2K International Live-Looping festivals in Zurich, Pa…
Tape Loop Orchestra’s ambient concrète aesthetic coalesces clammy choral swells and bombed-out, buried percussion in the second of a new two-part project following 2019’s ‘Interiors’ series. The second part of TLO’s current cycle comes down from the windswept heights of Vol.1 to settle in a more valleyed state of contemplation. Operating around 20bpm, the music on ‘Returning Two’ evokes his ideas on consolidating mind and body from a lower altitude and perspective where the choral winds die dow…
MFM048 sees the release of a special collaboration between two unique voices within the ambient landscape, Suso Sáiz & Suzanne Kraft, with their collective debut album ‘Between No Things’. Whilst having first connected at a Gaussian Curve release show in Amsterdam back in 2017, in which both musicians also performed, the two really got to know each other during a three day recording session that followed immediately after; “We would have good chats and laugh setting up and in between long takes …
‘Sign’ is Autechre’s first new album-album proper since ‘Elseq’ and contains some of their most emosh compositions in eons, perhaps since ‘Tri Repetae’. Practically pocket-sized in comparison to their sprawling torrent of live material and radio recordings in recent years, ’Sign’ is a return to the sort of concision found circa ‘Exai’ and their earlier albums. Effectively they’ve gotten better to grips with their live set-up, and the hyper ideas found in their work-in-progress demonstrations on …
Suction present a new vinyl release of “The Plaintive”, the first new album since 2014 by the somewhat underrated electronic project of Mark Van Hoen, Locust.
"When Suction was formed in 1997, we were deeply enthralled with the UK “listening” electronic scene, otherwise known as electronica or IDM, but besides the obvious icons - Aphex Twin, Autechre, and other luminaries of labels like Rephlex, Warp, and Skam Records - one of our heroes was the lesser known Locust, whose productions were murki…
**213 copies** In graceful and synthetic invitation, Mona Servo weaves subtle and liquid tapetries for us, washing our certainties away and enveloping us in alternate realities as beautiful as they are essential.
New England's Lee Tindall has been a mainstay of the noise/electronic scene for some time. Working as Zerfallt and Belarisk, and in a variety of groups (including Astronaut with Daniel Lopatin), Tindall has been perfecting what he calls "Hy-Fy mutant music" for a decade, working on the fringes of a sound that has slipped in-and-out of focus. As Belarisk, Tindall taps into the more melodic side of experimental electronic music, applying his expert-level technical skills to digital and analog syn…
Disintegration Landscape is a brand new limited cassette release from Panabrite following his 2014 album Pavilion (Immune 033). In late 2014 Panabrite’s Norm Chambers began stitching together recently collected bits of sounds and field recordings to create a sort of epic travelogue of ideas and movement, where things end up in stark contrast to how they begin. Initially Disintegrating Landscape was one continuous 47-minute piece, but has now been edited for cassette; each side a stand-alone pie…
An otherworldly blend of ethereal ambient, new age with inherent discofied undertones - reissued! Pressed at Pallas in a 500 copy run only & comes with a beautiful booklet ! Frederiksberg Records is proud to announce 40th anniversary LP reissue of Lydglimt, done in close collaboration with Klaus Schønning. At odds with the loud musical landscape of jazz, rock and punk which dominated the Denmark at this time in the late 70's, Schønning saw before him a different path. A path leading to the…
**300 copies** The quintessential ZF. "'Shouting at the Ground' showed a dramatic improvement in sound quality and production from their earlier albums - all of which, by the way, are excellent in their own right. What we have here are an arsenal of hand made instruments, mostly stringed and percussive in nature, that are squashed through various delay and echo filter machines, creating an otherworldly, timeless and overwhelming creepy atmosphere. Outside this website Zoviet France are classed…
**300 copies** Just An Illusion represents a continuation of the Zoviet France electronic style of the late 80s early 90s. Together, Acend A Fall and Caught In The Square comprise a hypnotic masterpiece. A combination of industrial grinding, modified guitar and electronics. Other tracks apply synthesizers and tape loops with far more sophistication and impact than on the earlier albums. With longer mood pieces and shorter works that highlight the Middle Eastern and Asian influences which have o…
**300 copies** Look Into Me contains a combination of industrial grinding, modified guitar and electronics. Other tracks apply synthesizers and tape loops with far more sophistication and impact than on the earlier albums. Zoviet France cycle and recycle abstract noises into a constantly changing texture, composed of sonorous drones, grindings, scrapings, squeakings and so on. It's atmospheric without conjuring up any obvious imagery at all, thanks to the unreality of most of the sounds used. Oc…
**300 copies** Released just before a four-year layoff, Shadow, Thief of the Sun is both one of Zoviet France:'s better releases as well as one of its rarer albums (the label it was on, Death of Vinyl, had limited distribution and eventually went out of business). While :zoviet*france: often wanders out into fairly random soundscapes, most of the material here is grounded by a drone of some sort, with atmospheric chanting and other instrumentation designed to complement the drone. The drones are…
**300 copies** Zoviet France's Collusion released on the short-lived Mute imprint The Grey Area, is a collection of pieces Zoviet France contributed to compilations between 1984 and 1990. While none of the tracks stands out, they collectively provide a reasonable précis of the band’s various approaches
**300 copies**One long, slowly-unfolding live track, Vienna 1990, originally released as a CD-R, is a single disc-length improvisation which explores the outer limits of ominous minimalism. These recordings are taken from two performances at Szene Wien, Austria, 9 and 10 November 1990 as part of the 'Ohrenschrauben' festival
**300 copies** For a band which had performed only a handful of live shows during its first decade, the bulk of Zoviet France’s ’90s releases are performance documents. What Is Not True assembles three long tracks from shows in Sheffield and Nottingham into a work of album-like cohesion. The 54-minute closer “Cyclonic Sub Alien” is a masterpiece of shifting drones that develop slowly into an ungodly cavern of noise before ending with the ghostly floating voices of a distant broadcast. Magnificen…
**300 copies** Constructed from an array of samples and environmental recordings plus plenty of feedback, Zoviet France's Collusion exudes a rare beauty for an album of such varied sounds (each track was originally released on a different compilation). A wide range of stylistic choices are on display, from the chilling account of the brutal murder/suicides from Jonestown on Ram to the surprisingly sedated and subtly beautiful Something This Beautiful, the album is a pretty great find for those l…
* Edition of 200 * Over time, different sound elements have settled, coming to constitute a heterogeneous but at the same time subly fascinating whole. The noise was compounded by infanticidely rhythmic timbres of toy instruments, rustling and crackling of old vintage radios have been joined by snippets of miniaturized voices from the web. The final work is a fil rouge that crosses all these elements joining them in an unconventional sound research hypothesis.